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I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines.
A classic must-read for anyone who is satiated by oxygen. I love the psychology of the main character. His decline after committing an atrocity is notable for its detail. The concern shown for him by his friends and family, who do not know the truth, feels natural and warranted in spite of the reader's knowledge.
Is it possible to feel empathy for someone who commits such an act? In a strange way, I found myself questioning my own biases on the topics of crime and punishment after reading this classic.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Separated from her young son, Romy Hall is serving two consecutive life sentences for killing a customer from the Mars Room, a strip club where she’d been dancing. Brilliantly written with compassion and dry, dark humor, the book explores Romy’s relationships with her fellow prisoners and the despair, dangers, and absurdities of life behind bars.
I loved this novel’s gritty texture, its sentences, its characters, and how it forced me to think more deeply about why and how we incarcerate people. The final sequence in Muir Woods is heart-pounding, wondrous, devastating, and strangely hopeful.
**SHORTLISTED FOR THE MAN BOOKER PRIZE 2018** **A NEW YORK TIMES BESTSELLER AND CRITICS' TOP BOOK OF 2018**
'An unforgettable novel.' DAILY TELEGRAPH 'More knowing about prison life [than Orange Is The New Black]... so powerful.' NEW YORK TIMES 'One of America's finest writers.' VOGUE
Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women's Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Raymond Carney—savvy furniture store owner in 1960s Harlem; a small-time, look-the-other-way fence for stolen goods—is one of the most likable criminals I’ve ever read about.
He dreams of moving his young family on up to a nice apartment on Riverside Dr. and scraps for every dollar. His hustling ways occasionally flare into big-time crime or revenge, but his insights into the teeming city are always keen.
Whitehead can do it all: perfectly observed details of the time and place, great characters, wry humor, surprising plot developments, devastating emotional scenes. The implications of race and class are deftly drawn. The prose is gorgeous.
Really, no American writer is better than Whitehead right now. A fun and profound ride.
NEW YORK TIMES BESTSELLER • From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, this gloriously entertaining novel is “fast-paced, keen-eyed and very funny ... about race, power and the history of Harlem all disguised as a thrill-ride crime novel" (San Francisco Chronicle).
"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
I’m fascinated by novels that treat famous real events from an insider perspective.
In this case, it’s the events following the Symbionese Liberation Army’s kidnapping of Patty Hearst in 1974. Fugitive SLA members, including a character based on Hearst, are sheltered by a former radical, Jenny Shimada (based on Wendy Yoshimura), who is also wanted by the FBI in connection with the bombing of draft offices.
Jenny is a sort of house mother to the volatile fugitives, who hope to write a book while in hiding to raise money for their cause, but inevitably she is drawn into their latest dangerous scheme. Filled with brilliant character studies, the novel astutely shows connections between the tortured personalities of individuals and the public acts they commit which end up shaping our culture.
A fictionalization of the Patty Hearst kidnapping focuses on Jenny Shimada, a Japanese-American woman who helps Pauline and her kidnappers during their stay in a New York State farmhouse.
I have loved crime fiction since encountering it in college. After seeing the Bogart-Bacall version of The Big Sleep, I read the underlying Raymond Chandler novel and was hooked. I devoured Chandler’s other works and moved on to James M. Cain, Jim Thompson, John D. MacDonald, and others. Later I discovered the crime novels of Charles Williams, Day Keene, Gil Brewer, and other “pulp masters.” Loving those novels led me to try my hand at writing crime fiction, and Stark House Press has now published five of my novels with another on the way. My crime-writing career is an unusual path for someone whose M.A. thesis is on Jane Austen!
I like The Crimes of Jordan Wise for several reasons.
First, the author accomplishes the difficult task of making us care about a male protagonist who, although smart and capable, is weaker in some ways than a typical noir “hero.” Second, the author takes the unusual tack of portraying a female protagonist who, while physically attractive and commendably frank, is not as irresistible as femmes fatales usually are.
We know the two are not right for each other, but we cannot help following them as they go down their intersecting paths of darkness with Jordan Wise’s three perfect crimes—a theft and two murders—as plot points along the way.
Third, the lovely Caribbean setting and Wise’s intriguing and mysterious sailing partner add some island spice and make the tale stand out from more prosaic noir novels. I think this book is another one that rewards re-reading.
Jordan Wise is a mild-mannered accountant with a large San Francisco engineering firm in the late 1970s. By his own admission, the first thirty-four years of his life were dull, empty. But that all changes when he meets and falls in love with Annalise Bonner, an ambitious young woman who craves excitement, a life on the edge.
With her as the catalyst, Wise concocts and executes a meticulous plan to steal more than half a million dollars from his firm. They escape to the Virgin Islands, but their plans to live a life of quiet luxury are beset by unexpected…
Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.
Riley Sager is one of my favorite authors, and this book is my favorite of all his books.
The secluded location? A speeding car. The main character, Charlie, needs to get home from college and shares a ride with a new acquaintance who may or may not be a serial killer. I loved the tension woven into each chapter, the slow unraveling of Charlie’s past, her suspicious fascination with classic movies, and the relentless, unexpected twists compounding in the end.
This is one of those books that has stuck in my mind and will probably be there forever.
One of New York Times Book Review's "summer reads guaranteed to make your heart thump and your skin crawl"; An Amazon Best of the Month Pick; Named a must-read summer book by The Washington Post, USA Today, Vulture, BuzzFeed, Forbes, Entertainment Weekly, CNN, New York Post, Good Housekeeping, E!, PopSugar, CrimeReads, Thrillist, and BookRiot.
It’s November 1991. Nirvana's in the tape deck, George H. W. Bush is in the White House, and movie-obsessed college student Charlie Jordan is in a car with a man who might be a serial killer.
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
Based on the case of child killer Mary Bell this book is an unexpected page-turner and is written with so much heart. It’s dark, compulsive, and the prose sparkles.
This is another dual timeline book we follow Chrissie as a child living a hard life and eventually committing murder. We meet her again as an adult with a new identity and a daughter of her own. Nancy Tucker is a psychologist I believe and it certainly comes across.
The entire cast in this book is written with such tenderness and insight. A really difficult book dealing with a tough topic but also a story of redemption and understanding.
'So that was all it took,' I thought. 'That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all.'
Chrissie knows how to steal sweets from the shop without getting caught, the best hiding place for hide-and-seek, the perfect wall for handstands.
Now she has a new secret. It gives her a fizzing, sherbet feeling in her belly. She doesn't get to feel power like this at home, where food is scarce and attention scarcer.
Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.
Harkening back to the well-established trope of inviting several seemingly unrelated guests to a secluded location (I’m thinking of the movie for the board game Clue right now) and wrapping them up in a creepy mystery, Kiersten Modglin has delivered a secluded thriller with originality, delectable darkness, and a series of great twists.
I was enthralled by the constant sense of danger and did not see the ending coming. I’ll admit that as a writer myself, the premise of authors invited to a writing retreat intrigued me from the start, but I was so pulled in by this thriller that I finished reading it in no time. Great work.
You are cordially invited to visit the new Black Hills Manor Writing Retreat.
That’s how it all begins—with a simple invitation.
For five authors, it’s meant to be the start of a restful week, filled with free food, drinks, and likeminded company. But shortly after their arrival, things take an unsettling turn.
Broken property, missing items, and strange noises are just some of the odd occurrences that have each member questioning their companions. As suspicions mount, the authors are pitted against each other.
Whom can they trust in a house full of strangers?
With tensions rising, the writers find themselves…
My travels have been quite adventurous, purposely or by accident. I’ve visited 32 countries, 5 of them Communist. I look below the surface. I love the jungle and even Mexican police. My young reader novels have elements of crime. I knew and know a lot of tough guys and use elements of them in my characters. Crime weaved through much of my 32-year firefighting career. Firefighter crime thrillers are rare. Firefighters do come in contact with crime: bomb threats, meth labs, child abuse, arson of all sorts, murder, assaults, drownings, and as they say ‘much, much more’. I’m glad to be retired.
This fabulous story is more or less historical fiction adventure.
From the first page when a Pakistani village wakes up, the exotic tone is set. Add a burned-out war correspondent and a young Afghan man with a wild, dangerous family steeped in warring traditions and you get a tale like no other. Crossing into Afghanistan for them is fraught with peril, suspicion, deceit, and suspense as both risk their lives in separate agendas. Loved it.
A slice of a time period in Afghanistan which is in a state of flux after the Russians retreat and before the U.S. gets involved. And a shocking twist.
The sun did not rise in Peshawar. It seeped - an egg-white smear that brightened the eastern horizon behind a veil of smoke, exhaust and dust. The smoke rose from burning wood, cow dung and old tires, meager flames of commerce for kebab shops and bakers, metal-smiths and brick kilns. The exhaust sputtered from buzzing blue swarms of motor rickshaws, three-wheeled terrors that jolted across potholes, darting between buses like juiced-up golf carts.' Into this smoky chaos of sprawling humanity comes Skelly, a burned-out American war correspondent, now in harness again thanks to a messy divorce and too many children.…
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This story is told from the perspective of a serial killer's stepdaughter, Sophie, and I swallowed it in two sittings.
Matty Melgren, Sophie’s stepfather, is dying and wants to meet. He’s in prison and his imminent death takes Sophie right back to her childhood. The story is told from Sophie’s perspective as a twelve-year-old observing the breakdown of her mother and Matty’s relationship and as an adult debating how much she wants answers and what they might cost her.
I loved the dual timeline and thought it was a really fresh way to approach a serial killer novel.
'Victoria Selman is an exciting and powerfully fresh voice' Patricia Cornwell
Twelve-year-old Sophie and her mother, Amelia-Rose, move to London from Massachusetts where they meet the charismatic Matty Melgren, who quickly becomes an intrinsic part of their lives. But as the relationship between the two adults fractures, a serial killer begins targeting young women with a striking resemblance to Amelia-Rose.
When Matty is eventually sent down for multiple murder, questions remain as to his guilt -- questions which ultimately destroy both women. Nearly twenty years later, Sophie receives a letter from Battlemouth Prison informing her…
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