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Something that annoys me to no end is when people avoid reading fantasy or sci-fi because it isn’t realistic. I argue that realism isn’t about the veracity of flying dragons or building a fusion reactor that can fit in our hands; it’s about the human elements in between. Sci-fi can be a reminder of the dangerous trajectory we are heading in. Fantasy can reflect inequality by condensing resources to one mystical gem. To this end, any book that ends with me understanding the danger of language by describing it as a virus or showing me how books can bridge the gap between past and present makes me grow as a person.
I wonder where humanity is heading. Somewhere around 2023, I fell off the deep end with my newfound love for the cyberpunk genre. I started with this classic. Just the opening has lodged itself in my brain: “The sky above the port was the color of television, tuned to a dead channel.”
In the future, I wonder if the line between machine and flesh, digital and real, will be so blurred that it’s all the same to us. In many ways, the post-capitalistic cyberpunk world is already here, and I see that reflected in Neuromancer.
The book that defined the cyberpunk movement, inspiring everything from The Matrix to Cyberpunk 2077.
The sky above the port was the color of television, tuned to a dead channel.
William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term 'cyberspace' produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the Cyberpunk movement.
More than three decades later, Gibson's text is as stylish as ever, his noir narrative still glitters like chrome in the shadows and his depictions of…
Something that annoys me to no end is when people avoid reading fantasy or sci-fi because it isn’t realistic. I argue that realism isn’t about the veracity of flying dragons or building a fusion reactor that can fit in our hands; it’s about the human elements in between. Sci-fi can be a reminder of the dangerous trajectory we are heading in. Fantasy can reflect inequality by condensing resources to one mystical gem. To this end, any book that ends with me understanding the danger of language by describing it as a virus or showing me how books can bridge the gap between past and present makes me grow as a person.
A virus that moves through language? It's insane, and yet, I can’t stop seeing it in action.
When I first started the book, I had to roll my eyes at the cliché of a protagonist in a videogame who was also one of the most renowned samurais in the world. It explored themes that, at the beginning, seemed so comical. And yet, I finished that book and walked away feeling pensive.
I knew inherently that a language can be destructive. It can sow discord and preach hate. But the perspective of seeing it as a virus brought a whole new light to the concept. It’s something I never considered before, especially when imagining how hate can spread so virulently.
The “brilliantly realized” (The New York Times Book Review) breakthrough novel from visionary author Neal Stephenson, a modern classic that predicted the metaverse and inspired generations of Silicon Valley innovators
Hiro lives in a Los Angeles where franchises line the freeway as far as the eye can see. The only relief from the sea of logos is within the autonomous city-states, where law-abiding citizens don’t dare leave their mansions.
Hiro delivers pizza to the mansions for a living, defending his pies from marauders when necessary with a matched set of samurai swords. His home is a shared 20 X 30…
Although I write Fantasy, I’m a Cyberpunk enthusiast who mentally lives in the high-tech effed-up future authors and artists imagined in the ‘80s. My imagination has been so influenced by Cyberpunk since I watched (and eventually read) Akira as a kid that I ended up creating a Fantasy world with a retro-futuristic, low-life/high-tech vibe, and a lot of motorcycles. An awful lot. I’m also a rebel by heart and a queer person, hence my stories always feature a fight against society and LGBTQ+ characters. I like reading about dystopias, morally grey characters, and dark content. This is what I read, and this is what I write about.
Akira is a must-read manga masterpiece, a deep analysis of government corruption, political upheaval, criminality, and decay of society. Apart from the breathtaking art, what caught my attention was the complex story and the nihilistic, harsh, and hopeless world Akira shows. There are virtually no good characters in this story and it fits the apocalyptic, decadent reality they face and live. Expect a lot of psychic abilities and motorcycles, along with gritty, graphic violence.
Akira 1 introduces readers to a gritty Neo-Tokyo, built on the ashes of a Tokyo annihilated by a blast of unknown origin that triggered World War III. The lives of two streetwise teenage friends, Tetsuo and Kaneda, change forever when paranormal abilities begin to waken in Tetsuo, making him a target for a shadowy agency that will stop at nothing to prevent another catastrophe like the one that levelled Tokyo. At the core of the agency's motivation is a raw, all-consuming fear of an unthinkable, monstrous power known only as Akira.
Although I write Fantasy, I’m a Cyberpunk enthusiast who mentally lives in the high-tech effed-up future authors and artists imagined in the ‘80s. My imagination has been so influenced by Cyberpunk since I watched (and eventually read) Akira as a kid that I ended up creating a Fantasy world with a retro-futuristic, low-life/high-tech vibe, and a lot of motorcycles. An awful lot. I’m also a rebel by heart and a queer person, hence my stories always feature a fight against society and LGBTQ+ characters. I like reading about dystopias, morally grey characters, and dark content. This is what I read, and this is what I write about.
More a space opera than a full-fledged Cyberpunk story, Schismatrix is a masterpiece with incredible worldbuilding and socio-political commentary. This book impacted mine on many levels; it features an initially hopeless protagonist who eventually fights for a cause, a revolution with struggling factions, a dystopian tyranny, futuristic pirates. It’s a visionary book permeated with deep reflections on human essence and transhumanism, one that’ll make you wonder where humanity is heading, what our purpose is, and what our search for growth and change will entail.
The Nebula-nominated novel of “abrave new world of nearly constant future shock”—plus all the short fiction of the Shaper/Mechanist universe (The Washington Post).
Acclaimed science fiction luminary and a godfather of the genre’s remarkable offspring—cyberpunk—Bruce Sterling carries readers to a far-future universe where stunning achievements in human development have been tainted by a virulent outbreak of prejudice and hatred.
Many thousands of years in the future, the human race has split into two incompatible factions. The aristocratic Mechanists believe that humans can only achieve their greatest potential through technology and enhancing their bodies with powerful prosthetics. The rebel Shapers view…
My research into the overlap between mysticism and schizophrenia has garnered one academic monograph on James Joyce, with another on Charlie Kaufman’s films and fiction due out in 2025 (both from Routledge). For 15 years, I’ve been a writing professor at New York University, and the two things I want to impart to my students are: 1) the courage to pursue a singular question or unique viewpoint and (2) the compassion to write clearly for the reader! All five books on my list don’t shy away from profound questions of what it is to be a complex spiritual being, but they always remain lucid and engaging for a general audience.
This is the oldest book on my list, and I worry that readers might dismiss Lethaby as some kind of dusty artifact from a bygone era. I stumbled on his work by accident when I was researching architectural ideas as they related to spiritual concepts.
I’d never heard of Lethaby, but once I started reading his work, I read it through in one (albeit long) sitting. Why? His imaginative grasp of the ancient minds that devised the earliest models of the heavens and who designed temples and homes to reflect those beliefs is a joyous and thrilling tour of the human spirit.
It’s a travesty to me that Lethaby isn’t a household name like William Morris.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
My research into the overlap between mysticism and schizophrenia has garnered one academic monograph on James Joyce, with another on Charlie Kaufman’s films and fiction due out in 2025 (both from Routledge). For 15 years, I’ve been a writing professor at New York University, and the two things I want to impart to my students are: 1) the courage to pursue a singular question or unique viewpoint and (2) the compassion to write clearly for the reader! All five books on my list don’t shy away from profound questions of what it is to be a complex spiritual being, but they always remain lucid and engaging for a general audience.
MacGregor’s book blew my mind when I first read it. This masterful history reveals the discovery of a secret treasure, one that eventually transformed the art world.
In the 19th and 20th centuries, mental asylums in Europe began experimenting with art therapy, allowing psychotic inmates access to drawing materials. Over seventeen chapters jam-packed with astounding images, MacGregor’s book tracks the evolution of what is now known as Outsider art and the profound effect it had (and continues to have) on avant-garde art.
I love MacGregor’s ability to marry the rigor of a scholar with a humane and sensitive commentary on the lives of these forgotten "schizophrenic masters.” This book inspired my own research into schizophrenic art and is my go-to source for inspiration on this theme.
This pioneering work, the first history of the art of the insane, scrutinizes changes in attitudes toward the art of the mentally ill from a time when it was either ignored or ridiculed, through the era when major figures in the art world discovered the extraordinary power of visual statements by psychotic artists such as Adolf Wlfli and Richard Dadd. John MacGregor draws on his dual training in art history and in psychiatry and psychoanalysis to describe not only this evolution in attitudes but also the significant influence of the art of the mentally ill on the development of modern…
I am a practicing clinical psychologist, often at odds with the mainstream of my mental health profession. I have a strong interest in how society, culture, politics, philosophy, and psychology intersect, and my previous books about depression, activism, and anti-authoritarianism reflect that. The late historian Howard Zinn described me this way: “It is always refreshing to find someone who stands at the edge of his profession and dissects its failures with a critical eye, refusing to be deceived by its pretensions. Bruce Levine condemns the cold, technological approach to mental health and, to our benefit, looks for deeper solutions.”
I found Rethinking Madness to be a highly original book. Clinical psychologist Paris Williams interviewed individuals who had been diagnosed with schizophrenia and other psychoses, and he integrated this research with prominent alternative explanations for madness.In contrast to the gloomy picture painted by establishment psychiatry, Williams describes how full recovery from schizophrenia and other related psychotic disorders is not only possible but is surprisingly common, and that many people who recover from these psychotic disorders do not merely return to their pre-psychotic condition, but often undergo a profound positive transformation with far more lasting benefits than harms.
As the recovery research continues to accumulate, we find that the mainstream understanding of schizophrenia and psychosis has lost nearly all credibility:
* After over 100 years and billions of dollars spent on research looking for schizophrenia and other related psychotic disorders in the brain, we still have not found any substantial evidence that these disorders are actually caused by a brain disease. * We have learned that full recovery from schizophrenia and other related psychotic disorders is not only possible but is surprisingly common. * We've discovered that those diagnosed in the United States and other "developed" nations are…
There is a dearth of books that span the emotional journey into motherhood. An old adage directs authors to write the book they would like to read, so I kept that in mind as I began the journey myself. Throughout my pregnancy and postpartum experience, I was often surprised by perfectly ordinary occurrences that aren’t often discussed. There is a hush cast on anything that isn’t purely nurturing and romantic, which means that mothers who encounter unpleasantness are blindsided, and consider themselves aberrations. I wrote my book as honestly as possible to normalize the normal and to offer myself as a compatriot to those mothers.
This memoir of postpartum psychosis is not for the faint of heart, but is an absolutely necessary addition to the motherhood literary canon. In beautiful prose, it charts the author’s increasing mental instability following the birth of her son. These are the types of stories that should be shared more frequently to reduce the stigma of perinatal mood disorders.
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'A beautifully written account of postpartum psychosis, and the ties, blessings and burdens of family' - NIGELLA LAWSON
SHORTLISTED FOR THE SUNDAY TIMES YOUNG WRITER OF THE YEAR AWARD
SHORTLISTED FOR THE JHALAK PRIZE
*Observer Book of the Week*
*A Guardian Memoir of the Year 2020*
*Harper's Bazaar 10 Women Who Will Shape What You Watch, See and Read in 2020*
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'Striking and original' - Cathy Rentzenbrink, The Times
'Completely devastating. Completely heartbreaking' - Daisy Johnson
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Catherine Cho's son was three months old when she and her husband left home to introduce him to their families.
Catherine…
Hi, I'm Bev Katz Rosenbaum, a young adult novelist whose fave topic is (surprise, surprise) dysfunctional families! I'm also a longtime fiction editor and writing instructor who loves to dance and hike in her spare time. Am trying to like yoga and meditation but am failing miserably.
Wong's book is a gut-punching yet hilarious memoir about the Chinese immigrant experience and the searing impact of mental illness that left me with an overwhelming it-could-have-been-worse feeling. But seriously, the value in books like these is they make those in truly terrible situations know they aren't alone. That itself—that feeling of being seen—can keep one going. This book also reminded me of the importance of setting boundaries with family members--a lesson I could have used far earlier in my life. Yay for Wong, a beloved Canadian writer and writing instructor, for triumphing (like Lizzie) in the end!
In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family whose members blamed their woes on ghosts and demons when in fact they should have been on anti-psychotic meds.
Lindsay Wong grew up with a paranoid schizophrenic grandmother and a mother who was deeply afraid of the “woo-woo”—Chinese ghosts who come to visit in times of personal turmoil. From a young age, she witnessed the woo-woo’s sinister effects; at the age of six, she found herself living in the food court of her suburban mall, which her mother saw as a safe haven…
Alongside writing, I’ve been running workshops, teaching and mentoring writers for nearly twenty years, helping people get unstuck and keep going. So I spend most of my working life thinking about creativity and writing—then suddenly I, too, couldn’t write the book I needed to write. Every book in this list is about not-writing for different reasons, in different circumstances, but between them they tell us so much about how we write, why we write, how we get writing to happen—and what’s happening when we can’t. These very different stories resonate with each other, and I hope some of them resonate with you.
“What’s wrong with fiction, my best, most precious thing? What’s wrong with me?” asks novelist Jenn Ashworth. She set out on writing her fifth novel, then abruptly, excruciatingly, extendedly, found she couldn’t. Instead, in a broken and braided narrative which I found un-putdownable, she digs into the nightmares and strange waking states that PTSD and psychosis left her in, the stuffs and dreams of reading, writing and watching movies, and the painfully live legacies of a childhood caught between a violent father and an embattled religion. Writing is my best, most precious thing too: this is a disturbing, often bleakly comic and heartbreaking account of how illness and madness can be both the ruin and the making of art and an artist.
A genre-bending meditation on sickness, spirituality, creativity, and the redemptive powers of writing.
Notes Made While Falling is both a genre-bending memoir and a cultural study of traumatized and sickened selves in fiction and film. It offers a fresh, visceral, and idiosyncratic perspective on creativity, spirituality, illness, and the limits of fiction itself. At its heart is a story of a disastrously traumatic childbirth, its long aftermath, and the out-of-time roots of both trauma and creativity in an extraordinary childhood.
Moving from fairgrounds to Agatha Christie, from literary festivals to neuroscience and the Bible, from Chernobyl to King Lear, Ashworth…
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