Here are 86 books that Luster fans have personally recommended if you like
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Although I was raised without a religion, for more than half my life I’ve been involved in meditation and yogic communities. I have seen the good, the bad, and the ugly
If you are a Gen Xer like me and you wax nostalgia about the freedom of the mothers of your childhood vs. the shackles of parenting in the early twenty-first century as I have, Kim Brooks’ book is for you. Kim made the most grievous error a parent can make today: she left her four-year-old in her minivan in the parking lot of a rural Target so she could quickly grab an item. Though her child was fine, someone called the police. This event sent Kim down a rabbit hole to find out: is the American childhood as dangerous as people think? Her remarkable, thought-provoking book argues that childhood is remarkably safe, children should be exploring their environs, and some form of free-range parenting for many parents and kids should be the norm rather than the exception. This has been my philosophy since having children, and I was happy to…
One cool spring morning, Kim Brooks made a split-second decision to leave her four-year-old son in the car while she ran into a store. What happened would consume the next several years of her life and ultimately motivated her to begin writing about the broader subject of parenthood and fear. In Small Animals, Brooks asks, Of all the emotions inherent in parenting, is there any more universal or profound than fear? To be a parent is to be afraid. And yet, the objects and intensity of our fear vary based on culture, temperament, and the historical moment in which we…
It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well.
This sweet enemies-to-lovers rom-com book will make you laugh and seethe with anger; the tension from the leads will make you squirm and put you on the edge of your seat.
At its heart is the story of a publishing merger and the extreme lengths editors on both sides will go to get promoted or prevent getting laid off.
Debut author Sally Thorne bursts on the scene with a hilarious and sexy workplace comedy all about that thin, fine line between hate and love. Nemesis (n.) 1) An opponent or rival whom a person cannot best or overcome. 2) A person's undoing 3) Joshua Templeman Lucy Hutton has always been certain that the nice girl can get the corner office. She's charming and accommodating and prides herself on being loved by everyone at Bexley & Gamin. Everyone except for coldly efficient, impeccably attired, physically intimidating Joshua Templeman. And the feeling is mutual. Trapped in a shared office together forty…
Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
Tayari is one of the best writers in America—no qualifiers!—and she also has the advantage of a razor-sharp, accessible style.
This heartbreaking book about a couple torn apart and remade by the husband’s incarceration is gripping and sharply observed, and the characters, Celestial and Roy, are unforgettable. But don’t take my word for it—ask Oprah!
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
I’m obsessed with obsession; with the nature of intimate relationships. If I could obsess about a topic as easily and naturally as I can about a human, I’d probably have five or six advanced degrees. As a writer I’m most frequently drawn to third-person limited because I love the marriage of intimacy and distance it can create. It's that marriage that confounds me; the dark inner spaces contained by the people we love.
Christine Snow is a therapist who has her shit together, or does she? When her girlfriend vanishes, it becomes apparent to Chris that, on an emotional level, Taylor was never really there to begin with. Anshaw’s use of a third-person limited point of view and a present tense narrative creates a sense of breathless intimacy. If you’re looking for a thriller, look elsewhere. Seven Moves is a well-observed mediation on the inherent unknowability of an intimate partner. Anshaw does obsession like no one else.
Christine Snow, a Chicago therapist, has at last returned from the margins of her past - a card-sharp father, too many wrong lovers - into comfortable urban domesticity with Taylor Hayes, a travel photographer. The two women share a house, a dog, a life. And then one morning after a minor argument, Taylor disappears, Chris's anger turns to alarm as time passes and still she hears nothing, until she falls across a clue as unsettling in itself as Taylor's disappearance. Following a trail that leads to Morocco and home again, Seven Moves tracks Chris's gradual realisation that one can never…
I’m obsessed with obsession; with the nature of intimate relationships. If I could obsess about a topic as easily and naturally as I can about a human, I’d probably have five or six advanced degrees. As a writer I’m most frequently drawn to third-person limited because I love the marriage of intimacy and distance it can create. It's that marriage that confounds me; the dark inner spaces contained by the people we love.
Gender takes a backseat to obsession when college student Regina becomes enamored with Professor Nicholas Brodeur, before finding a deeper romantic connection with his volatile wife. Choi nails the mix of awe and attraction that can characterize the relationship between a young person and an older counterpart. Lyrical and emotionally immersive, this academic novel depicts a regular young woman who believes (as we all do) that the strength of her passion is unique.
An intimately charged novel of desire and disaster from the National Book Award-winning author of Trust Exercise and A Person of Interest
Regina Gottlieb had been warned about Professor Nicholas Brodeur long before arriving as a graduate student at his prestigious university high on a pastoral hill. He's said to lie in the dark in his office while undergraduate women read couplets to him. He's condemned on the walls of the women's restroom, and enjoys films by Roman Polanski. But no one has warned Regina about his exceptional physical beauty-or his charismatic, volatile wife.
I’m a psychologist by profession and I’m fascinated by the way personalities develop and change with life events. In novels, I’m drawn towards wounded characters who are searching for something to make them feel whole. Common issues I see in my psychotherapy work include imposter syndrome, low self-esteem, feelings of not being good enough. Many people try to hide their vulnerability behind a mask, faking confidence or bravado, or pretending to be something they’re not. But these fictional characters take it up a level, one small step at a time, until the lies build and they end up in a web of deceit with no way out.
We’re straight in the story from page one, experiencing the intensity of the toxic relationship Louise has with her new best friend – a woman she’s only known ten days. Louise has a complex personality, her low self-esteem leading to constant self-assessment. But boy, how she changes! I liked the way the author breaks the fourth wall by directing comments to the reader, the foreshadowing allowing us to know what’s coming before the characters. Not my usual choice, as the novel is set in America with a cast under 30, but I enjoyed the build in tension as I waited for Louise to be caught out.
One of the Best Books of the Year: Janet Maslin, The New York Times Vulture NPR
"Social Creature is a wicked original with echoes of the greats (Patricia Highsmith, Gillian Flynn)." —Janet Maslin, The New York Times
For readers of Gillian Flynn and Donna Tartt, a dark, propulsive and addictive debut thriller, splashed with all the glitz and glitter of New York City.
They go through both bottles of champagne right there on the High Line, with nothing but the stars over them... They drink and Lavinia tells Louise about all the places they will go together, when they finish…
I’m obsessed with obsession; with the nature of intimate relationships. If I could obsess about a topic as easily and naturally as I can about a human, I’d probably have five or six advanced degrees. As a writer I’m most frequently drawn to third-person limited because I love the marriage of intimacy and distance it can create. It's that marriage that confounds me; the dark inner spaces contained by the people we love.
This book was ahead of its time. This YA novel was written in 1978 but I found it on a shelf in my local library in 1992 when I was a queer preteen. An elliptical narrative about the burgeoning romantic relationship between two teenage girls, the novel captures a nameless yearning I understood without knowing why. Though the narrative felt to me illicit, it wasn’t prurient but rather deeply felt and authentic to the experience of a teenager coming to understand her sexuality as it crystalizes around one compelling friend.
Val and Chloe don't fit in at their fancy private school in Manhattan. Together, they ditch school, visit cemeteries and thrift shops and have sleepovers during which they confide all their secret thoughts. Lately, Val has all kinds of questions. Especially about sex. So Val turns to the two people who have always given her the most honest answers possible: her mother and Chloe. Unfortunately, not even Val's mother-an adult!-has all the answers. Val starts to think that maybe she's not "normal" at all. Because she has some other feelings for Chloe. Feelings that she never expected to have. Would…
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
I read that Matt Weiner wouldn’t have had the courage to write Mad Men if he’d read this before he worked on the series.
Revolutionary Road is set in the world of New York advertising during the martini lunch era, and it’s one of my favorite books of all time. It doesn’t exactly have that Singin’ in the Rain optimism, but it’s darkly hilarious. The opening scene is literary perfection, set at the dress rehearsal for the Laurel Players.
Yates masterfully captures that Waiting for Guffman sincerity (and inherent comedy) of community theater, and the novel sets the stage for the deeply human tale of longing. It is deeply American and deeply perfect.
Hailed as a masterpiece from its first publication, Revolutionary Road is the story of Frank and April Wheeler, a bright young couple who are bored by the banalities of suburban life and long to be extraordinary. With heartbreaking compassion and clarity, Richard Yates shows how Frank and April's decision to change their lives for the better leads to betrayal and tragedy.
Although I was raised without a religion, for more than half my life I’ve been involved in meditation and yogic communities. I have seen the good, the bad, and the ugly
This gripping novel is based on the 2012 murder case in New
York City in which two children were stabbed to death by their nanny. From the
first gripping sentence, “The baby is dead” until the last, this psychological
thriller set in Paris never lets up with a fast pace and smart sentences. I
loved this book. Although it portrays my worst fear, it does so with
sophisticated empathy for all involved. As NPR said about the book, “In
Slimani’s hands, the unthinkable becomes art.” I devoured it in two days.
She has the keys to their apartment. She knows everything. She has embedded herself so deeply in their lives that it now seems impossible to remove her.
One of the 10 BEST BOOKS OF THE YEAR of The New York Times Book Review, by the author of Adele, Sex and Lies, and In the Country of Others
"A great novel . . . Incredibly engaging and disturbing . . . Slimani has us in her thrall." -Roxane Gay, New York Times bestselling author of Bad Feminist and Hunger
"One of the most important books of the year. You can't unread…
I’ve been obsessed with psychological thrillers ever since I was young. The messed-up characters, the unreliability of narrators, and the plot twists gripped me as a young reader. As I’ve grown older, my passions have stayed in this general field, but now with more of an emphasis on the effects of masculinity, power, and relationships (both platonically and romantically). There is something so fascinating to me about the complexity of men: their emotions, their motivations, their violence, etc. I have compiled a list of my favorite novels that delve deep into these interests and, truthfully, fears.
When a wife finds a letter addressed to her from her husband stating that it can only be opened once he is dead because it contains his darkest secret, she decides to open it while he is alive.
What ensues is a journey through deception, shocking truths, and the fallout of the secret being exposed.
With the secret revealed, finishing the novel leaves you wondering if you can truly trust anyone, even the ones closest to you.
SOON TO BE A MAJOR MOTION PICTURE—THE #1 NEW YORK TIMES BESTSELLER FROM THE AUTHOR OF BIG LITTLE LIES AND APPLES NEVER FALL
One of the Best Books of the Year—Entertainment Weekly One of the Top Ten Books of the Year—People
At the heart of The Husband’s Secret is a letter that’s not meant to be read…
My darling Cecilia, If you’re reading this, then I’ve died…
Imagine your husband wrote you a letter, to be opened after his death. Imagine, too, that the letter contains his deepest, darkest secret—something with the potential to destroy not only the life you…
