At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
When a sixteen-year-old orphan vampire adopted by an order of nuns matures into her immortal, blood-sucking glory, all hell literally breaks loose. Yet with every rapturous taste of blood, Jennifer Carshaw cannot help but long for something even more exquisite: the capacity to experience true love. As she struggles to balance her murderous secret life with homework, cross-country practice, and her first boyfriend, Jennifer delves into the terrifying questions surrounding her inhuman existence, driven by the unexpectedly human need to understand why she is doomed to alife she never chose.
Brother Wolfrepresents one of the rarest of rare combinations: great horror, great humor, and a coherent Catholic metaphysics that underlies the fantasy. The daughter of a dull, disillusioned academic finds adventure in the company of a mysterious young woman who reads minds, a Breton nun, a Dominican vampire slayer, and an English gentleman-warrior who are in hot pursuit of a feral Franciscan werewolf. Murderous gypsies and demon goddesses dog their heels. With a cast of characters like that, how could any horror-lover resist? Eleanor Bourg Nicholson is truly one-of-a-kind, showcasing an encyclopedic knowledge of literature, mythology, and Catholic doctrine alongside her inimitable prose and rollicking sense of fun. You can’t go wrong with her books.
For Athene Howard, the only child of renowned cultural anthropologist Charles Howard, life is an unexciting, disillusioned academic project. When she encounters a clairvoyant Dominican postulant, a stern nun, and a recusant English nobleman embarked on a quest for a feral Franciscan werewolf, the strange new world of enchantment and horror intoxicates and delights her—even as it brings to light her father’s complex past and his long-dormant relationship with the Church of Rome. Can Athene and her newfound compatriots battle against the ruthless forces of darkness that howl for the overthrow of civilization and the devouring of so many wounded…
Did you know that William Peter Blatty called The Exorcist“an apostolic work” and “an argument for God”? Far more than just titillating, gruesome imagery, The Exorcistis about the battle for a young girl’s soul and the souls of those around her. It underscores the limits of modern psychology in addressing truly spiritual problems and forces the reader to consider the limits of rational science, challenging even a man of faith to look beyond his worldly blinders. The only reason it does not rank as #1 is that I think Blatty could have pushed his “argument” just one step further at the end.
Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.'
The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body.
Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer...
After Bram Stoker and Vlad the Impaler, the real person most closely associated with vampires has to be Bela Lugosi—so why not write a horror novel with him as the villain? This book underscores the important role that unsettling and dramatic occurrences can play in shaking us out of our own accustomed vices, as well as the difficulty we often face when trying to discern the difference between the works of evil and the truly mundane. After all, Bela Lugosi is nothing more than a tired, sad old man still pining for his glory days on the silver screen—isn’t he?
Hollywood, 1956. Journalist and war widow Evangeline Kilhooley is assigned to write a ";star profile" of the fading actor Bela Lugosi, made famous by his role as Count Dracula. During a series of interviews, Lugosi draws Evi into his curious Eastern European background, gradually revealing the link between Old World shadows and the twilight realm of modern horror films.
Along the way, Evi meets another English expatriate, Hugo Radelle, a movie buff who offers to help with her research. As their relationship deepens, Evi begins to suspect that he knows more about her and her soldier husband than he is…
Part horror novel, part hard-boiled detective story, part Hollywood summer blockbuster, Whisper Musicis an eclectic grab bag of a story that probably shouldn’t work, but it does. J.B. Toner has an unmatched ability to integrate soaring, lyrical prose with low-brow cop-speak in a book where a vampire does battle against the Virgin Mary. With both the blood of the Virgin and the blood of Satan in her veins, Danyaela Morrigan finds herself uniquely positioned to play both sides of a great spiritual battle, while at the same time being torn between them. Hold on to your hats. You’re in for a treat.
What if the Virgin Mary was bitten by a vampire? Danyaela Morrigan is an ex-Catholic, ex-college student, and ex-human, furious at the God who allowed her to be turned into a demoness. In the mountain town of Medjugorje, where the Blessed Virgin is rumored to appear, Danyaela seeks to share her eternal curse with the Mother of God. In the bitter, destructive battle that follows, she becomes afflicted with the power to enter the spirit world and touch the soul of every human being at will.
On Christmas Day, two Boston cops unwittingly find the body of a man who…
Tim Powers is an acknowledged modern master of the preternatural, but many readers probably don’t know he’s also a practicing Catholic. In Hide Me Among the Graves, his passion for the Romantic poets brings poor Christina Rossetti, her family, and others both historical and fictional under the sway of her vampire-uncle John Polidori, author of The Vampyre. Powers’s wild imagination casts the Thames River as Purgatory, songbirds as soul-catchers, and vampires as the ancient Biblical Nephilim. It’s a kitchen sink approach to fantasy that will keep readers guessing until the end.
From Last Call to On Stranger Tides to Declare to Three Days to Never, any book by the inimitable Tim Powers is a wonder. With Hide Me Among the Graves, it’s possible that the uniquely ingenious Powers has surpassed even himself. A breathtaking historical thriller in which art and the supernatural collide, Hide Me Among the Graves transports readers back to mid-19th century London and features a reformed ex-prostitute, a veterinarian, and the vampire ghost of Lord Byron’s onetime physician, uncle to poet Christina Rossetti and her brother, the painter Dante Gabriel Rossetti. A novel that, like all his others,…
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not a criminal, she stumbles into other secrets that will challenge what she thought she knew about her own family, her friend, Russ—and herself.
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not…
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