100 books like Body Work

I’ve always been somewhat of an idiot optimist coming up with new and frivolous ideas. Yet, despite trying to inject my last three books with humour representative of myself, I feel a certain sense of seriousness in them. The fantasy genre has helped me shirk that feeling, allowing me to write uninhibited by regular boundaries. Without becoming captivated by George R.R. Martin and Terry Pratchett, I’d probably still be stuck trying to carve out a place in literary fiction—how serious. Fantasy works better for me—I like to make things up, and I like light-hearted books. 

I was born in 1957, the year the Space Race started when the USSR launched its first satellite and grew up with astronauts and cosmonauts on the TV. Yuri Gagarin and Gordon Cooper were familiar names to me as a child but I only really started to take notice as the Apollo programme ramped up. Science fiction influenced me at an very early age with books like Kemlo and Tom Swift and, having pestered my English teacher with my embryonic works decided at seventeen to write my own novel. Some years later and just short of sixty I finally wrote Sirkkusaga and now have seven published works out there - as well as two anthologies.

I grew up in a house of books. Bookcases in almost every room. At an early age, I discovered some great ones that were usually recommended by my dad. The Odyssey. Tarzan of the Apes. Princess of Mars. It is a long, long list, and I won’t give you all my faves—but one thing about it: I was drawn to books with heroes, particularly when those heroes were clearly good. There are no shades of gray for me. I like my heroes to have honor and humility and to always strive to do the right thing.

I was born in 1957, the year the Space Race started when the USSR launched its first satellite and grew up with astronauts and cosmonauts on the TV. Yuri Gagarin and Gordon Cooper were familiar names to me as a child but I only really started to take notice as the Apollo programme ramped up. Science fiction influenced me at an very early age with books like Kemlo and Tom Swift and, having pestered my English teacher with my embryonic works decided at seventeen to write my own novel. Some years later and just short of sixty I finally wrote Sirkkusaga and now have seven published works out there - as well as two anthologies.

I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.

Stephen Silver has been a professional working artist, character designer, and teacher in the industry for over 30 years. He developed intellectual properties for some of the largest media companies in the world; such as Disney, Warner Bros., Nickelodeon, Sony, MAD Magazine, Reel FX, Bento box, Hasbro, Universal, DreamWorks, and more. Stephen is responsible for the visual character development and design of some of animation’s most iconic shows; including Disney’s Kim Possible, Nickelodeon’s Danny Phantom, and Disney’s Clerks: The Animated Series, to name a few.

My name is Kelly Fernández (she/her) and I’ve been making comics since 2014. I’ve always been fascinated by stories about ghosts, monsters, and witches because I grew up in a family that believes in them. While writing my graphic novel Manu, I researched and spoke to Latinx friends and colleagues about their personal experiences with brujería (the Spanish word for witchcraft) to try and learn more about it across different cultures. I love comics because, like oral storytelling, it’s just another way for people to share their stories with each other!

I’ve worked as a tugboat hand in Singapore and Peace Corps Volunteer in Polynesia. I’ve served on the editorial staffs of five newspapers, from a small-town daily in New Mexico to The New York Times. I’m also the author of contemporary novels for young adults. Like the writers of these five great graphic novels, I choose themes that are important to me. Foremost are hope, healing, family, and friendship. These are themes I’d like my own children to embrace. Life can be hard, so as a writer I choose to send out that “ripple of hope” on the chance it may be heard or felt, and so make a difference.

My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.

“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir, I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugula and Sunny Days are not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined by Sesame Street and Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.