Here are 72 books that Legends of the Fire Spirits fans have personally recommended if you like
Legends of the Fire Spirits.
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I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
Like Jay Smith’s book, Loxton and Prothero dig deep into the world’s most famous monsters, and help separate fact from fiction.
Everyone has seen the famous 1967 film clip of a Bigfoot—but do you know the story behind it? From sea serpents to the Loch Ness monster and modern-day dinosaur reports, Abominable Scienceapplies science and critical thinking to the mysteries. Even better, the book includes a very useful discussion on the field of cryptozoology—the search for hidden (and possibly mythical) creatures.
I have personally investigated many of these monsters—including in the field—and learned a lot from this book. Though they take a scientific and skeptical approach, they advocate for taking the topic seriously and doing good research. A fascinating and indispensable book for any monster lover.
Throughout our history, humans have been captivated by mythic beasts and legendary creatures. Tales of Bigfoot, the Yeti, and the Loch Ness monster are part of our collective experience. Now comes a book from two dedicated investigators that explores and elucidates the fascinating world of cryptozoology. Daniel Loxton and Donald R. Prothero have written an entertaining, educational, and definitive text on cryptids, presenting the arguments both for and against their existence and systematically challenging the pseudoscience that perpetuates their myths. After examining the nature of science and pseudoscience and their relation to cryptozoology, Loxton and Prothero take on Bigfoot; the…
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
There are many terrifying monsters, but few were as feared as the beast of Gévaudan, which terrorized the French countryside in the 1760s.
Said to be, variously, a werewolf, a dog-hybrid, a hyena, or some unknown beast, it was blamed for killing many dozens of villagers. The French government sent top hunters to kill the beast, and conspiracy theories ran rampant. I recommend Monsters of the Gevaudan because I love the way it blends history, folklore, and investigation into a compelling mystery.
Don’t believe the mystery-mongering TV shows offering wild theories: the truth is in this book—and it’s stranger than fiction.
In a brilliant, original rendition, Monsters of the Gevaudan revisits a spellbinding French tale that has captivated imaginations for over two hundred years, and offers the definitive explanation of the strange events that underlie this timeless story.
In 1764 a peasant girl was killed and partially eaten while tending a flock of sheep. Eventually, over a hundred victims fell prey to a mysterious creature, or creatures, whose cunning and deadly efficiency terrorized the region and mesmerized Europe. The fearsome aggressor quickly took on mythic status, and the beast of the Gevaudan passed into French folklore.
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
The Jersey Devil, is a horrifying creature said to lurk in the rugged New Jersey pine barrens.
It’s been the subject of (fruitless) searches and scary legends for well over a century. But it’s not an intrepid cryptozoologist or weekend monster hunter who finally cornered the beast, but instead two historians, Brian Regal and Frank Esposito.
Just as Jay Smith tackled the beast of Gévaudan as a historial mystery, the pair trace the origins of the Jersey Devil from an eighteenth-century settler named Daniel Leeds to the present day.
Along the way we find a smattering of compelling –yet evidence-free—eyewitness reports, much folklore, some professional feuds, and several outright hoaxes (including a painted kangaroo exhibited as the Devil!)
As with the chupacabra and other monsters, the true story is in many ways more interesting than the fictional one.
A provocative look at the mystery surrounding the Jersey Devil, a beast born of colonial times that haunts the corners of the Pine Barrens-and the American imagination-to this day.
Legend has it that in 1735, a witch named Mother Leeds gave birth to a horrifying monster-a deformed flying horse with glowing red eyes-that flew up the chimney of her New Jersey home and disappeared into the Pine Barrens. Ever since, this nightmarish beast has haunted those woods, presaging catastrophe and frightening innocent passersby-or so the story goes. In The Secret History of the Jersey Devil, Brian Regal and Frank J.…
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
Among all the world’s monsters one perennial favorite is vampires.
Yes, I know they’ve been done to death (or would that be undeath?) but there’s a rich history of vampires beyond Dracula, Nosferatu, Lestat, and their legions. I’m talking about “real” vampires—or at least those people believed to be real vampires.
This is the subject of Luise White’s book Speaking with Vampires: Rumor and History in Colonial Africa.White is an anthropologist and folklorist who investigated rumors of vampires throughout East Africa. She found that many Africans told similar stories of real, actual vampires that sucked the blood out of Africans.
What I love about this book is how White takes a scholarly approach to the rumors of (alleged) real-life vampires, sometimes from their victims. Along the way we learn about colonialism, racism, and the cultural contexts in which these rumors flourish.
During the colonial period, Africans told each other terrifying rumors that Africans who worked for white colonists captured unwary residents and took their blood. In colonial Tanganyika, for example, Africans were said to be captured by these agents of colonialism and hung upside down, their throats cut so their blood drained into huge buckets. In Kampala, the police were said to abduct Africans and keep them in pits, where their blood was sucked. Luise White presents and interprets vampire stories from East and Central Africa as a way of understanding the world as the storytellers did. Using gossip and rumor…
I am a disabled author and podcaster who loves fantasy, but wanted more out of the genre than the Eurocentric Lord of the Rings model. I grew up watching Aladdin, reading Egyptian mythology, and one of my most prized books is an illustrated Shahnameh. There are brilliant stories set in deserts and rainforests, with intense magic and danger, and I hope you’ll enjoy these as much as I do.
Nahri is a con artist with dreams of becoming a doctor, if only she can ever make enough money to get out of Cairo. When a con goes terribly wrong, she realizes the magic that she’s always scoffed at is real–and deadly. The only way to get the target off her back is to get to Daevabad, the City of Brass.
I have loved Egypt since I was a small girl, and Chakraborty’s mystical world of djinn encapsulates everything I ever wanted from an Egyptian-inspired story. There is magic, intrigue, and absolutely incredible religious inclusion and diversity. There’s a little slow-burn romance too, to top it off. While the story starts in a real-world Cairo, it quickly heads towards the fantastical setting of Daevabad.
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by-palm readings, zars, and a mysterious gift for healing-are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot,…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I enjoyed Mafouz’s marvelous retelling of the Thousand and One Nights.
Although Mafouz sets the time in mediaeval era, the novel is a
political fable with contemporary overtones for any authoritarian
government.
Arabian Nights and Days,
tells the story of the Sultan, Shahriyar, and his entourage of rotating
police chiefs, spies, and informers. Many of the same characters from A Thousand and One Nights
appear in his version: Sindbad the Sailor, Aladdin, Shahrazad and her
sister, Dunyazad. And characters do tell stories to one another, but
Shahrazad is not as prominent.
The “jinn” or evil spirits do take
over each of the most noble characters, who are tempted by money, sex,
and power. Many “fall into the abyss” either in this world or the next.
There are disappearances, robberies, murders, purges—and those who are in favor might have their fortunes drastically changed in the course of…
The Nobel Prize-winning Egyptian writer Naguib Mahfouz refashions the classic tales of Scheherazade into a novel written in his own imaginative, spellbinding style. Here are genies and flying carpets, Aladdin and Sinbad, Ali Baba, and many other familiar stories from the tradition of The One Thousand and One Nights, made new by the magical pen of the acknowledged dean of Arabic letters, who plumbs their depths for timeless truths.
I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.
Now here is a fantasy mixed with Rom-Com like you’ve never known before. I laughed and felt my heart throb the entirety of this book.
Sometimes it’s good to step away from the morally gray love interest and fall for the sweet one. Velis is a hot genie who becomes attached to his “master” (the conjurer of his genie lamp). Dolly is a heavily self-disciplined girl with a tragic story. With a deep need of mending her struggle, Velis is the supportive, compassionate, and respectful love interest perfectly capable of such a task.
Add in a hot genie bad boy brother and you have a dramatic story worth reading.
★A jaded girl. A persistent genie. A contest of souls.★
Recent college graduate Dolly Jones has spent the last year stubbornly trying to atone for a mistake that cost her everything. She doesn't go out, she doesn't make new friends and she sure as hell doesn't treat herself to things she hasn't earned, but when her most recent thrift store purchase proves home to a hot, magical genie determined to draw out her darkest desires in exchange for a taste of her soul, Dolly's restraint, and patience, will be put to the test.
I’ve always been fascinated by folklore and religious myth. A passion further inspired by my path as an Eclectic Pagan, and my pursuit of a Masters in Mythological Studies. My interest in mythology was first inspired by my mother as she told us bedtime stories filled with the exploits of heroes, of gods, and angels. My upbringing in Christianity introduced me to the mythologies of Judaism, which eventually led me into the greater world of Paganism and an entire universe filled with a multitude of pantheons filled with their own gods, heroes, and legends.
The start of an epic fantasy adventure. Filled with djinn, magic, and myth, Dalen Pax and the Beads of Fire pulls you into an engaging fantasy world where time unravels and reforms a world of wild imagine. The protagonist begins his adventure as a normal teenager trying to find his place in the world. A world that expands with the revelation that magic exists, that time is a construct. Joined by a band of engaging characters I highly recommend joining the adventure.
Dalen Pax and the Beads of Fire is a delightfully inventive Fantasy novel, a remarkably touching and insightful coming-of-age story, and a philosophical tour de force.
Dalen Pax is a typical high school misfit who has always wished that magic was real. One fateful night, he found that it was when he risked his life to save Mathias, a man he didn't know. A man with the ability to wield real magic. After their meeting, Mathias enlists Dalen to help him retrieve a powerful artifact known as the Beads of Fire, which connects its wearer to the Fire Jinn, a…
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
The description opens with “When the snarky Glory St. Pierre,” so I’m all over it right there. A. Star is an author I’ve read a lot of, and she cultivates both snark and take-no-crap female leads…with a frequent dash of hot hero. Where can you go wrong with that? This series is a sort of cross between urban and epic fantasy, following a modern girl who stumbles into a Djinn and ends up entangled in his world, with danger, suspense, and all the snark you can handle along the way.
When the snarky Glory St. Pierre discovers the gold mechanical vase in her deceased grandmother’s basement, she has no idea that she has uncovered a priceless treasure: a genie lamp. With a real genie inside. A very sexy genie with a not-so-sexy grudge against the entire human race.
Irving Amir hates being called a genie. He’s a Djinn, and he is none too happy to be in the service of Glory, who is as intolerable, and beautiful, as humans come. Now he owes her his gratitude for freeing him and three wishes. Damn his…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
This is a fun, playful novel that completely breaks all of the boundaries—time, gender, country, and fact—not
surprising from Salman Rushdie! It is a dizzying ride, going from the
Ferris wheel, to bumper cars, to the house of mirrors in a theme park.
Rather
than relying so much on the strict frame narrative, Rushdie experiments
with the idea of characters who are overtaken by “the jinn”—a wild,
irrational impulse that perverts existing norms. It is Dunyazad,
Shahrazad’s sister who marries Ibn Rushd, the great philosopher who was
marginalized in 1195 by the Caliph. Rushdie tells the stories of all of
Dunyazad or Dunia’s descendants, as well as the eternal war between Ibn
Rushd and Al-Ghazali, eight hundred years beyond the grave. A fan
of the wacky and weird, Rushdie outdoes himself with the characters in this story.
After a
super-storm, the line between humans and the jinns blurs…
Blending history, mythology and a timeless love story, this is a satirical, magical masterpiece.
In the near future, after a storm strikes New York City, the strangenesses begin. A down-to-earth gardener finds that his feet no longer touch the ground. A graphic novelist awakens in his bedroom to a mysterious entity that resembles his own comic book creation. Abandoned at the mayor's office, a baby identifies corruption with her mere presence, marking the guilty with blemishes and boils. A seductive gold digger is soon tapped to combat forces beyond imagining.
Unbeknownst to them, they are all descended from the whimsical,…
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