I’ve been interested in philosophy ever since I heard the album Poitier Meets Plato, a product of the 60’s coffee house culture, in which Sidney Poitier reads Plato to jazz music. As a professional philosopher, I investigate the nature of knowledge and reality, and if paranormal claims turn out to be true, many of our beliefs about knowledge and reality may turn out to be false. In an attempt to distinguish the justified from the unjustified—the believable from the unbelievable—I’ve tried to identify the principles of good thinking and sound reasoning that can be used to help us make those distinctions.
The book introduced me to time travel, hyperspace, superstitious rats, psychic horses, conspiracy theories, and UFOs. Watzlawick, a psychologist by trade, explores the many facets of communication: how it occurs, how it fails, and how we can be misled by it.
One of the first people to explore the psychology of conspiracy theories and disinformation, he alerts us to the perils and pitfalls of all sorts of communication—both verbal and nonverbal-- through amusing anecdotes and erudite examples.
The connection between communication and reality is a relatively new idea. It is only in recent decades that the confusions, disorientations and very different world views that arise as a result of communication have become an independent field of research. One of the experts who has been working in this field is Dr. Paul Watzlawick, and he here presents, in a series of arresting and sometimes very funny examples, some of the findings.
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
Deep Secret is one of my all-time favourite books; one I reread often. There are no spaceships here, (though there is a Land Rover that isn’t!) but much of the action takes place on distant worlds; chiefly Thule and the Koryfonic Empire. Rupert Venables, the youngest Magid, faces not only the fall of the Koryfonic Empire and his task of finding the hidden heir, but also the need to choose a successor for his dead mentor, Stan. There’s so much to love about this chaotic, tangled, wonderful book; not least the combative but ultimately loving relationship between Rupert and Maree, the least likely of the candidates on Rupert’s list.
Chaos threatens the Earth when one of the powerful magicians assigned to balance good and evil in that corner of the universe dies and a junior magician must lead the search among the planet's denizens for an appropriate successor to the sorcerer's throne.
I’m an Indonesian writer who loves the idea of supernatural fantasy. I’ve always liked daydreaming. It started when a story suddenly kept playing inside my head like a movie. And that story now became my first fantasy book, Royal Arcanum. Never I imagined I’ll be a full-time writer now. I feel blessed that my family supported my writing career.
This book is very unique. Written through the psychic medium named Farnese in 1896. The spirit named Franchezzo told his experience in the afterlife. There is a fantasy and reality here. Even though we haven’t experienced death and don’t know how’s life in the afterlife, but I feel a strong connection with this book. I feel like I can believe everything this book depicted about the world on the other side.
A supposed real life channeling about a slightly bad man who died, and starting his journey in the lower spirit realms, advancing his way into the higher. Once in the higher realms he joins a brotherhood who go deep into hell rescueing others who have changed and praying for rescue. This book gives a detailed glimpse into hell, what its like and its many levels. An entry level book for those who want to to know more of the spiritland structure.
Software developers love to question the assumptions that underpin their practice. Some of the most exciting phases of my career have come about as a result of such questions. Often they are revolutionary in the literal sense that they ask you to turn your thinking upside down – to design systems from the bottom up rather than the top down, for example, or to write your tests before your components. I may not adopt every practice, but each challenge enriches the conceptual world in which I work. Over the years, I have come to look for similar shifts and inversions across other subject areas. Here are some recommendations from my reading.
In between other projects, I have been conducting research for a non-fiction book about the particular kinds of parallel universe that every story world creates. And that's how I came across Reality+.
The question as to whether we are living in a simulation is beloved of moviegoers, stoners, and undergraduates (quite a large intersection in that Venn diagram). It's also worthy of serious philosophical and scientific inquiry. David J Chalmers is a philosopher, and his book treats the question with entertaining rigour.
The book goes beyond the simulation hypothesis, though, to examine the philosophical implications of our inevitable colonisation of the virtual realm. At the heart of Chalmers' argument is a rejection of the opposition between the real and the simulated.
Lived experience, Chalmers claims, is real experience, as freighted with value and possibility in the virtual world as it is out here in the probably real, possibly simulated universe.
Virtual reality is genuine reality; that's the central thesis of Reality+. In a highly original work of "technophilosophy," David J. Chalmers gives a compelling analysis of our technological future. He argues that virtual worlds are not second-class worlds, and that we can live a meaningful life in virtual reality. We may even be in a virtual world already.
Along the way, Chalmers conducts a grand tour of big ideas in philosophy and science. He uses virtual reality technology to offer a new perspective on long-established philosophical questions. How do we know that there's an external world? Is there a god?…
Perhaps because I get bored easily, or maybe because I hear voices, I have found that my writing lends itself to exploration (different points of view, traditions, styles). I write to learn and to play. I distrust writers whose characters all sound like them, live lives like their own. It feels completely unfanciful, completely disinterested in the long literary tradition of make-believe. Writing and reading, at the end of the day, are ways for me to escape boredom meaningfully, and why should I wish to do that with stories that don’t offer up a small amount of the great kaleidoscope that is life?
The first story alone has enough jampacked into it to be more thrilling and entertaining than many novels.
A team of Confederate rejects man a rudimentary submarine on a mission near the end of the Civil War. From there we are taken across eras and across the globe to stories of near-future whaling missions that are hastening climate catastrophe, imperial Russian ships stuck on ice, a camp counselor taking his charges on ever-zanier adventures.
Though largely unified in their explorations of people plugging away in spite of ill-fated circumstances, the range of this author’s characters dazzles. As much as this is a master course on authentically capturing voices of all ages, places, and periods, Rutherford convincingly captures location as well using it as a character as much as setting.
The stories in The Peripatetic Coffin and Other Stories, a collection from Ethan Rutherford, map the surprising ways in which the world we think we know can unexpectedly reveal its darker contours.
In stories that are alternately funny, persuasive, and compelling, unforgettable characters are confronted with, and battle against, the limitations of their lives.
Rutherford’s work has been selected by Alice Sebold for inclusion in the volume of The Best American Short Stories that she edited, and also published in Ploughshares, One Story, and American Short Fiction.
Understand quantum mechanics? Dark matter? The malleable nature of
space-time? Neither do I, exactly. But I am considerably less confused after
reading this.
Wilczek is a Nobel laureate, but here, he is a nerd on fire with
his love of the universe. Chapter titles include things like “There’s Plenty of Space” and
“There are Very Few Ingredients.”
He writes with great clarity and even joy
about the grand mystery in which we have so briefly appeared.
“Fundamentals might be the perfect book for the winter of this plague year. . . . Wilczek writes with breathtaking economy and clarity, and his pleasure in his subject is palpable.” —The New York Times Book Review
One of our great contemporary scientists reveals the ten profound insights that illuminate what everyone should know about the physical world
In Fundamentals, Nobel laureate Frank Wilczek offers the reader a simple yet profound exploration of reality based on the deep revelations of modern science. With clarity and an infectious sense of joy, he guides us through the essential concepts that form our…
I grew up reading books, and when I was around 10 years old I discovered science fiction and fantasy. What hooked me about these genres was the imagination and skill that would go into building an entire world which only exists between the covers of that book. But I also found that there was an intense enjoyment to be had from books that sat within those categories, but which were more unusual; books that push the boundaries of their genre or introduce something new.
This is the story of four teenagers and their journey to cope with the anxieties of being a teenager, mixed with recovering from traumatic events.
It is such an unusual book that it defies explanation. The best thing to do is to pick it up and read it for yourself. I found it confusing in a delightful way – the mixture of reality and dreamscape is captivating and leaves you wondering what is real and what is imaginary.
This book is chaotic and intense and left me feeling a bit dizzy, but I think if I had read it when I was a teenager it would have accurately reflected how I felt and dealt with the world!
Four talented teenagers are traumatized--coping with grief, surviving date rape, facing the anxiety of standardized tests and the neglect of self-absorbed adults--and they'll do anything to escape the pressure. They'll even build an invisible helicopter, to fly far away to a place where everyone will understand them...until they learn the only way to escape reality is to face it head-on.
I’m an Anglo-Irish writer of stories that have a fantastical or paranormal worldview—often containing darkness, but also touched with satirical humour. I’ve always liked stories that seem rooted in everyday reality but then introduce inexplicable elements which unhinge the recognisable world in a surprising or unsettling fashion. For me, that description fits a range of books, including Fantastic Mr. Fox (which I remember being the first book I read through obsessively), Dracula, or Gormenghast; and writers such as Shirley Jackson, Philip K. Dick, J. G. Ballard, H.P. Lovecraft, Neil Gaiman, Caitlin R. Kiernan, and Thomas Ligotti.
Reading H. P. Lovecraft’s best stories, I always start to feel as if I’m digging away at the accepted reality of modern man, peeling it back to reveal another, older, truer reality hidden underneath. It’s an eerie process. In that final reality, I find the Old Gods are still waiting. Over the course of the past 10,000 years, perhaps they only blinked an eye. But now, each page I turn brings them closer. That abysmal reality of the Old Gods is only hinted at in the stories – Cthulhu is a presence rather than a character – but I don’t doubt for a moment how dangerous it is, because Lovecraft makes us believe, deep down, that their return is inevitable.
WIKIPEDIA says: 'H.P. Lovecraft's reputation has grown tremendously over the decades, and he is now commonly regarded as one of the most important horror writers of the 20th century, exerting an influence that is widespread, though often indirect.'
H.P. Lovecraft's tales of the tentacled Elder God Cthulhu and his pantheon of alien deities were initially written for the pulp magazines of the 1920s and '30s. These astonishing tales blend elements of horror, science fiction and cosmic terror that are as powerful today as they were when they were first published.
This handsome leatherbound tome collects together the very best of…
A while ago I lived with the extraordinary spiritual Findhorn community in Scotland and that experience opened my eyes to the mysteries that we are and that surround us. Subsequently, I became a professional travel guide writer and as I visited churches and megaliths, it gradually occurred to me that the ancients may have recorded information useful to us if only we could work out how to interpret it. Twenty years ago I settled in France, a country densely packed with extraordinary places. Here, I have been able to deepen my understanding of the universal, greater reality of which we are part.
Every mystery hunter needs a guide to symbols and this profusely illustrated book is the best I have found so far. Symbols, by definition, point directly to the non-obvious aspects of a greater reality. In religious buildings they are a way to escape the material and approach the numinous, which is beyond the scope of words. Sometimes the meaning of a symbol is clear but in other cases the explanation has been forgotten and you need suggestions as how to interpret it. This is where this book comes in.
As long as I can remember, I have wanted to understand how the universe works. I studied physics with a firm belief in scientific materialism, the belief that all things can or will be explained by science, including consciousness. However, after earning an advanced degree I found myself no closer to a satisfying answer to my inquiry into the relationship between consciousness and the physical world. Then, a personal experience of unembodied consciousness convinced me that my answers would have to come from a reexamination of all that I had believed, an internal journey over decades that has borne fruit in unexpected and magical ways.
Deepak Chopra has been exploring the relationship between spirituality and science for many decades, and Menas Kafatos’s peer-reviewed research on cosmology and astrophysics, among other topics, is well documented. Their work in this book makes it clear that instead of living in a material, unknowing and uncaring universe, we instead live in what they call a human universe, one that is living, conscious, and evolving. This book makes the case convincingly that we create our own reality in a conscious universe that responds to the beliefs and thoughts that reside in our minds. I have watched Mr. Chopra speak numerous times, and I appreciate his loving and gentle delivery. This book gave me a condensed and satisfying explanation of his worldview.
NEW YORK TIMES BESTSELLER • Deepak Chopra joins forces with leading physicist Menas Kafatos to explore some of the most important and baffling questions about our place in the world.
"A riveting and absolutely fascinating adventure that will blow your mind wide open!" —Dr. Rudolph E. Tanzi
What happens when modern science reaches a crucial turning point that challenges everything we know about reality? In this brilliant, timely, and practical work, Chopra and Kafatos tell us that we've reached just such a point. In the coming era, the universe will be completely redefined as a "human universe" radically unlike the…
