77 books like The Boy Who Stole Attila's Horse

Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.

The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.

This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

I became a vegetarian at age 13, and although my parents grumbled about having to prepare different foods, they certainly did not react as strongly as Yeong-hye’s family, who treats her decision as a kind of mental illness.

The book starts off like a dark fable, as Yeong-hye pares down her diet and believes she is turning into a tree. As the book progresses, though, it becomes a feminist allegory that asks questions that have only become more urgent since its publication: Who has the right to say what a woman does with her body?

Diop is a French writer (b.1966) and this book won the 2021 International Booker Prize.

I don’t seek out war stories, particularly those set in the trenches of the Great War, as this one is, but At Night All Blood Is Black isn’t your standard war novel.

I was hoping for something beyond the mud and the bayonets, the horror and its unending aftermath. I was hoping for an understanding of the paradox of being human and, even though the book is unapologetically bleak, I wasn’t disappointed.

How come? The love between the soldiers, Alfa and Mademba, is at the heart of the story – it’s a key source of its power – and then Diop delivers a blindside, which I’m not going to give away. Read it and disappear. Let the language be your lantern in the dark. 

Besides well written non-fiction and sapphic romance, my favorite type of book is always going to be middle grade fiction.

In AfterMath, 12-year-old Lucy is struggling with the death of her younger brother from heart failure. When she changes school, she comes into the aftermath of a school shooting where her classmates struggle with grief of a different kind. Chock full of character development and with a solid plot, this takes a gentle look at grief, trauma, gun violence, terminal illness, and the real-life things that we have to face, no matter our age.

I love a story where children are resilient, though I wish they didn’t have to be so resilient all the time. 

This rare story had me laughing out loud, sobbing, and sighing at the beauty of it from beginning to end. It’s not about a ghost in the paranormal sense, but the story revolves around a family haunted by the death of a son.

Pup (James) Flannigan, the youngest of eight siblings, is used to being the silent observer at his raucous family gatherings. When his oldest brother dies suddenly, grief and denial rattle the family to its core.

I fell in love with Pup immediately! He’s a funny, sensitive guy who’s powerless against his family’s tide of sadness until an art teacher encourages him to pick up a camera. Pup’s slow transformation from helplessly observing to using the camera lens to bring the damaged, grieving people he loves into clear focus is a beautiful thing to watch.

Although this novel isn’t about a historical biblical woman, both the setting and the premise bring the latter half of the New Testament to vibrant life. In Corinth of the first century, a girl thief is befriended by a Jewish teacher named Paul, leading us into a fast-paced story of action and intrigue. Afshar’s novels brim with authentic historical detail as well as great empathy for what it meant to be a woman in this time in history. Turning the last page of the story, I felt like I’d lived and breathed alongside this long-ago woman.

A trickster god dies, leaving his two sons to squabble with each other and, in that process, identify. At once immersive, magical, and memorable, Gaiman took me through the problems and conflicts of his characters with a potpourri of gravitas, humour, and smartness that only he can conjure with such ease.

Despite the lack of profundity that he's known for amid the scribbled sorcery, I got a lukewarm feel at the end, an all's well that ends well moment that’s an underappreciated and recently overlooked ethic of good-ol’ fantasy.

Another slavery narrative that doesn’t pull any punches. Set in Martinique 1765, it tells the tale of brothers Emile and Lucien, who are charged by their French master, Father Cleophas, with a mission. They must return to Grenada, the island they once called home, and smuggle back 42 slaves claimed by English invaders. A gruesomely compelling story.

Several things drew me to Megiddo's Shadow: 1.) It is based on author Arthur Slade’s research of his grandfather’s experience as a teenager—age 16—in the Canadian-British calvary. 2.) It takes place in 1917 during World War I. 3.) Much of the action takes place in the Middle East. Even though this story does take place on the battlefield at times, the primary story is not about military campaigns. Rather, it’s about a young man who begins his journey as a patriot with visions of grandeur, yet has his ideals of heroism and courage turned upside after his experiences in war.