Here are 100 books that Mount Analogue fans have personally recommended if you like
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Bertrand Jouvenot is a French marketing influencer and prominent writer on business, management, marketing, branding, and digital. He has spent over twenty years in a variety of senior marketing roles. He now teaches at several business and fashion schools for Chinese and European students as well as consulting to various businesses. Bertrand lives in Paris, France, and writes for Le Monde, The Harvard Business Review, Forbes, Mediapart, Stratégies, le Journal du Net, Les Echos, and Influencia, the prestigious French quarterly print magazine spotting trends in marketing, communication, and creation.
The author is a world-renowned Buddhist teacher. Using the basic meditation practices the author provides, the reader can discover paths through his problems, transforming obstacles into opportunities to recognize the unlimited potential of his own minds. The monk invites us to join him in unlocking the secrets to finding joy and contentment in the everyday life. The book offers an illuminating perspective on the art of meditation and is a handbook for transforming our minds, bodies, and lives.
For millennia, Buddhists have enjoyed the limitless benefits of meditation. But how does it work? And why? The principles behind this ancient practice have long eluded some of the best minds in modern science. Until now.
This groundbreaking work, with a foreword by bestselling author Daniel Goleman, invites us to join in unlocking the secrets behind the practice of meditation. Working with neuroscientists, the author provides clear insights into modern research, which indicates that systematic training in meditation can enhance activity in areas of the brain associated with happiness and compassion.
With an infectious joy and insatiable curiosity, Yongey Mingyur…
In my third novel, Great Circle, a fictional aviator named Marian Graves disappears while trying to fly around the world north-south in 1950. While researching and writing, I became a travel journalist, partly so I could follow my character into far-flung, rugged corners of the world. Traveling, I encountered people who lead truly adventurous lives, and I started to seek out riskier experiences myself. I swam with humpback whales, tracked snow leopards in the Himalayas, and journeyed across huge seas to Antarctica’s Ross Ice Shelf. I still don’t consider myself a full-fledged adventurer, but I love reading about women contending with the challenges of wild places and their own internal landscapes.
I’m more of a spin class person than a “cycle thousands of miles through Central Asia” person, but I loved reading about Kate Harris’s months tracing the Silk Road by bicycle in 2011. She doesn’t sugarcoat the hardships of such an undertaking (rain, snow, mountains, traffic, logistics, bureaucracy, scary humans, forbidden Chinese border crossings, friction with the friend who’s riding with her), which makes her human as well as brave, tough, funny, and brilliant. Books like this make huge travel projects seem possible, and even if I’ll never do anything on this scale, I love imagining such epic experiences.
"Lands of Lost Borders carried me up into a state of openness and excitement I haven't felt for years. It's a modern classic."-Pico Iyer
A brilliant, fierce writer, and winner of the 2019 RBC Taylor Prize, makes her debut with this enthralling travelogue and memoir of her journey by bicycle along the Silk Road-an illuminating and thought-provoking fusion of The Places in Between, Lab Girl, and Wild that dares us to challenge the limits we place on ourselves and the natural world.
As a teenager, Kate Harris realized that the career she craved-to be an explorer, equal parts swashbuckler and…
Coming from the perspective of a neurosurgeon, I have witnessed many successes and failures over more than four decades. I recognized decades ago that communication with patients at a level that involves emotions is a necessary part of being a complete physician. This involves being empathetic and, henceforth, digging deep to find the strength to be transparent, vulnerable, compassionate, understanding, and, when needed, forceful (some would call this paternalism). Although the five books I have chosen to highlight vary widely in content, they have one common theme – finding within us the will and wherewithal to succeed.
I loved this book because it told a gripping story of courage, mistakes, and survival against huge odds. It tells the story of a failed mission that most often would have led to disaster—but instead, it led to the awakening of strengths that Shackleton and his team harbored deep inside each of them.
Through this book, I saw and felt the need to reach deep inside to find the will to survive. It helped me understand just what it takes to be successful and how to overcome failure (failed mission).
Plain and simple, this book provided me with incredible insight into what it takes to ultimately be successful.
In August 1914, polar explorer Ernest Shackleton boarded the Endurance and set sail for Antarctica, where he planned to cross the last uncharted continent on foot. In January 1915, after battling its way through a thousand miles of pack ice and only a day's sail short of its destination, the Endurance became locked in an island of ice. Thus began the legendary ordeal of Shackleton and his crew of twenty-seven men. For ten months the ice-moored Endurance drifted northwest before it was finally crushed between two ice floes. With no options left, Shackleton and a skeleton crew attempted a near-impossible…
Jean Muenchrath wrote down her story to heal herself from the trauma of a life-threatening mountaineering accident, an epic survival incident, and decades of chronic pain. She then published her memoir to inspire readers to follow their dreams and to encourage them to overcome whatever challenges their life presents. Before she became an author, Muenchrath was a park ranger with the National Park Service for over thirty years. She’s led trekking tours in Nepal and Thailand and worked in Bhutan with the World Wildlife Fund. Jean enjoys traveling to foreign lands, exploring wild places and sitting quietly in meditation.
I have given this book as a gift to friends and acquaintances who were struggling with health issues, trauma, depression, anxiety, or loss. Recipients of this book have told me how much it has benefited them—they found peace and renewed energy on their path of healing physical and emotional pain. It’s a short book packed with easy-to-practice meditations that are simple, yet profound. It is suitable for reader’s of all backgrounds and belief systems.
The true nature of our minds is enlightened and peaceful, as the depth of the ocean is calm and clear. But when we mentally grasp and emotionally cling to our wants and worries with all our energy, we lose our own enlightened freedom and healing power, only to gain stress and exhaustion, suffering and overexcitement, like the turbulent waves rolling on the surface of the ocean.
Our minds possess the power to heal pain and stress, and to blossom into peace and joy, by loosening the clinging attitudes that Buddhists call "grasping at self." If we apply the mind's healing…
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
The stories that appear in this book were first published inLilliputin the 1940s, a British monthly magazine. They relate the perilous, often diabolical activities of the Surrealist Sportsman’s Club, a society devoted to playing games that no one else would dream of attempting. Engelbrecht is a diminutive boxer who fights clocks, zombies, witches, and other assorted horrors and marvels, and he generally wins because of pluck combined with luck. Richardson’s prose style here is a blend of gothic horror, period science fiction, and the wisecracking of Damon Runyan, and the reader can expect no respite from the tumult of ideas, images, situations, jokes, and subversion of clichés.
Published for the first time in a low cost edition, Maurice Richardson's cult classic is one of the strangest works of fiction ever written. Fifteen stories that relate the activities of the Surrealist Sportsman's Club, a society with very dubious morals that spends the time it has left between the collapse of the moon and the end of the universe taking the concept of the 'game' to its logical limit.
A club can't operate without members, and those of the SSC are as strange and astonishing as some of the events they compete in. Most formidable of all, and more…
I am an artist-filmmaker, writer, and Professor of Experimental Film at the University for the Creative Arts in Canterbury, Kent, UK. I have worked at the London Filmmakers’ Co-op and BBC TV. I have been making films since 1974 and teaching since 1988. I have published extensively on Artists’ Film / Experimental Cinema. I have edited and contributed chapters to numerous other books and journals, including Millennium Film Journal, MIRAJ, Film Quarterly, Sequence, and others. I have completed over 70 single screen works in 16mm and video, gallery film and video installations, and multi-projector film performances. These have been screened worldwide.
While written from a Yugoslav perspective, this book is a fascinating study of films made using unconventional methods, materials, and equipment, including ‘written films’: films that exist as texts and that would be impossible to make as films. Levi draws on the historical and the post-war avant-garde; Dada, Surrealism, Lettrisme, Structural-Materialist film, and other movements that constitute a material and ideological rejection of conventional cinema and the way it treats the medium as a mere means to an end. In these works, produced in Japan, Europe, and the USA, the technology is turned on itself, interrogated, and repurposed to anti-illusionistic ends.
Cinema by Other Means explores an extraordinary history, stretching from the 1910s to the present: it is a study of various avant-garde endeavors to practice the cinema by using the tools, the materials, the technology, and the techniques, which either modify or are entirely different from those associated with the standard film apparatus. Using examples from both the historical and the post-war avant-garde-Dada, Surrealism, Letterism, "structural-materialist" film, and more-the book tells the tale of the multiple conditions of cinema; of a range of peculiar and imaginative ways in which filmmakers, artists, and writers have pondered and created, performed and transformed,…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
This is the book I used to read with a torch under the bedcovers as a kid. It introduced me to many great science fiction writers. My copy had an excellent cover depicting an ice cream with an eyeball staring out of it. I loved entering the book’s different worlds. It inspired me to lie awake at night, speculating about the universe, only to awake the next morning wondering if this was the day when the school teacher would say, ‘OK enough of these spellings and sums, let’s talk about why life exists.’ I still don’t understand why it never happened.
I have been a professional illustrator for 20 years. In all this time I have gathered a vast collection of picture books, animated movie artbooks, children's books... I use them as a source of inspiration for my work, but I really collect them because they are my treasure. I don't just look for books with beautiful illustrations, but that really give me something, that make me think, or that stay in my memory. They are timeless books, that are not aimed at any age, that anyone can enjoy, but that at the same time have deep meaning if you know how to look at them. Not all picture books are just for kids.
Promenade is a gift for anyone who, like me, loves books. What I like most is the concept itself: a tribute to books, to what they make us feel. They can be the vehicle of a great journey, a refuge, or the door to a new world. The dreamlike and surreal illustrations are so evocative that they do not need accompanying text. Another concept that seems very interesting to me is that, in addition to presenting the book as a magical object, it also makes it an object of great value: it is a large-format book, with a very careful edition and a print that extols the beautiful illustrations. These are details that I love because they make it a perfect book gift.
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“I’m still not certain you really are a woman?” Whenever Valerie has her period she is transported to a magical if sinister otherworld (yes, this novel was written by a man). A surreal, Freudian, East European coming-of-age fairytale that lies somewhere between Alice In Wonderland and a gothic pastiche. In the 70s it was also adapted into a film that apparently influenced Angela Carter. Not unjustifiably, the teenage experience is portrayed as a disorientating, eroticized nightmare from which Valerie must use all her wiles to escape, fending off vampiric family members after her inheritance and hypocritical authority figures keen to simultaneously sexualize her and burn her as a witch. At least she owns a set of magic earrings. “I’m acting like a sleepwalker. Is it all a dream?”
Written in 1935 at the height of Czech Surrealism but not published until 1945, Valerie and Her Week of Wonders is a bizarre erotic fantasy of a young girl's maturation into womanhood on the night of her first menstruation. Referencing Matthew Lewis's The Monk, Marquis de Sade's Justine, K. H. Macha's May, F. W. Murnau's film Nosferatu, Nezval employs the language of the pulp serial novel to construct a lyrical, menacing dream of sexual awakening involving a vampire with an insatiable appetite for chicken blood, changelings, lecherous priests, a malicious grandmother, and an androgynous merging of brother with sister.
I’m a cyclist and a cycling fan. I’ve commuted through the Surrey countryside by tricycle and explored the cycling city of Cambridge by bike. I’ve stood at the side of the road to cheer on the Olympic road race, the Tour de France and the Tour of Britain, and the World Road Cycling Championships. I kept on cycling until I was eight and a half months pregnant and was reading a biography of Beryl Burton when I went into labour. There aren’t a lot of cycling novels out there, but I’m proud of having added one to that small number.
I wasn’t following professional cycling in the bad old days of systematic doping, but this book made me feel like I was there—not just at the roadside, but in the peloton.
The characters—the good, the bad, and the downright repulsive, are all caught in a system that grinds down the best and brings out the worst, and I couldn’t look away. I wanted integrity to prevail, I wanted justice done, but most of all, I wanted to know what happened next.
Then there’s the prose, which is so bright and vivid that I found a new favourite line in almost every chapter. It’s compulsive, stylish, and cynical—rather like the sport itself.
'Waddington employs a cheerful surrealism to convey the superhuman status of his cyclists and the designer violence of his killer. The encounters with death are funny rather than frightening and the narrator is omnipotent, stylish and amused. Waddington's descriptions of racing, and they are many and enthralling, have the rhythm and intensity of poetry. You're riding with your wheel an inch from the author's, carried along by the surge of the pack, normal life and normal people no more than a muted clamour on the roadside. It's exhilarating stuff.' Joe Cogan in The Independent on Sunday
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