100 books like The Twilight Zone

Richard Matheson is a horror legend for good reason, and most casual viewers of genre films and TV would probably be surprised at how much of his work they’ve encountered in some form or another. The Will Smith movie I Am Legend is adapted from his work. Steven Spielberg’s first film, Duel, as well. The paranoid Nightmare at 20,000 Feet is best known as a classic Twilight Zone episode, referenced and parodied numerous times in the decades since, but Matheson’s original reflects everything that’s great about his work: a fairly practical, everyman sort of protagonist (for the 1960s anyway) undone by an impossible situation.

I don’t think most Lovecraft fans casual or devoted would single out The Music of Erich Zann, given the staying power of the Cthulhu mythos and everything associated with it. But what causes Lovecraft’s work to resonate so many decades later is his mastery over the disquieting, and this story about music channeled from a horrific place played on a street that doesn’t seem to exist by a violinist terrified and compelled to keep playing has stayed with me more than any of Lovecraft’s other stories in the years since I read it. Maybe it’s the musician in me, or maybe it’s the distortions of reality that tend to crop up in my own writing. Either way it’s striking, and a good introduction to the strangeness of H. P. Lovecraft.

Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.

"The One Who Waits," one of my favorite stories in this collection, would be regarded more commonly as science fiction, as it takes place during an Earth expedition to Mars. But Ray Bradbury’s story also pioneers the classic horror trope of a small group of people falling one by one to a mysterious creature they cannot see—and with a means of disguise highly imaginative, beautifully written, and fundamentally terrifying. Bradbury is a phenomenal writer and it’s difficult to recommend any one story without feeling certain you’ve dropped the ball in not recommending another--you really can't go wrong with this entire collection--but the quick, clever, nuanced "The One Who Waits" is one of the best sci-fi/horror hybrids ever written.

Wallis Eates is the master of picking scabs and upturning stones to see what scuttles beneath. And often among all the dirt and bugs, she finds such amazing treasure. In this book, she has such vivid and detailed memories I found myself staring into her wonderful pencil marks and time travelling back into the mind of my own little self and feeling all the fear and awe of those years. I was going to write, it's like happening upon someone’s secret diary, but it's so visceral, it's more like being Sam Beckett in Quantum Leap and suddenly, wonderfully finding yourself in someone else’s body for a minute.

Kid books are the most important books. They hook deep into the gray matter right as it’s branching off in all directions, and set the course for a whole new crop of writers. The imagery in this companion to the long-running Animorphs series was off the charts – for example, a moon-spanning hivemind organism that keeps thousands of victims tethered underwater, trepanned by tendrils that let it access their decaying brains. This one is dark, vivid, and capped off by a beautifully understated death. 

I remember the moment I walked into a bookstore and saw this book sitting face out on the shelf and thought; “Wait, they make books about every episode of a TV show?” Not just that but for the show that to this day I maintain was the greatest TV show ever made: The Twilight Zone. Marc Scott Zicree’s book was my beginner’s guide into the making of a TV production with an emphasis on my greatest love: the writers. From the day I bought this, I never sat down to watch the show again without it beside me for reference. My copy is worn and tattered but eternally loved. This was the book that made me want to work for and write about television.

The cover of this biography is J-O-S-H spelled out in huge theatrical lights—and Logan really was a Broadway legend as a director/producer/writer.  The book chronicles his successes and failures, and he analyzes each show he worked on with an unsentimental and critical eye. He astutely argues for what audiences want to see, and what they reject. Particularly compelling are his personal portraits of Lorenz Hart, Richard Rodgers, and Oscar Hammerstein II.

This stunning memoir is the author’s recollection of the time between her husband’s diagnosis of a brain tumour that robbed him of language, and his death aged fifty-three. Time runs out for them very quickly. Sometimes the experience of tending to him is stupendously painful and hard (she is a mother of a small child as well as a wife to a dying man). Sometimes it is oddly peaceful. Every so often there are moments of euphoria. Always there is thought, imagination, empathy, care, and love. Above all, love.

What drew me into this series was the first book, The Dragon of New Orleans, where a desperate dragon who has been hexed saves a woman who is terminally ill by giving her his tooth. She turns out to be a powerful witch who is unaware of her powers until they are awakened by the dragon’s magic. I loved the self-discovery that takes place and how as her powers grow she used them to protect her lover. The rest of the series brings in other dragon siblings as well as human and vampire characters in adventures that span several states and another dimension. I have a few more to read.