100 books like The Treachery of Beautiful Things

The Children of Lir is one of Ireland’s best-known myths. Over the years it has been more than a little sanitized, and as a consequence almost entirely relegated to a children’s beloved fairytale. With her rich, poetic prose and unflinching honesty, Deirdre Sullivan brings the story right back into the adult sphere. Her characters emerge, flawed and seething, from the magical fog of myth to hurt and help each other, and to drag the enthralled reader with them through aeons of vengeance, loyalty, and, eventually, peace.

I can’t stress how beautiful this novel is. An epic poem almost, it satisfies my hunger for beautiful prose, and for thematic depth and emotional resonance. If you love gorgeous writing as much as I do, you will love this one.

Reminiscent of Ray Bradbury at his very finest, this absorbing collection of supernatural tales has it all: fascinating characters, palpable atmosphere, and delicious, chewy plots. McHugh brings the uncanny into the every day, most often through the experiences of women, and often using a distinctly Irish lens. From the Irish countryside, in all its windswept, boggy, or tangled forms, to modern office life, this is a glorious kaleidoscope of experiences that feel real even as the surface of human experience is punctured to expose the void beneath.  Each story in this collection has a lot to offer, and - another thing this writer has in common with Bradbury - you’ll find yourself returning time and again for rereading 

Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.

Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.

More beautifully written magic realism, with compelling characters and a fascinating plot. Fowley-Doyle uses the obliqueness of the supernatural and the compelling tropes of a mystery story to explore Ireland's troubled history with women and children. There's something of the road trip to this one, with a warm, supportive, found-family providing kindness and companionship to the main character in a story that otherwise might be too bleak to bear. Release yourself to the prose and to the experience, let the book carry you. It’ll be worth the journey.

Kestrel’s father is the fierce general who won the Herran War and enslaved its people. When she buys a Herrani house slave named Arin at the market, Kestrel gets more than she bargained for – a challenge to her privileged, sheltered life, an epic love, and a part in the revolution. This is the first in the trilogy, and it is a genuine pleasure to watch Kestrel, from the beginning a character with an independent streak, navigate impossible choices as she grows into the person she wants to be. A lush and detailed world full of intrigue, politics, and gripping romance. 

Puck is doing all she can to keep her and her brothers together after their parents die from an attack by bloodthirsty waterhorses surrounding their island home of Thisby. I admire how this one fantastical element changes a ‘normal’ life to an ‘otherworldly’ one, and makes the island a strong character in the story. Raising and racing waterhorses is Thisby’s livelihood, and dire circumstances lead to Puck competing for the annual Scorpio Race prize money as the first girl to race, against great odds by riding her beloved island pony. 

I love the feel of the small Thisby and its quaint community of characters. Some are mercenary, some tough, but, like Puck and love-interest Sean, most love the wild nature of the ocean and waterhorses, which is magic to me.

Another book remarkable for its descriptions, The Weight of Feathers combines the real world with enough distance and faint magic to make everything in it shimmer. Not everything makes perfect sense, and not everything needs to, because in Anne-Marie McLemore’s rewriting of the classic Romeo and Juliet love story, the taste of aguas frescas and the clinking of wind chimes make the otherworldly seem perfectly plausible. The Weight of Feathers is the sort of book that made me want to live in its world, to be privy to the hidden magic. The love story unfolds gradually as the deep cultures and subtle, colorful fantasy steal away the senses.

I highly recommend this book, especially if you’re in a reading slump. This is the exact one that brought me out of mine. I needed to not only feel I was in another world but escape my very own.

With Stephanie Garber’s writing ability being able to make you hear, taste, feel, see and smell every single detail of her words, I promise you’ll never want to leave her vision. Jacks starts out very mischievous and cruel, but his protective behavior of his “little fox” leaves you begging for his heart. It’s no wonder they call him the prince of hearts.

There’s so much mystery and puzzle pieces to put together, you’ll feel like a detective while lost in a story of love.

This is another book that I consider to fall under the romance category first. However, I absolutely adored this book because the main character is a morally gray character. I love seeing morally gray characters! I love writing them. It makes the story so much more interesting. It also makes the characters unpredictable, keeping them from falling into the “Mary Sue” category. 

Sometimes a single mansion can contain a world within itself and the one contained here must be explored at your own peril. Intricate passages, decadent décor, and an upstairs/downstairs divide await, along with murder, mystery, and magic. The story centers on a girl who possesses an insidious gift that can save the ones she loves but at a deadly cost. Told against a backdrop full of lavish ballet costumes, this novel left me wondering how far one should go for another, especially when the sacrifice might be fatal.