89 books like Deputy U.S. Marshal

Much like Italian filmmakers managed to create the spaghetti western by riffing on the genre from an ocean away, English pulp writers created the Piccadilly Western: violent, cynical, sometimes even too edgy for its own good. The Adam Steele books often verge on tastelessness with their violence and insensitivity, but that’s relieved by a sort of dark humor—often groan-inducing. It can be a lot to take, but for those who prefer too much to too little… Adam Steele is definitely not too little. The first book has Civil War hero Steele going outlaw to avenge his murdered father, with his best friend as the lawman hot on his trail. 

Before settling into the chronicle of the title character, this first entry in the Undertaker series (from the author of the much longer-running Edge books as well) follows a circuitous course involving an unfaithful wife and a vengeful husband. I won’t spoil the surprises along the way, but the Undertaker himself pushes the Western antihero to its limit. He’s all but emotionless, very nearly a sociopath, but with a certain competence and honor that gives him an appeal. (Even though he’s further saddled by the lame catchphrase ‘Bye-bye.’) I actually find his semi-autistic callousness more bearable than Steele’s more willful nastiness, since it seems the Undertaker was simply born the way he is, rather than choosing it.

You’ll recognize certain plot points from these books remixed into my book, though I found the Undertaker’s continued lack of character development a bit grating from one book to the next. That’s the… show more.

Leaving Piccadilly for the moment, we have the adult western. As if the name of the genre and the name that starts every book title isn’t enough, it’s published by Playboy. And as you might have guessed from there being four hundred of these books, put out damn near monthly since the seventies, it’s a bit of a fool’s errand to single out any one book. They’re somewhere between the formulaic nature of needing to be a Western with literally obligatory sex and violence, and the author being a house name that’ll change with any given volume, who by necessity will have his own idiosyncratic take on the material. 

One book, you might get a writer that’s really into delivering the sex appeal promised by the cover. Another time, you’ll get someone who just wants to write a Western (if that: people weren’t writing these things for their health,… show more.

To quote Wernher von Braun, “research is what I'm doing when I don't know what I'm doing.” In that spirit, I should mention I wasn’t just riffing off yellowed old paperbacks, but doing research into the specific setting and time period of my own book. Although this is a case where the research didn’t necessarily find its way into the first book, but was something I earmarked for a future installment. Nonetheless, The Texas Indians is a good read, giving a comprehensive overview of the Indigenous history of the region and providing many avenues for further research as I write the next book in the series.

While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.

The scene is set at the start of this book with a prologue, a journal entry from one of the main characters, Dr Sheehan. It’s as if I’m reading his mind, or he is talking to me, the reader, and so we hit the ground running instantly–because when someone is talking to you, you listen.

The author took the time to paint vivid images in my head, but the story wasn’t slow. He was scene-setting, and it drew me right in. The twists were clever, the dialogue was natural, and it is understandable why Hollywood snapped up the rights to this book. For me, though, the way we get to know and understand Teddy Daniels and his troubles was just great storytelling. 

This is the book that convinced me to dive into romantic suspense after writing only contemporary romance for many years. I’d always been tempted to branch into this genre, but I wanted to delve more into psychological suspense and character development, ala Hitchcock. Yet most of what I saw on the market took the constant-action thriller approach to storytelling, often at the expense of character development. Then I read this book. The characters were complex, the plot was compelling but left breathing space in between the action for character development, and the romance was a slow burn. So I took the plunge into suspense—and have never looked back.

In this emotional tour de force, a judge falls in love with the federal marshal who protects him during a terrorism-related trial. He’s kind, caring, and ethical; he’s intelligent, hardworking, and competent; and he knows all too well that in many people’s eyes, none of that matters. That betrayal feels painfully familiar; his spectacular vindication, cathartic.

I love the war dog, Cody. He has PTSD that makes his rear leg shake, but he is otherwise brilliant with a big personality. He’s not the main character, but he steals the show. Jake (the main character) takes Cody everywhere.

What happens?

Electronic murder, regular murder, Mob wars, kidnapping, police brutality, deadly drones, terrorists, and tons of action. And then there’s the Italian mob, the Russian mob, the FBI, the U.S. Marshalls Service, the Secret Service, the CIA, and the San Francisco PD and the stories about the hero, Jake, a former CIA assassin pulled back into service. Plus, the ladies are everywhere, good girls, bad girls, and victims.

Exciting story, and you’ll never forget the dog.

A crowded troop train is heading across a desolate stretch of tracks through the Rocky Mountains. It’s the dead of winter 1873 and you can almost feel the chill seeping into the railcars. The troops are headed to Fort Humboldt to relieve the cholera-stricken garrison. In addition to the troops, the train’s passengers include a powerful governor, the daughter of the fort’s commander, and a US marshal escorting an outlaw prisoner. But people and their stories aren’t what they seem. A passenger is murdered. Time is running out and a lot of people are going to wind up dead before the end of the story. A masterful thriller by MacLean.