90 books like The City We Became

By most accounts, immigrant literature deals primarily with how immigrants struggle to adapt to their adopted countries.

Its readers have come to expect stories of identity formation, of how immigrants create ethnic communities and maintain ties to countries of origin. Yet such narratives can center exceptional stories of individual success or obscure the political forces that uproot millions of people the world over.

This novel simulates the intimacy of immigrant memoir by seemingly giving readers access to his narrator’s interiority; it seems to cater to readerly expectation. And yet this is ultimately a ruse to obtain readerly investment, which Cole then redirects to the global history of forced migration and dispossession.

I love the combination of erudition and subtlety in a novel that, while ranging across three continents, allows readers to think simultaneously about dislocation across history and in our contemporary world.

This Is All I Got: A New Mother’s Search for Home tells the story of the difficulty of finding acceptable housing for the poor in New York City. Sandler follows the story of a young, poor, unwed mother, Camila, for one year as she struggles to find safe and affordable housing for herself and her newborn son. Against all odds, red tape, and never-ending bureaucracy, Camila never gives up. I found this story inspiring as well as educational about the homelessness crisis in New York City, a new found passion after my experience trying to feed the homeless during the first year of the pandemic.

This essay collection isn’t exclusively about New York, but the four essays that open the collection are, and they are excellent. Biss writes personally about race relations in the city, and the United States. Her insights still feel relevant more than a decade later. She also refreshingly tackles the myth of New York, and the way that it is, as she says, overimagined. 

It seems like a bit of a long title for a New York Times Bestseller but I promise this book is educational, entertaining, and worth every second. Sullivan spent a year observing a rat-infested alley, and came away with a better understanding of our least-favorite rodents, as well as the many people who spend their lives trying to keep rats and humans apart. At first it might seem weird to sit outside and watch the rats every night, but by the end, you can’t imagine doing anything else.

I love a mix of fantasy and reality. This book (and the following series) has changed the way I look at almost everywhere in London.

Unbeknownst to most policemen and nearly all members of the ordinary public, the Metropolitan Police have a unit that deals with magic in the city. Seemingly-innocent events are often caused by vampires, magicians, or the rivalries between the gods and goddesses of the River Thames’ tributaries.

Here, it is not just the Thames that is important; all the little, often overlooked, waterways have a role to play. Peter, the Detective Constable at the heart of the story, is also a trainee wizard; the plot moves at breakneck speed, and I found it funny, exciting, and surprising all at once. 

I adored Cho’s Black Water Sister for the wit, verve, and humour with which its protagonist, Jess, newly returned to Penang from the USA, faces down being possessed by the spirit of her dead grandma, a former medium. Jess, despite her Harvard degree, hasn’t found a job and is unable to tell her conservative family about her Singapore-based girlfriend. How Jess manages to negotiate the contradictory demands of pushy aunties, powerful businessmen, and a furious goddess known as the Black Water Sister, whose temple is threatened by property developers, makes an immersive and absorbing tale.

Bangalore, or Bengaluru, is a city I’m very familiar with in real life, and Lavanya Lakshminarayan’s Analog/Virtual, to be published in the West next year by Rebellion as The Ten-Percent Thief, does a splendid job of moving it to the future, using an intricately interconnected mosaic structure to take a wide-ranging look across the social and technological divides that present-day India will carry into the future, giving her readers bleakness, clarity, wonder, humour, and hope as she tells the multifaceted story of a revolution. Analog/Virtual was published in India the same year as Chosen Spirits (the Indian edition of The City Inside), and it was personally fascinating to me to see how similarly and differently we approached present-day social and political concerns in our future-real cities. Definitely a book (along with SB Divya’s Machinehood) that would have deeply influenced mine if I’d read it before writing.

It’s hard to describe Lavie Tidhar’s Central Station, except to say that it is a fascinating study of various humans and non-humans residing—some permanently, some temporarily—in a hot, dusty spaceport/city that has sprung up between Tel Aviv and Jaffa sometime in our future. They confront questions and answers about family, memory, reality, and what is human—and occasionally come up with answers. A wonderfully written, almost hypnotic book.

I loved this series because it took a person who was struggling in life and brought them into a new and more deadly world where her struggles became more intense and real. She had to grow, trust herself, and learn how and who to trust in this new world. It was filled with Runes magic and though character driven it had a plot that pulled you along. 

This was one of the first fiction books I read that set before me a world that is ordinary interrupted, and affected by another world that is supernatural.

In this book, when the main character goes to sleep, he wakes up in another world populated by mysterious beings and people.

Perhaps most interesting about this set up, is that events in this “dream world” affect events in the waking one.

While the main character only retains a passive ability (entering this other world and healing) the whole traveling between both spaces, his interactions with both divine and malevolent beings, and his race to stop his world from destruction all pulled me into the story in such a way that I could not put down.