Here are 100 books that Mr. Nobody fans have personally recommended if you like
Mr. Nobody.
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I’m a window-seat person. If I’m on a trip, I want to see much
more than the device propelling me forward. In crime books, the vehicle is
always the crime, but I want that felonious little engine to also propel me
through realms where I become more explorer than passenger, where I’ve entered marvelous
and unexpected worlds that become characters in themselves. It almost doesn’t
matter what that world is, whether it’s 19th-century Chicago
architecture, bitcoin cartels or octopus linguistics. As long as it’s well-researched and rendered with depth, precision, and passion, your ticket to a
crime gets you at least two books, or even genres, for one!
Erik Larson is known for his masterful ability to combine meticulous research with rich prose to breathe life into history. This book, with intersecting narratives of a serial killer and a brilliant architect set at the 1893 World’s Fair in Chicago, painted such a living picture for me that I still felt stuck to the canvas even when I wasn’t reading.
I learned about astonishing true events and characters I barely knew existed. The contrast between the great inventors on the grand stage of the fair and the killer haunting its shadow was superbly done.
The Chicago World Fair was the greatest fair in American history. This is the story of the men and women whose lives it irrevocably changed and of two men in particular- an architect and a serial killer. The architect is Daniel Burnham, a man of great integrity and depth. It was his vision of the fair that attracted the best minds and talents of the day. The killer is Henry H. Holmes. Intelligent as well as handsome and charming, Holmes opened a boarding house which he advertised as 'The World's Fair Hotel' Here in the neighbourhood where he was once…
I’ve loved jazz ever since I learned to play the clarinet as a child. My two great loves in life have been music and books, so it made sense to combine the two things and write novels with a link to jazz. These books are some of my favourites with a jazz theme. I promise that even if you’re not a jazz fan, these are all excellent novels, to be enjoyed with or without music playing in the background!
A young Louis Armstrong as an amateur detective – if that concept doesn’t draw you in, I’m not sure what will!
The year is 1919 and there’s a terrifying serial killer on the loose in New Orleans. This is the first installment in Celestin’s City Blues Quartet. I love all four books but The Axeman is probably my favourite because of the New Orleans vibe. You get jazz, mafia, Pinkerton detectives, crooked cops, and a taste of the macabre.
"Ray Celestin skillfully depicts the desperate revels of that idiosyncratic city and its bizarre legends in his first novel, THE AXEMAN." - The New York Times Sunday Book Review (Marilyn Stasio, Crime Columnist)
The Axeman stalks the streets of New Orleans...
In a town filled with gangsters, voodoo, and jazz trumpets sounding from the dance halls, a sense of intoxicating mystery often beckons from the back alleys. But when a serial killer roams the sultry nights, even the corrupt cops can't see the clues. That is, until a letter from the Axeman himself is published in the newspaper, proclaiming that…
Growing up in the South as the daughter of a single mother, I’ve always appreciated strong women, in reality and in fiction. Before I could read, I made up stories featuring me as the super heroine. Later, I devoured all the Nancy Drews I could get my hands on. I credit Ms. Drew for nurturing my fascination with mystery. I especially enjoy suspense with a psychological turn that frequently takes the form of gaslighting or manipulating someone into doubting their perception of reality. As an author of Southern suspense with heart and humor, my female characters fall victim to this device but are strong enough to persevere.
I was fascinated by the way the tragic protagonist uses “self-gaslighting” as a means of survival.
Anna Fox has suffered unimaginable tragedy, so she imagines it away. I felt her pain and isolation as well as her terror at discovering her neighbors have a horrifying secret.
I especially enjoy a suspense novel that moves at a pace between breathtaking and reflective.
Soon to be a major motion picture produced by 20th Century Fox, starring Amy Adams, Gary Oldman and Julianne Moore
'Astounding. Thrilling. Amazing' Gillian Flynn
'One of those rare books that really is unputdownable' Stephen King
'Twisted to the power of max' Val McDermid
'A dark, twisty confection' Ruth Ware
What did she see?
It's been ten long months since Anna Fox last left her home. Ten months during which she has haunted the rooms of her old New York house like a ghost, lost in her memories, too…
From my first foray into poetry when I was in high school, I've been creative writing for over fifty years. Poetry proceeded into writing alternative song lyrics to established songs while in college. After graduating I naively pursued a career as a professional song lyricist, achieving limited success and unable to continue. While in the midst of a long career in the landscape industry, upon realizing that I wanted to write a novel based on an idea I had, I eventually completed a supernatural thriller titled, The Poe Consequence. Years of watching detective shows and reading memorable crime thrillers provided the inspiration to write a murder mystery as well. You Say Goodbye is the result.
Scientific cloning fears come to life and the possible consequences of that dynamic?The protagonist, a geneticist, makes a startling and extremely consequential discovery and away we go. The story is a combination of science, crime drama, and bad guy intrigue that keeps the reader wondering how things will play out in terms of experiments and mysterious, secretive plots. Follett offers an array of engaging characters that left me pulling for some and proverbially punching others. As with the other Ken Follett novels I’ve read, the man does his research which offers educational elements as a bonus without it interfering with the flow.And the ending is a beauty.
Questions about who we really are in terms of ourselves and maybe, just maybe, a cloned twin ‘out there’ who apparently isn’t the nice person you are?Why and how could that be? Creative ideas such as this, from the imagination…
A thrilling, chilling story of hidden evil, The Third Twin is a heart-stopping, spine-tingling story from master of suspense, Ken Follett.
An Impossible Result Jeannie Ferrami, a scientific researcher investigating the behaviour of identical twins who have been raised separately, uncovers a perplexing mystery; identical twins who were born on different days, to different mothers, in different places.
A Blossoming Love One, Steve, is a law student and the other, Dennis, a convicted murderer. As Jeannie works with Steve on her project she finds herself falling in love with him, but their world is shattered when he is accused of…
I write novels for adults, young adults (My Life as a Bench won the International Rubery Book of the Year), and children. Using my experience as an art student in Nottingham, I wanted to look at the dark side of Sex in the City. The sexual revolution of the 60s gave women freedom, but at what cost? Conviction rates for sexual assault remain depressingly low and our streets remain unsafe for women at night.
Privilege, entitlement, politics, and sleaze, it’s all here, along with the disturbing sense that many perpetrators get away with far too many misdeeds for most of their lives, while their victims’ lives are instantly thrown into crisis. It’s a solid, twisty psychological thriller with hints of the Bullingdon Club and Westminster bad behaviour.
“A nuanced story line perfectly in tune with our #metoo times.” —People, Book of the Week
“One of the season’s most buzzed-about thrillers.” —Bookish
“A strong choice for book clubs. Former political correspondent Vaughan makes an impressive debut with this savvy, propulsive courtroom drama.” —Kirkus Reviews (starred review)
“Vaughan offers gripping insight into a political scandal’s hidden machinations and the tension between justice and privilege…Absorbing, polished.” —Booklist (starred review)
“Skillfully interweaving the story of the unfolding scandal, Vaughan gradually reveals just how shockingly high the stakes are…Sinewy…engrossing, twist-filled.” —Publishers Weekly (starred review)…
I published the novel Ehrenfried & Cohn in 2016 about the decimation of the Jewish fashion industry in Berlin by the Nazis. I studied at the University of Arts in Berlin and became a fashion reporter for newspapers. Later I worked as a producer and journalist for German Public Broadcasting, the BBC in London, and PBS and CBS in New York City. I currently share my time between London and Berlin writing fact books on Jewish fashion and as a lecturer on fashion history in the US.
When Bill (William John) Cunningham (1929-2016), son of an Irish Catholic family from Boston, moved to New York at the tender age of 19 in 1948, it became the life-defining step in his career as probably the most famous fashion photographer in the metropolis. He had been interested in fashion from an early age and sold his first hats. After returning from military service in Korea in 1953, he began photographing fashion and writing articles for Women's Wear Daily and the Chicago Tribune.
It is no exaggeration to say that Cunningham's fashion sense and photography quickly shaped a new style of fashion journalism. His "street style" brought fashion, no matter how expensive or luxurious, into the world of everyday life. Cunningham made fashion interesting again only through his point of view and photographs. The quiet, always curious and meticulous Cunningham also became known for his commitment to the gay…
"[An] obscenely enjoyable romp." -The New York Times Book Review
The untold story of a New York City legend's education in creativity and style
For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight…
I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.
If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.
This is the Paris you never knew. From the Revolution to the present, Graham Robb has distilled a series of astonishing true narratives, all stranger than fiction, of the lives of the great, the near-great, and the forgotten.
A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. A particular woman catches his eye; nature takes its course. Later that night Napoleon Bonaparte writes a meticulous account of his first sexual encounter. A well-dressed woman, fleeing the Louvre, takes a wrong turn and loses her way in the nameless streets of the Left Bank. For…
I worked in high-tech electronics for thirty years, specialising in the design of radio communication equipment. My first love, though, has always been books, particularly exciting page-turners about spies and assassins. Eavesdrop – my first thriller – brought those two worlds together, and “what-if” ideas from my professional life engendered the plot’s high-tech angle. I wrote the early drafts largely while on planes and in airport lounges during business trips, and in snatched moments before starting work each morning. It was exciting when Assent Publishing took it on and did such a great job of producing the thriller ready for you to read. I hope you enjoy it.
Tom Wood immediately swept to the top of my list of great thriller writers when I read this book. It’s the first in the Victor Assassin series and its adrenaline-fuelled excitement gripped me from the first sentence to the final full stop.
Victor is hired to kill a man in Paris and to take the memory stick he is carrying, but Victor’s paymasters aren’t all they seem, and Victor quickly finds himself at the wrong end of a gun barrel when a hit squad is sent to eliminate him.
But Victor won’t be taken out that easily. He shoots his way free of the ambush and fights to stay alive long enough to work out who’s behind what’s happening. The underlying plot is slowly revealed and leads to a great dramatic conclusion.
His name is a cover He has no home And he kills for a living
Victor is an assassin, a man with no past and no surname. His world is one of paranoia and obsessive attention to detail; his morality lies either dead or dying. No one knows what truly motivates the hunter. No one gets close enough to ask.
When a Paris job goes spectacularly wrong, Victor finds himself running for his life across four continents, pursued by a kill squad and investigated by secret services from more than one country. With meticulous style, Victor plans his escape .…
I’ve gone to France often during my life. I always buy books that look interesting while I’m there, mainly to keep my French in good shape. I tend to pick authors and subjects which catch my eye. Some get discarded, but most give a fascinating and often very different perspective on life than I find in English novels and essays.
This book has the stunning feature of omitting the letter E entirely. It’s also a fascinating story. I confess I read it at least in part to see whether the author has slipped up anywhere or whether he had recourse to clumsy constructions, but he was a writer of too much skill and ingenuity for that!
"Trahir qui disparut, dans La disparition, ravirait au lisant subtil tout plaisir. Motus donc, sur l'inconnu noyau manquant - "un rond pas tout à fait clos finissant par un trait horizontal" - , blanc sillon damnatif où s'abîma un Anton Voyl, mais d'où surgit aussi la fiction. Disons, sans plus, qu'il a rapport à la vocalisation. L'aiguillon paraîtra à d'aucuns trop grammatical. Vain soupçon : contraint par son savant pari à moult combinaisons, allusions, substitutions ou circonclusions, jamais G.P. n'arracha au banal discours joyaux plus brillants ni si purs. Jamais plus fol alibi n'accoucha d'avatars si mirobolants. Oui, il fallait…
I’m a historian specialising in the French Revolution at the University of Glasgow. During my doctorate, my now wife and I stayed in Ménilmontant in the 20th arrondissement. There grew a knowledge and love of Paris that have never diminished. As part of my research, I explore the places and spaces where events unfolded, trying to understand how these sites have since changed and been overwritten with new meanings and historical memories: I have the worn-out boots to show for it. I’m currently writing a book on Paris in the Belle Époque, from the completion of the Eiffel Tower in 1889 to the outbreak of the First World War.
At first sight, the title evokes a certain Gallic hauteur, but it does not take long to see that this is simply a foretaste of the rich exploration of the myths of Paris – how the great city has been depicted, imagined, and perceived over time. This is the story of Paris as the capital of modernity, art, fashion, revolution, sex, pleasure, science, and crime. With writers, artists, poets, and visitors as witnesses, and lavishly illustrated, this is a colourful meander through the myths and illusions that have shaped the many images of Paris.
Whatever the actual realities beneath these multiple faces, asks Higonnet at one point, ‘who could, in our culturally unanchored world, imagine life without this city?’
In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. He explores Paris as the capital of revolution, science, empire, literature, and art, describing such incarnations as Belle Epoque Paris, the Commune, the surrealists' city, and Paris as viewed through American eyes. He also evokes the more visceral Paris of alienation, crime, material excess, and sensual pleasure.
Interested in
Paris,
Judy Garland,
and
presidential biography?
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