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One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
Echo North combined several familiar-to-me folk tales, and introduced me to the tale of Tam Lin. I loved the blending of known and original—especially the mirror room, where stories layered upon stories and acquaintances took on completely new qualities. The sewing together of a fracturing magical house also fascinated me. I was never sure about the intentions of certain people until the end, and despite guessing wrong, I was delighted by what really was happening.
In his enchanted house beneath a mountain, each room must be sewn together to keep the home from unraveling, and something new and dark and strange lies behind every door. When centuries-old secrets unfold, Echo discovers a magical library full of books- turned-mirrors, and a young man named Hal who is trapped inside of them. As the year ticks by, the rooms begin to disappear and Echo must solve the mystery of the wolf's enchantment before her time is up otherwise Echo, the wolf, and Hal will be lost forever.
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
I have two favorite retellings of Goose Girl and it was difficult to pick one for my list (the other is by Shannon Hale). The lyrical language combined with a young woman who grows from passive acceptance to taking a stand is beautiful. I especially love the ending and her unique solution to saving the man she loves. It is a story of abuse and healing, learning to trust and to find family. It is also on justice and mercy, at many levels.
'A dark, Middle-Eastern influenced retelling [...] dangerous secrets, false identities, delicious court intrigue and justice.' Culture Fly
Between her family's cruelty and the court's contempt, Princess Alyrra has spent her life in the shadows. Forced to marry a powerful foreign prince, Alyrra embarks on a journey to meet her betrothed with little hope for a better future. But powerful men have powerful enemies - and now so does Alyrra.
When Alyrra is betrayed and her identity is switched with another woman's, Alyrra is faced with the first choice she's ever had: to start a new life for herself or fight…
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
This was one of my first introductions to novel-length fairy tales. Shadow Spinner influenced the first stories I made up as bedtime tales for my little sisters. Like Marjan, I love playing with the many threads of traditional tales, weaving them together with my own threads of imagination. I still have folders with my first attempts at writing the thousand-and-second tale of Arabian Nights.
Every night, Shahrazad begins a story. And every morning, the Sultan lets her live another day -- providing the story is interesting enough to capture his attention. After almost one thousand nights, Shahrazad is running out of tales. And that is how Marjan's story begins.... It falls to Marjan to help Shahrazad find new stories -- ones the Sultan has never heard before. To do that, the girl is forced to undertake a dangerous and forbidden mission: sneak from the harem and travel the city, pulling tales from strangers and bringing them back to Shahrazad. But as she searches the…
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
This book blended fantasy and science fiction in a way that caught me and didn’t let go. I appreciate the moral dilemma of: is it better to interfere and stop a wrong if the interference might cause an even greater wrong? I like to make decisions based on facts rather than emotion, but this book shows how both are needed in balance. And how even doing good comes at a cost—are we willing to pay the cost?
Rediscover this beloved Newbery Honor-winning classic, Featuring a brand-new cover and a foreword by Lois Lowry!
Elana, a member of an interstellar civilization on a mission to a medieval planet, becomes the key to a dangerous plan to turn back an invasion. How can she help the Andrecians, who still believe in magic and superstition, without revealing her own alien powers? At the same time, Georyn, the son of an Andrecian woodcutter, knows only that there is a dragon in the enchanted forest, and he must defeat it. He sees Elana as the Enchantress from the Stars who has come…
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlancenovel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
This is the most important book people have never heard of. It was immensely popular in the Middle Ages – 300 manuscripts survive in nine languages (Beowulf, another monster tale, survives in onecopy). The probably-fictional “John Mandeville, knight, though I am not worthy” sets out from England in 1332, travels the known world on pilgrimage to Jerusalem, and continues all the way to India. He encounters wondrous places, people, and beasts. The book is fundamentally flawed, with rampant racism, anti-Semitism, Islamophobia, sexism, and on, butthis is why it matters. Mandeville was Columbus’s reading on his voyage to “the Indies,” and encouraged him to see indigenous populations as monstrous. It is terrible, and terribly important. Bale’s excellent introduction and translation are the best of many versions.
'Another island in the Great Ocean has many sinful and malevolent women, who have precious gems in their eyes.'
In his Book of Marvels and Travels, Sir John Mandeville describes a journey from Europe to Jerusalem and on into Asia, and the many wonderful and monstrous peoples and practices in the East. He tells us about the Sultan in Cairo, the Great Khan in China, and the mythical Christian prince Prester John. There are giants and pygmies, cannibals and Amazons, headless humans and people with a single foot so huge it can shield them from the sun . Forceful and…
To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!
That I would love a poem written/translated by Seamus Heaney did not come as a surprise to me, but that it is Beowulf, a poem/story steeped in the Germanic warrior culture and soaked in blood that enthralled me, did surprise me.
I do not remember the occasion that prompted my reading, but even as I opened the book to its Introduction, and read “...And now this is ‘an inheritance’ --/Upright, rudimentary, unshiftably planked/ In the long ago, yet willable forward...Again and again and again,” I could not put it down.
In fact, you might say, it is not the story but the voice of the poet and how he brought this ancient language and people back to life that compelled me to read on. Of course, the voice is that of the poet of “Digging,” as he traces his roots back to these unlikely ancestors.
Composed towards the end of the first millennium, the Anglo-Saxon poem Beowulf is one of the great Northern epics and a classic of European literature. In his new translation, Seamus Heaney has produced a work which is both true, line by line, to the original poem, and an expression, in its language and music, of something fundamental to his own creative gift.
The poem is about encountering the monstrous, defeating it, and then having to live on, physically and psychically exposed, in that exhausted aftermath. It is not hard to draw parallels between this story and the history of the…
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.
But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
I'm a normal human being who fell in love with the world of magic and fantasy at an early age. My favorite and first books comprised a multi-volume set of fairy tales, legends, and mythology. At the University of Oregon, my dual degree in English and Computer science taught me how to write and also provided a 35-year career in the burgeoning world of personal computers and software. I'm retired but now I write what I love—fantasy, fairy tales, magic. I have 12 published books, 9 of those also in audio format. The boring details: I was born in Eugene, Oregon and now live there in retirement.
Most people don't even know about this book. Written in 1946, it's just a little older than I am. I read it years ago and was delighted by Myers' world woven from existing fantasy and legend. I also use what has worked before to make my own books both familiar and new. How convenient when you have a perfectly fantastic cauldron of long-held material completely free for the taking. I, as did Myers, took full advantage of the vast pool of wonderful existing ideas. “Silverlock” certainly showed me I could freely dip from the pool and just twist it a bit to fit my own tale.
John Myers Myers transports the reader to a world where a shipwrecked American can sing songs with Robin Hood, feast with Beowulf and ride the river in a raft stolen from Huck Finn - or be attacked by Don Quixote, challenged to a beheading contest and turned into a pig by Circe.
Becoming immersed in oral cultures was a massive wake-up call for me! Taught to privilege the written over the spoken word, as most literate people are, it took me years of living in the Pacific Islands, travelling regularly to their remoter parts, to appreciate that people who could neither read nor write could retain huge amounts of information in their heads – and explain it effortlessly. We undervalue orality because we are literate, but that is an irrational prejudice. And as I have discovered from encounters with oral traditions throughout Australia and the Pacific, India, and northwest Europe, not only are oral traditions extensive but may be thousands of years old.
When I first read this book, not only was I struck by its central theme that ‘myths’ have meaning but also by the fact that it is our problem that we cannot today recognize myths for what they once were. All oral traditions evolve through time, sometimes over thousands of years and across hundreds of generations of retelling, but if their core is sufficiently memorable, then it can remain recognizable. It is up to us to unpack the stories we hear today, to learn how they changed through time, and try to see whether there is an empirical core in their hearts. This book is a must for anyone interested in learning more about the meaning of ‘myth’ rather than romanticizing it.
Why were Prometheus and Loki envisioned as chained to rocks? What was the Golden Calf? Why are mirrors believed to carry bad luck? How could anyone think that mortals like Perseus, Beowulf, and St. George actually fought dragons, since dragons don't exist? Strange though they sound, however, these "myths" did not begin as fiction. This absorbing book shows that myths originally transmitted real information about real events and observations, preserving the information sometimes for millennia within nonliterate societies. Geologists' interpretations of how a volcanic cataclysm long ago created Oregon's Crater Lake, for example, is echoed point for point in the…
While I’ve been a voraciously omnivorous reader my whole life, I’ve always been drawn most to stories that take me into the darkest of dark places, and that sometimes leave me there, alone and without a light. Horror, weird fiction, and the contemporary gothic all have a permanent home in my heart, and they’re the genres in which I most like to play as a writer. Most of all, I love those dark stories that stretch boundaries and defy conventions, that wield language as the beautifully vicious weapon it can be, and challenge me to do the same.
You don’t have to know Beowulfto enjoy this modern-day re-imagining – set in a gated community at the foot of a mined-out mountain with subterranean caves and lakes a plenty – but the novel serves up delicious layers for readers familiar with the Old English epic. Headley weaves a story that is horrific and beautiful in equal measure as she explores the gulf between the experiences of two very different mothers – Dana, an ex-soldier barely surviving in the wilderness with her son Gren; and Willa Herot, suburban royalty living a luxurious if socially pressurised existence, protected her wealthy husband’s power. With writing that oscillates between lyrical poetics and prose that is sparse, blunt, and direct, The Mere Wife is a darkly fabulous novel that I look forward to reading over and over again.
A fierce, feminist retelling of the classic tale Beowulf.
Gren and his mother, Dana, a war veteran, live on the side of a mountain, next to Herot Hall, a pristine gated community ruled over by Willa and her son, Dylan. Separated by high gates, surveillance cameras, and motion-activated lights, Dylan and Gren are unaware of the barriers erected to keep them apart. But when Gren crosses the border into Herot Hall and runs off with Dylan, he sets up a collision between Dana's and Willa's worlds that echoes the Beowulf story - and…
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