Here are 93 books that My Book of Life by Angel fans have personally recommended if you like
My Book of Life by Angel.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
Namrata Poddar is an Indian American writer of fiction and nonfiction, literature and writing faculty at UCLA, and Interviews Editor for Kweli where she curates the series, “Race, Power and Storytelling.” Her work has explored ways in which writers from across the world decolonize Literature. Her debut novel, Border Less, was a finalist for Feminist Press’s Louise Meriwether Prize, longlisted for The Center for Fiction First Novel Prize, and featured in several media outlets including the “Most Anticipated” 2022 books for The Millions and Ms. Magazine. She holds a PhD in French literature from the University of Pennsylvania, an MFA in Fiction from Bennington College, and a Mellon Postdoctoral Fellowship in Transnational Cultures from UCLA.
Written in 46 short vignettes, this is a coming-of-age story of Esperanza Cordero, a young girl growing up in a Hispanic neighborhood in Chicago. Yet the novel is anything but one protagonist’s story, as it consistently juxtaposes Esperanza’s story with stories of secondary characters who make a brief appearance in the novel to seldom reappear and tie loose ends of the “sub-plots”: Marin, Louie, Alicia, Geraldo, Rafaela, Minerva, and others. Narrative continuity via a protagonist’s psychological journey that is a key trait of coming-of-age novels, or of mainstream Western or realist novels at large, is repeatedly disrupted here, making the reader wonder, who isthe novel’s protagonist?: Esperanza, Mango Street, or its Brown community, or young Latina girls and women in a 20th century USA, alluded by “las Mujeres” to whom the book is dedicated.
NATIONAL BESTSELLER • A coming-of-age classic, acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
I’ll Be Watchingis a verse novel that evokes place and character in tight, specific moments. It’s a page-turner that tells a harrowing story of children in 1941 surviving on their own through the brutal winter in a small Prairie town. Nuanced and impressionistic, moments are layered to create a world of childhood without a supportive adult net. I love the restraint and the specificity of Porter’s writing. She has focussed on childhood, during the war, in a very ordinary, very unlikely location and written a thriller.
In a small prairie town like Argue, Saskatchewan, everyone knows everybody else's business. It's common knowledge that the Loney family has been barely hanging on, but when the Loney children's father George dies in a drunken stupor and their stepmother takes off with a traveling Bible salesman, it looks as though the children are done for. Who's to save them when everyone is coping with their own problems the lingering Depression and the loss of the town's young men to the Second World War? Under the watchful eye of their ghostly parents and…
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.
In 1955, people all over the United States knew that Emmett Louis Till was a fourteen-year-old African American boy lynched for supposedly whistling at a white woman in Mississippi.The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.
Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement.This martyr's wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to 'speak what we see.'
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
Little Comrades is a memoir written in prose poetry. It is about growing up in a dedicated Communist home in the 1930’s in Canada. It is a home where The Party is more important than the family. Young Laurie and her brother Andy try to understand the world that they are growing up in while their abusive, alcoholic father uses his commitment to the cause to justify brutality and abandonment. In the end, it is a story of triumph but the journey to that “happy” ending is colored by the reaction of The Party, and eventually, the horrors of McCarthyism. Full disclosure—Laurie Lewis is my mother. It was not until she was 80 that she was able to tell the tale, just showing that a story cannot be told until it is ready.
Little Comrades tells the story of a girl growing up in a dysfunctional left-wing family in the Canadian West during the Depression, then moving, alone with her mother, to New York City during America's fervently anti-Communist postwar years. With wit and honesty, Laurie Lewis describes an unusual childhood and an adventurous adolescence.
I have been working with grieving individuals for over 30 years. Early in my career, I realized that my purpose in life was to help people who were grieving the loss of a loved one. I wrote my first book about grief over 25 years ago. It has been my mission to help people find light in the darkness. One way to do this is to have a broader perspective, to realize that there is more going on than we can see or understand. When you have a higher, broader perspective on your grief, you’re able to make meaning out of loss and find beauty in the brokenness.
I read this book again and again when I want to remember that death is not something to be terrified of. In fact, when I read this book, death feels more like a natural process that can be welcomed. I feel a kind of calmness towards the whole human race as we all seek to live, knowing that we will eventually die. To truly understand death, you also have to understand life.
The first book that explains how to open to the immensity of living with death—and how participating fully in life is the perfect preparation for whatever may come next.
In Who Dies?, the Levines provide calm compassion rather than the frightening melodrama of death.
Navigating life with grief has been a lifelong journey for me ever since I was a young child. At 8 years old, I was in a car accident which took the lives of my parents and four of my siblings. Since then, I’ve faced a huge mountain in front of me – How do you move forward in life when you have lost everything? This journey led me to now share my story of childhood loss and healing in hopes of helping others. As a counselor, I’m a huge mental health advocate and love books which tackle hard emotions that help readers of all ages feel more understood and equipped for their journey ahead.
This is a children’s book for primarily ages 4-8. It describes what it’s like for a child to be experiencing grief through a biblical lens.
I can’t recommend this book enough because as someone who experienced loss as a child, I needed this book then. It has beautiful words and imagery to guide the child and hold their emotions. It would be a fantastic book to read through in a counseling session with a child experiencing loss.
Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.
Of the six books the late Ms. Butler authored in her lifetime, this one is by far my favorite. Her academic account of the prostitution industry is all facts, with plenty of sources to back them up. There is no flowery talk here, just the truth of how women of the demimonde lived during the late 1800s.
This book is in good used condition. Ex-library book. History of prostitution in the American West 1865-1890. Good book for anyone interested in learning more about: Prostitutes -- West (U.S.) -- History -- 19th century.
Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.
Like Anne Butler, Ms. Rosen used credible sources to explain the “whys and hows” of frontier prostitution, prostitutes’ roles in society, and the culture that kept them in their place. Her book includes government studies conducted with the women themselves regarding their careers. Statistics on the ladies’ health and social diseases are included here too.
We know that there are markets for “illegal” goods and services, but how do these illegal markets operate? It’s not about who is participating in the market, but about how markets for things that are illegal function. How do you start your illegal business? How do you attract customers? How do you establish a reputation? All of these things are questions that attracted me to the study of male sex work. It is an occupation is thousands of participants. I was excited about the way that male sex work is illegal but also in plain view on the internet.
This is the book that revolutionized the way social scientists think about sex work.
We know that sex work is gendered (more women work as sex workers than men) and at the same time women have made significant gains in the formal labor market. This book sought to answer the question of why sex work continued to be so prominent even though “outside options” were growing for women.
Sex work integrated itself into the industrial system. Modern sex work has adapted to changing business practices and technology. Why? Because there is still a strong demand for the provision of intimate services and human sexual connection.
Despite increased economic opportunities for women, sexual commerce has not only thrived in the Western world, it has diversified along technological, spatial, and social lines. For example, contemporary sex workers often meet their clinets through the Internet, offering new kinds of encounters that are a far cry from the quick and impersonal contacts that we normally associate with prostitution. For "Temporarily Yours", sociologist Elizabeth Bernstein walked the streets and went behind closed doors, interviewing sex workers, their clients, and the government officials who regulate the business. Along the way, she discovered a significant transformation that is occurring in the urban…
Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.
Mrs. Seagraves used real facts and lots of sources to tell her stories, and her book was one of the first to address the prostitution industry in the west. Because of her, some of the women who were formerly cast aside finally got the recognition they deserved. For those seeking a more romanticized look at the biographies of prostitutes and why it is important to remember them, this is the book.
Soiled Doves tells the story of the grey world of prostitution and the women who participated in the oldest profession. Colorful, if not socially acceptable, these ladies of easy virtue were a definite part of the early West--wearing ruffled petticoats with fancy bows, they were glamorous and plain, good and ad and many were as wild as the land they came to tame.
Women like "Molly b'Dam," Mattie Silks, and "Chicago Joe" blended into the fabric of the American Frontier with an easy familiarity. Others, such as "Sorrel Mike," escaped through suicide, Lottie John chose marriage and the Chinese slave…
Interested in
prostitution,
the Bible,
and
Vancouver Canada?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
prostitution,
the Bible,
and
Vancouver Canada.
