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William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
Largely recognized as McLuhan’s first major work, this book provides a trenchant analysis of 1940’s popular culture in the United States, with particular reference to print-media advertising. To this end, it consists of x chapters, each of which consists of an image culled from newspapers and magazines, accompanied by an insightful—and often ironic—text. Dismissed by some as lacking in direction and coherence, the book actually has a tightly woven narrative that sheds considerable light on the gender issues, technology, and power structures of the day.
OURS is the first age in wruch many thousands of the best-trained individual minds have made it a full-time business to get inside the collective public mind. To get inside in order to manipulate, exploit, control is the object now. And to generate heat not light is the intention. To keep everybody in the helpless state engendered by prolonged mental rutting is the effect of many ads and much entertainment alike. Since so many minds are engaged in bringing about this condition of public helplessness, and since these programs of commercial education are so much more expensive and influential than…
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
This book explores McLuhan’s relationship with avant-garde art. While McLuhan’s engagement with artistic endeavours, has received some attention, Kitnick examines in detail not only how McLuhan’s work on art developed over an extended period, but how his views on artistic practice came to inform the work of others. He builds on McLuhan’s contention that art was not primarily a means of self-expression, but rather the basis for cultural exploration and environmental change. Drawing inspiration from figures such as James Joyce, T.S. Eliot, and Wyndham Lewis. McLuhan, according to Kitnick, saw members of the avant-garde as artists who work within conventional structures in order to disrupt them, thereby throwing them into relief.
Marshall McLuhan (1911-1980) is best known as a media theorist-many consider him the founder of media studies-but he was also an important theorist of art. Though a near-household name for decades due to magazine interviews and TV specials, McLuhan remains an underappreciated yet fascinating figure in art history. His connections with the art of his own time were largely unexplored, until now. In Distant Early Warning, art historian Alex Kitnick delves into these rich connections and argues both that McLuhan was influenced by art and artists and, more surprisingly, that McLuhan's work directly influenced the art and artists of his…
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
Using McLuhan’s classic Understanding Mediaas a point of reference, the editors have assembled an impressive collection of essays that succeed in critically extending his ideas into a range of new directions. These include the biases of contemporary urban planning, transport (from a race perspective), gendered domestic and office space, and Black feminist activism. While remaining true to the exploratory spirit of McLuhan’s “probes,” the essays demonstrate both the shortcomings and potentialities of his body of work.
The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan's key text, Understanding Media: The Extensions of Man, repurposing his insight that "the medium is the message" for feminist ends. They argue that while McLuhan's theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the…
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
This book dovetails with those of Kitnick as well as Sharma and Singh. While framed by a broader concern with the emergence of the Toronto School of Communication, it gives particular attention to how McLuhan’s notions about “information art,” came to influence artistic practice through initiatives such as “N.E. Thing and Company” (NETCO), Robert Smithson’s West Coast work and “General Idea.” Echoing some of the issues raised by the Sharma/Singh collection, he examines these ventures through the lens of power and gender. It is impeccably edited and handsomely illustrated, in line with the high production standards of McGill-Queen’s University Press.
Through a series of focused and interconnected case studies, Out of School explores the long history of information art associated with the Toronto School of Communication. It highlights the perspectives of artists inspired by the speculations of Marshall McLuhan and colleagues as well as the philosophical underpinnings of the Toronto School's ideas about information.
Using pre-Internet media such as telex and the telecopier, the artists explored in this book materialized visionary concepts of information without the aid of computers. Harbingers of contemporary digital culture, Bertram Brooker, N.E. Thing Co., Robert Smithson, Wyndham Lewis, General Idea, and other artists approached information…
Like anyone else who takes an interest in Ireland, I’ve been fascinated by the long and often very difficult history of the island’s experience of religion. Where I live, in county Antrim, religious imagery appears everywhere – in churches and schools, obviously, but also on signboards posted onto trees, and in the colourful rags that are still hung up to decorate holy wells. This book is the fruit of twenty years of thinking about Christian Ireland - its long and difficult history, and its sudden and difficult collapse.
Why, from the 1990s, did the Irish Catholic consensus so suddenly disappear? And what might be the effect of this sudden-onset secularisation? This brilliant account of the recent revolution in Irish religion describes the effects of the clerical scandals that brought down a government, demoralised a denomination, and drove social change on a massive and structural scale. Ganiel shows how the older religious monopolies that did so much to shape the institutions and culture of Ireland, north and south, have given way to a much more fluid religious market, in which individuals can believe without belonging just as much as they might formerly have belonged without believing.
Transforming Post-Catholic Ireland is the first major book to explore the dynamic religious landscape of contemporary Ireland, north and south, and to analyse the island's religious transition. It confirms that the Catholic Church's long-standing 'monopoly' has well and truly disintegrated, replaced by a mixed, post-Catholic religious 'market' featuring new and growing expressions of Protestantism, as well as other religions. It describes how people of faith are developing 'extra-institutional' expressions of religion, keeping their faith alive outside or in addition to the institutional Catholic Church.
Drawing on island-wide surveys of clergy and laypeople, as well as more than 100 interviews, Gladys…
"Write what you know" is worn-out advice you'll find on many a website, but I prefer to write what I want to know. Researching for background information is a far cry from studying the history of dates, places, and politics. For instance, you won't read in a history book that forks weren't used at the table in the Renaissance. That people didn't have zippers or right/left shoes, but they did have buttons. Noblemen wore high-heeled shoes. Women poisoned themselves with makeup of white lead (ceruse). Even with diaries, autobiographies, and social history books, trivial information of daily life is hard to find.
When I discovered Kristin Lavransdatter was 1000 pages, I never expected to fininsh it (I'm a slow reader). However, about 50 pages into it, I was hooked and was at a loss when I read the final chapter. Religion is pervasive but delivered indirectly. The Catholic Church in the Middle Ages was an absolute authority with an iron grip on the main character Kristin. Undset was not judgmental in the book, but I was in reading it.
'[Sigrid Undset] should be the next Elena Ferrante' -Slate
The Nobel Prize-winning masterpiece by Norway's literary master
Kristin Lavransdatter is the epic story of one woman's life in fourteenth-century Norway, from childhood to death. Sensitive and rebellious Kristin is sent to a convent as a girl, where she meets the charming but irresponsible Erlend. Defying her parents' wishes to pursue her own desires, she marries and raises seven sons. However, her husband's political ambitions threaten catastrophe for the family, and the couple become increasingly estranged as the world around them tumbles into uncertainty.
With its captivating heroine and emotional potency,…
Between us, we’ve been in the interreligious relations business for a combined 50 years. We started working together when Jerry was Deputy Assistant Secretary of State under President Barack Obama. In 2015, we were both invited by Prince Ghazi of Jordan to join other interreligious leaders to advance a UN resolution defining and taking a stand against religicide. That resolution never made it to the Security Council. But we joined forces to sound the alarm about religicide. We wrote our book in the hope of inspiring an international campaign to end this killing in the name of God – or being killed because of your God.
One of the most popular historians of religion, this book examines each of the great religions over time and reveals the context for the warrior traditions that emerged in them. One of her key insights is that every religious movement is rooted in the fear…"that modern society is out to destroy not only their faith but also themselves and their entire way of life.… When people fear annihilation, their horizons tend to shrink and they can lash out violently.”
It is the most persistent myth of our time: religion is the cause of all violence. But history suggests otherwise. Karen Armstrong, former Roman Catholic nun and one of our foremost scholars of religion, speaks out to disprove the link between religion and bloodshed.
* Religion is as old as humanity: Fields of Blood goes back to the Stone Age hunter-gatherers and traces religion through the centuries, from medieval crusaders to modern-day jihadists.
* The West today has a warped concept of religion: we regard faith as a personal and private matter, but for most of history faith has informed…
I was a stubborn teenager, and growing up, I vocally declared I would never set foot in Spain. The Spanish Empire was oppressive! It was full of religious fanatics! Yet… in college I took a course on Spain’s Golden Age, and for the first time I saw a different side of history, full of paradoxes and contradictions, Inquisitors and female mystics, bumbling priests and powerful nuns, decadence and poverty, emperors, tricksters, artists, pirates, scientists, and everything in between. Spain of the sixteenth through eighteenth centuries was extraordinarily complex and far from one-dimensional. Now, years later, I have travelled to Spain over twenty times, lived in Pamplona, and I am a historian of early modern Spain at Penn State University.
This brand-new, prize-winning book is a gorgeous synthesis of some of the most important trends in current Iberian studies. Early modern empire-building, missionary efforts, and the African slave trade fostered a new cult of black saints, which Rowe documents through stunning photography from tiny and forgotten churches across the peninsula. In focusing on black saints and their devotees—a largely understudied part of early modern Catholic culture—Rowe not only centers and elevates the diverse and often marginalized individuals who shaped global Catholicism, but also emphasizes important conversations about race and inclusion in early modern society.
From the sixteenth to the eighteenth centuries, Spanish and Portuguese monarchs launched global campaigns for territory and trade. This process spurred two efforts that reshaped the world: missions to spread Christianity to the four corners of the globe, and the horrors of the transatlantic slave trade. These efforts joined in unexpected ways to give rise to black saints. Erin Kathleen Rowe presents the untold story of how black saints - and the slaves who venerated them - transformed the early modern church. By exploring race, the Atlantic slave trade, and global Christianity, she provides new ways of thinking about blackness,…
As a mom of four busy kids in grade school, middle school, high school, and college, reading a novel is my reward at the end of a hectic day. I’ve read hundreds of novels, many of them Christian romances, while sitting at my children’s bedsides. They have to be well-written, no smut, and if the characters are Catholic Christians like me, all the better.
There are a bazillion romances about good girls attracted to bad boys.
Here’s one about a good girl attracted to a good guy, but neither of them can seem to get past his bad boy past. It’s easy to give lip service to redemption – sure, people change! But to build a life on that change? That’s another thing.
There’s a lot of forced proximity in West Castle that helps bring Caitlyn, our good girl (who has her own flaws), and Jared, our bad boy (who is trying so hard to be a better man), together. The romantic tension kept me reading through to the end!
College student Caitlyn Summer arrives at the Wests’ castle-like house to fill in for their live-in maid. After a recent decision blows her vision of the future, this ideal job and the peaceful surroundings are just what she needs to seek God’s will for her life. That is, until Jarret West, not wanting a repeat of past mistakes, backs out of a summer-long field study overseas and returns home. The two have never gotten along, and unforgettable baggage from the past makes it hard even to be cordial. While Jarret’s faults convince Caitlyn he hasn’t changed, she forces herself to…
I’m passionate about young adult sapphic romance books because this is something I wished I would have read in high school. If I had novels similar to these when I was growing up I might have realized that I identify as queer sooner and it could have helped me understand more about myself. Because of this, I’ve been an avid reader, and writer, of sapphic young adult romances. If it’s sapphic, send it my way. I hope you enjoy these sapphic novels as much as I have!
I flew through The Lesiana’s Guide to Catholic School book.
It was set, as the title suggests at a Catholic School. There were a lot of themes that I really related to, such as growing up in a religious family and being scared to reveal yourself true identity to your family and friends. I thought the family dynamics were very realistic, as were the characters.
No one knows Yami is gay, least of all her mum, and Yami intends to keep it that way . . . Until, uh oh, she's falling in love again.
Yami prefers to be known for her killer eyeliner, not for being one of the only Mexican kids at her new, mostly white, rich Catholic school - or for being gay. So after being outed by her ex-best friend, before transferring to Slayton Catholic, Yami decides to lie low, make her mum proud and definitely NOT fall in love. The thing is, it's hard to fake being straight when Bo,…
