Here are 87 books that The Winter of Enchantment fans have personally recommended if you like
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I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
I picked up a copy of Sally Rogers-Davidson’s book Polymer in a bookshop in Glebe. I admit I took it from the shelf because of the chance resemblance between our names. It entertained me royally on a long bus ride and I instantly wanted to write to the author. I later met Sally R-D and found we had more in common than our names and our penchant for writing science fiction.
Polymer is one of the most wonderful lively, romantic, adventurous space operas I’ve ever read. It’s sharply written, and Polly Meridian herself is a heroine I wish I’d invented. Her hero is an antihero at first, but the story persuades the reader to give him a chance, as Polly does.
Polymer never wanted to get involved in an intergalactic war. Nor did she ever expect to fall for a member of the enemy forces. But when her idyllic existence on Delta Station is shattered by the invading Gloman Empire, Polymer discovers that there is more to life than long, hot baths. Torn from the only home she has ever known, Polymer is forced to re-evaluate her own beliefs and convictions as she joins the battle against the seemingly unstoppable Glomans. Hunted across the galaxy by a ruthless suitor, Polymer finds herself at the centre of a terrible conspiracy and has…
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
Restoree is a stand-alone novel by Anne McCaffrey of the Dragon Riders of Pern fame. The protagonist, Sara, is swept up in a mass kidnapping and carried away to a planet where she ends up in a new body. She is given the job of caring for a man who seems largely unresponsive. Sara and the reader slowly come to understand what’s happening and she makes a bold move to rescue herself, her charge, and the other restorees. Like all the best science fiction, Restoree is less about the trappings and more about the human story.
There was a sudden stench of a dead sea creature. There was the sudden horror of a huge black shape closing over her. There was nothing...
Then there were pieces of memory, isolated fragments that were so horrible her mind refused to accept them. Intense heat and shivering cold; excruciating pain; dismembered pieces of the human body. Sawn bones and searing screams.
And when she awoke she found she was in a world that was not earth, and with a face and body that were not her own. She had become a Restoree...
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
Deep Secret is one of my all-time favourite books; one I reread often. There are no spaceships here, (though there is a Land Rover that isn’t!) but much of the action takes place on distant worlds; chiefly Thule and the Koryfonic Empire. Rupert Venables, the youngest Magid, faces not only the fall of the Koryfonic Empire and his task of finding the hidden heir, but also the need to choose a successor for his dead mentor, Stan. There’s so much to love about this chaotic, tangled, wonderful book; not least the combative but ultimately loving relationship between Rupert and Maree, the least likely of the candidates on Rupert’s list.
Chaos threatens the Earth when one of the powerful magicians assigned to balance good and evil in that corner of the universe dies and a junior magician must lead the search among the planet's denizens for an appropriate successor to the sorcerer's throne.
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
Masquerade in Lodi is a novella in the Penric and Desdemona series. It takes place in the World of the Five Gods, and I discovered it only recently. Penric is a magic wielder, and Desdemona is a demon. They have an interesting relationship, and what I love about this one is that the story manages to be exotic (taking place during a festival in a strange world) and yet eminently readable and relatable. In a very brief time, Pen and Desdemona become your friends. There’s no high-flown language here; just a darned good story with an intriguing mystery and characters worth your while to meet.
Bastard\x26#8217;s Eve is a night of celebration for most residents in the canal city of Lodi\x26#8212;but not for sorcerer Learned Penric and his Temple demon Desdemona, who find themselves caught up in the affairs of a shiplost madman, a dangerous ascendant demon, and a very unexpected saint of the fifth god.<\/p>
This novella falls between \x26#8220;Penric\x26#8217;s Fox\x26#8221; and \x26#8220;Penric\x26#8217;s Mission\x26#8221; in the internal chronology of the Penric \x26amp; Desdemona tales.<\/p>
I have spent my entire adult life wondering if my world would be different if I hadn’t spent my teens and twenties on antidepressants. What I know for sure is that the person I am after psychiatric drugs is wildly different than the person I was while medicated, which has led me down a path of understanding the history and cultural significance of psychiatric drugs to understand my own story. Now, I am an advocate for safe psychiatric drug deprescribing education. My goal is to teach patients and parents how to ask their doctors the right questions, encourage true informed consent, and make prescribers aware of the signs and symptoms of over-medication and psychiatric drug withdrawal.
It took me a long time to understand how my mother’s well-intentioned decision to send me to a child psychologist derailed my whole life, but Bad Therapy finally put the pieces together. In being diagnosed with depression and anxiety as a teen—and consequently medicated for it—a message was sent by the adults around me: I did not have the capacity to help myself.
That unspoken message haunted me for the next fifteen years, leading me down a path of self-induced victimhood, fragility, and, paradoxically, more depression. I see this happening with an entire generation, and this book explains why—a must-read for every parent or medicated kid.
From the author of Irreversible Damage, an investigation into a mental health industry that is harming, not healing, American children
In virtually every way that can be measured, Gen Z’s mental health is worse than that of previous generations. Youth suicide rates are climbing, antidepressant prescriptions for children are common, and the proliferation of mental health diagnoses has not helped the staggering number of kids who are lonely, lost, sad and fearful of growing up. What’s gone wrong with America’s youth?
In Bad Therapy, bestselling investigative journalist Abigail Shrier argues that the problem isn’t the kids—it’s…
It would be fair to say that the deconstruction has firmly taken hold of the Western genre in movies. But while an appreciation of Sergio Leone is omnipresent to the point of cliché for cinema buffs, in literature, Louis L’Amor, Zane Grey, and William W. Johnstone reign supreme. Cormac McCarthy’s apocalyptic Western horrors being the exception that makes the rule.
But Western books have their own subversion, and I wanted to spotlight those. The men’s adventure, the pulp fiction, the outright smut. These are the books that inspired my own novel, A Man Called Bone, and I hope it does right by its muses.
Leaving Piccadilly for the moment, we have the adult western. As if the name of the genre and the name that starts every book title isn’t enough, it’s published by Playboy. And as you might have guessed from there being four hundred of these books, put out damn near monthly since the seventies, it’s a bit of a fool’s errand to single out any one book. They’re somewhere between the formulaic nature of needing to be a Western with literally obligatory sex and violence, and the author being a house name that’ll change with any given volume, who by necessity will have his own idiosyncratic take on the material.
One book, you might get a writer that’s really into delivering the sex appeal promised by the cover. Another time, you’ll get someone who just wants to write a Western (if that: people weren’t writing these things for their health,…
While pursuing the cold-blooded killer Rafe Masterson, Slocum narrowly escapes the outlaw’s quick draw with his life. Unfortunately, his trusty horse wasn’t so lucky. Slocum’s steed was just the latest victim to fall afoul of Masterson, who has two notches in his belt representing the two deputies he’s already gunned down. Wanted in several states, Masterson is increasing both his death toll and reward value—and he’s not about to let Slocum bring him in…dead or alive.
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This novel perfectly captures the frenetic pleasure-seeking ethos of the youth of the English upper classes after the horrors of WW1- unsurpsingly, as it is written by one of them.
Evelyn Waugh was one of the Bright Young People, as they became known, who tore round London in sports cars, snatching at policemen’s helmets for the treasure hunts they loved.
Vile Bodies is both a celebration of the hedonism of the young and a warning to those who believe that their license to indulge is infinite, unquestionable and without consequence. A whole host of wonderful characters are introduced throughout Waugh's thought-provoking and satirical story, which follows protagonist Adam from the perils and pitfalls of being a gossip columnist to the trials and tribulations in attempting to secure his marriage to Nine Blount. Roll on an eccentric (verging on senile) potential father-in-law, parties as 10 Downing Street, high times at Shepheard's hotel, where the wine is always flowing (until your bill…
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
If you adore a second chance romance, then this is the steamy billionaire romance with a trip to London for you.
I adored how Rebecca Castle weaves together hints for the second standalone in this series, and a few of the scenes made me pant! So sizzling. Make sure you grab it now.
Two sassy girls. Two billionaire British brothers. One beautiful city of culture, history. And love.
KINGSLEY Tall, handsome, rich, and British. I thought I had it all as the bachelor son of one of England’s ancient aristocratic families. The girls. The parties. The money. The power. But that was until I spent a semester at an American high school. That was until I met her.
SCARLETT That bad boy Brit, Kingsley Heath-Harding, broke my heart, but that was a long time ago in high school. He fled back to the UK, and I thought I would never see him again.…
I love historical fiction which brings the past to life and allows us to experience other historical periods. For me, historical crime fiction combines this with dynamic plots and interesting characters. My love of history was first kindled by the books of John Prebble which introduced me to the fascinating world of 17th-century Scotland. I went on to study Scottish History at university and research a PhD in the subject. I have gone on to write a history of the Darien Disaster, The Price of Scotland, and a series of historical crime novels set in the late 17th century featuring investigative advocate John MacKenzie and his sidekick Davie Scougall.
The Seekertakes us through the streets of Cromwellian London in the 1650s, a period rarely considered by historical crime novelists, but one of paranoia as Cromwell’s regime struggles to crush the enemies seeking to overthrow it. The novel introduces the character of Captain Damian Seeker, Cromwell’s mysterious agent who is a force to be reckoned with.
Winner of the 2015 CWA Endeavour Dagger for Historical Fiction
London, 1654. Oliver Cromwell is at the height of his power and has declared himself Lord Protector. Yet he has many enemies, at home and abroad.
London is a complex web of spies and merchants, priests and soldiers, exiles and assassins. One of the web's most fearsome spiders is Damian Seeker, agent of the Lord Protector. No one knows where Seeker comes from, who his family is, or even his real name. All that is known of him for certain is that he is utterly loyal to Cromwell, and that…
I am by no means an expert on the Victorian era, but I am most certainly passionate – I have written seven novels set in this period and have researched different aspects of the social, domestic, and gender-related issues for each of those books. The Victorian era is such a fascinating time – from the huge differences in money and class, to the beginnings of women starting to initiate (or maybe even demand) change with the first murmurings of women’s suffrage and, of course, the Married Women’s Property Act 1882. Rich in storytelling possibility and the opportunity to bring societal, gender, and sexual issues to the fore, I find writing in the Victorian period immensely exciting.
This book was recommended to me by a friend who knew I liked books set in the Victorian era. However, at the time, I had not read any books set in a music hall and certainly not a mystery. This book takes the reader deep into the underbelly of Victorian London and introduces a whole cast of eerie characters as well as some wonderful characters with hearts of gold.
The descriptions of the places our heroine is forced to visit are so exquisitely drawn that I could literally taste, smell, hear and see everything. The charm of Kitty and her friends gives a welcome reprieve from the darker aspects of the novel, yet it is those aspects that thrill the most!
Limehouse, 1880: Dancing girls are going missing from 'Paradise' - the criminal manor with ruthless efficiency by the ferocious Lady Ginger. Seventeen-year-old music hall seamstress Kitty Peck finds herself reluctantly drawn into a web of blackmail, depravity and murder when The Lady devises a singular scheme to discover the truth. But as Kitty's scandalous and terrifying act becomes the talk of London, she finds herself facing someone even more deadly and horrifying than The Lady.
Bold, impetuous and blessed with more brains than she cares to admit, it soon becomes apparent that it's up to the unlikely team of Kitty…
