Here are 100 books that The Other Black Girl fans have personally recommended if you like
The Other Black Girl.
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It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well.
This sweet enemies-to-lovers rom-com book will make you laugh and seethe with anger; the tension from the leads will make you squirm and put you on the edge of your seat.
At its heart is the story of a publishing merger and the extreme lengths editors on both sides will go to get promoted or prevent getting laid off.
Debut author Sally Thorne bursts on the scene with a hilarious and sexy workplace comedy all about that thin, fine line between hate and love. Nemesis (n.) 1) An opponent or rival whom a person cannot best or overcome. 2) A person's undoing 3) Joshua Templeman Lucy Hutton has always been certain that the nice girl can get the corner office. She's charming and accommodating and prides herself on being loved by everyone at Bexley & Gamin. Everyone except for coldly efficient, impeccably attired, physically intimidating Joshua Templeman. And the feeling is mutual. Trapped in a shared office together forty…
It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well.
Though this book is largely about the toxic extramarital affair between a young black girl and a married white man, it shines light on the competitive work environment between editors in publishing.
It also becomes satire in its depiction of what kind of works from Black authors publishers are keen on commissioning. Cue in its critique of the proliferation of slave narratives in publishing, and this funny, sexy, and deeply sad novel will leave a huge mark on readers.
AN INSTANT NEW YORK TIMES BESTSELLER A New York Times Notable Book of the Year
WINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist Award
One of Barack Obama's Favorite Books of 2020 A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more!
"So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or…
It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well.
It's easy to begin this novel and finish it in one sitting. A page-turner in every sense of the word with a message that will resonate with writers from marginalised backgrounds.
One white author steals the work of her dead Asian friend and passes it off as hers. This book is shocking, twisty, unputdownable.
The No. 1 Sunday Times and New York Times bestseller from literary sensation R.F. Kuang
*A Reese Witherspoon Book Club pick*
'Propulsive' SUNDAY TIMES
'Razor-sharp' TIME
'A wild ride' STYLIST
'Darkly comic' GQ
'A riot' PANDORA SYKES
'Hard to put down, harder to forget' STEPHEN KING
Athena Liu is a literary darling and June Hayward is literally nobody.
White lies When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song.
Dark humour But as evidence threatens June's stolen success, she will discover exactly how far she…
It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well.
There are few publications that document how publishing makes it impossible for African authors to have the same possibilities as their white counterparts.
This is a great book about a young writer's obsession with a scandalised author and the reasons behind the latter's disappearance. The writing has an incantational cadence that is truly stunning, and Sarr never relents in his critique of the unsavoury treatment of African authors by Western publishers.
Paris, 2018. Diegane Latyr Faye, a young Senegalese writer, discovers a legendary book titled The Maze of Inhumanity. It has an immediate hold over him. No one knows what happened to the author, T.C. Elimane, who was accused of plagiarism, his reputation destroyed by the critics.
Obsessed with discovering the truth about Elimane's disappearance, Faye weaves past and present, countries and continents, following the author's labyrinthine trail from Senegal to Argentina and France and confronting the great tragedies of history.
Will he get to the truth at the centre of the maze?
A gripping literary quest novel and a masterpiece…
Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.
Riley Sager is one of my favorite authors, and this book is my favorite of all his books.
The secluded location? A speeding car. The main character, Charlie, needs to get home from college and shares a ride with a new acquaintance who may or may not be a serial killer. I loved the tension woven into each chapter, the slow unraveling of Charlie’s past, her suspicious fascination with classic movies, and the relentless, unexpected twists compounding in the end.
This is one of those books that has stuck in my mind and will probably be there forever.
One of New York Times Book Review's "summer reads guaranteed to make your heart thump and your skin crawl"; An Amazon Best of the Month Pick; Named a must-read summer book by The Washington Post, USA Today, Vulture, BuzzFeed, Forbes, Entertainment Weekly, CNN, New York Post, Good Housekeeping, E!, PopSugar, CrimeReads, Thrillist, and BookRiot.
It’s November 1991. Nirvana's in the tape deck, George H. W. Bush is in the White House, and movie-obsessed college student Charlie Jordan is in a car with a man who might be a serial killer.
Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.
Harkening back to the well-established trope of inviting several seemingly unrelated guests to a secluded location (I’m thinking of the movie for the board game Clue right now) and wrapping them up in a creepy mystery, Kiersten Modglin has delivered a secluded thriller with originality, delectable darkness, and a series of great twists.
I was enthralled by the constant sense of danger and did not see the ending coming. I’ll admit that as a writer myself, the premise of authors invited to a writing retreat intrigued me from the start, but I was so pulled in by this thriller that I finished reading it in no time. Great work.
You are cordially invited to visit the new Black Hills Manor Writing Retreat.
That’s how it all begins—with a simple invitation.
For five authors, it’s meant to be the start of a restful week, filled with free food, drinks, and likeminded company. But shortly after their arrival, things take an unsettling turn.
Broken property, missing items, and strange noises are just some of the odd occurrences that have each member questioning their companions. As suspicions mount, the authors are pitted against each other.
Whom can they trust in a house full of strangers?
With tensions rising, the writers find themselves…
Growing up in a Spanish-speaking household, there was a saying: “Dime con quién andas y te diré quién eres.” That is, the company you keep says a lot about you. The sense of belonging that comes from being a part of a group is something we have chased since we were kids. I remember the close-knit friends’ group I joined in the eighth grade, and the core four of us are still best friends to this day (just about 25 years later!). I’m fascinated by what those strong bonds can make you do–including leading you to bend or break your moral compass.
At heart, I might still be five years old because I love a good puzzle. This book features dual timelines that–piece by piece–build for you a portrait you don’t see coming.
Do you remember how satisfying it feels to snap a puzzle piece into its proper place? That’s how I felt discovering the web these friends were weaving–bit by bit, page by page–and when I got to the “big picture,” the ending, I was stunned, entertained, and ultimately gratified.
"[A] mordant debut novel....examines what it means to covet the lives of others, no matter the cost."-The New York Times
"Tense, twisty, and packed with shocks."-Riley Sager, New York Times bestselling author of Survive The Night
Six friends. One college reunion. One unsolved murder.
Ten years after graduation, Jessica Miller has planned her triumphant return to her southern, elite Duquette University, down to the envious whispers that are sure to follow in her wake. Everyone is going to see the girl she wants them to see-confident, beautiful, indifferent. Not the girl she was when she left campus, back when Heather…
I moved around non-stop as a kid, attending a dozen schools by age
eleven. As a result, once I stayed put long enough to make real
friends, I stuck to them like glitter glue. As a reader and writer, I
can’t get enough stories about female friendships, whether rock-solid or
fraying. My latest novel involves
childhood friends whose loyalty is stretched like a pair of latex gloves
yanked off at a crime scene. The book grew out of a meme I saw on
Facebook, captioned: “Real friends help you hide the bodies”. My first
thought was: who would I help? Straight off, I thought of my oldest
friends.
If you haven’t discovered Joshilyn Jackson, you’re in for a treat. Her Domestic Suspense novels are so sharp, cleverly plotted, and darkly funny.
It’s not old friends but new ones that wreak havoc in Never Have I Ever, as a glamorous “bad girl” newcomer joins the local book club—with ulterior motives.
This is a tale of the secrets people hope will stay hidden, manipulation, and below-the-surface danger, told with wry insights about human nature and crackling humor.
I’ve been writing crime novels and TV shows for years. For TV, I wrote for Law & Order, Pretty Little Liars, CSI: Miami, and several other crime shows. In the book world, I used to write amateur sleuth novels, and now I write thrillers. My favorite form of relaxation is to get a cup of tea, put my feet up, and read a great thriller. They inspire me. As I read, I study how they’re structured. There’s nothing I appreciate more than a twist I didn’t see coming, a morally good character who turns out to be evil, or a flawed character who ultimately turns out to be good.
I enjoyed this novel about a serial killer's daughter. The main character is flawed but very rootable, and the ending took me by surprise.
I especially admired the way all the different strands of the plot came together. The author laid out some good cookie crumbs for the reader to follow, and I missed several of them in a way that was very satisfying when they were revealed to me. I also liked that the main character gets a happy ending that I found very believable.
A twisty psychological thriller from the New York Times and USA Today bestselling author of The Housemaid and The Coworker!
Some doors are locked for a reason…
While eleven-year-old Nora Davis was up in her bedroom doing homework, she had no idea her father was killing women in the basement.
Until the day the police arrived at their front door.
Decades later, Nora's father is spending his life behind bars, and Nora is a successful surgeon with a quiet, solitary existence. Nobody knows about her past, and she'll do anything to keep it that way.
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
This is a beautifully written psychological thriller.
At a high school reunion, a polite invitation between old friends—Elise, a successful actor, invites Abby, who is floundering, to visit her in LA—spirals into Abby’s attempt to infiltrate the star’s life. The novel fearlessly plumbs the mysteries and complications of friendship and shows how misguided impulses can gradually take over our psyches.
I’m a fan of big endings, and this novel’s final paragraphs, which cap Abby’s disturbed yet compelling emotional journey, are stunners.
'Acampora is an original' Jay McInerney, author of Bright Lights, Big City
An electrifying debut novel of two women's friendship, a haunting obsession and twisted ambition, set against the feverish backdrop of contemporary Hollywood.
Abby Graven is a dreamer. She dreams her way through her small, lonely life - hiding back at her parents, working at the grocery store. At night, she collects tabloid clippings that taunt her with Elise - her best friend, now Hollywood's hot new starlet.
When a school reunion throws Elise in her path, Abby seizes her chance. With feverish certainty, she boards a one-way flight…
