81 books like The Half-God of Rainfall

I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry book A Terrible Thing reinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.

I love stories grounded in realism - but which also explore that there may be more to life than meets the eye; reasons beyond reason, for the way we dream, love, and think, and which come from unexpected sources. I love books whose characters really 'live', and stay with me, long after I've finished reading. I aspire to create such characters. In my novels, I seek to explore important themes from perspectives that often pitch rationality against what it cannot explain, or dismiss. The fiction I most love does this – whether it exploits mythology, suggests life beyond life, or uses magical realism to add ‘other’ dimensions to the ordinary. "There are more things… Horatio…"

I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry book A Terrible Thing reinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.

When we authors name our characters, we gift them with meaning—a single word that somehow encompasses everything they will experience on the page. The name of my heroine, Akmaral, hails from Kazakhstan and means “white deer.” It resounds with the sound of hooves on the ancient Central Asian steppes and the deep connection to the natural world of the nomadic people who once lived there. Names bear unconscious expectations—hopes for strength and wisdom, dreams of triumph, beauty, and love. I hope that someday, hearing “Akmaral” will bring to mind vast, windswept steppes and a strong woman on horseback, head held high, contemplating her journey from warrior to leader.

I’ve been an avid reader of MM literature in all its genres and sub-genres, since I was a teenager. Even now, MM fantasy titles are some of my favorite books of all time. I’d love to share my preferences with other readers so they could see the magic I see.

I’m a Canadian writer who has always had a love for fantasy books. Particularly fantasy books with badass female characters who aren’t afraid to get their hands dirty, which is why my first published novel, It Ends With Her, is just that. I hate reading books, fantasy or otherwise, where the female lead simply waits around for someone else to fix her problems. Or even worse, lets someone else run her life entirely. No thank you, I’d much rather read about someone taking matters into her own hands and doing what’s right, no matter the cost.

As a child, I gobbled up Grimm’s fairytales, but I always wondered: Why do the princesses get such a terrible deal? This question gnawed at me. So, when I grew up and became an author, I wrote The Princess and the Prick to set the world right. Feminism can be such a terribly serious topic, but sexism is ridiculous! So, let's laugh at it! The books I've recommended are all short and brilliantly funny. They make fantastic gifts and will have everyone laughing at the patriarchy in no time. I hope you enjoy them as much as I do.

Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchess of Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time. 

Stephanie Storm is a talented young adult fantasy author whose writing is reminiscent of classic fantasy novels with a modern twist. Her imaginative storytelling and richly developed characters draw readers into immersive worlds filled with magic, adventure, and breathtaking landscapes. Her writing style is enchanting, capturing the hearts of readers of all ages and leaving them eagerly turning pages late into the night. Growing up with her nose buried in a book, she found solace and inspiration in the escapism and limitless possibilities of the genre. Her imagination was sparked by the enchanting stories she devoured, which fuelled her passion for writing and creating her own fantastical tales.

I’ve been playing in the sandbox of Greek myth as a writer for two decades, and passionately absorbed by it for even longer. My mother raised us all to love ancient history, and I was further encouraged by my brother at age 7, who brought home a copy of Bulfinch and taught me the difference between Heracles and Hercules, cementing my delight and inspiring me to pursue a BA in Classical Studies. The result was not only my Helen of Sparta duology, by a plethora of other works exploring our relationships to the divine in the retelling of historically-grounded myths, some well-known, and some half-forgotten.