100 books like Kaffir Boy

Humans are always curious about what the future will look like. They are also concerned about the state impinging on their privacy and interfering with their lives. George Orwell masterfully combined these two human impulses in his classic novel. He wrote the book in 1949 to present his view of the future.

I read this book when I was in my mid-20s. I found it an interesting read, especially since many of his predictions did not come true. I was curious to know how past generations viewed our generation. 

Wilkerson’s scholarship on race and injustice is certainly not a secret, but I still find some colleagues who have not yet read this book.

To convince people to pick it up, I promise that its language is poetic and imminently accessible, and I share the two pieces that have remained top of mind for years: first, Wilkerson’s research about the lessons Nazi Germany took from the racial caste system of Jim Crow United States, and second, the way she crafts an analogy of a crumbling house to make the case for reparations for racist harm, which—like cracks in the foundation of a house you just bought—may not be your fault but are still your problem.

I am forever grateful to Wilkerson for gifting us her insights and rhetorical tools, conveyed so skillfully in this tremendous contribution.

This memoir captures the journey of child soldiers during the civil war in Sierra Leone, and shows how once-innocent children with ordinary lives became killing machines in the hands of a ruthless rebel leader. Beah doesn't shy away from the gruesomeness of civil war, but there is beauty in how he weaves this memoir that reads like a novel. Though I am not usually a fan of books with a lot of violence, I was drawn to this one and could not put it down. I believe history is best learned from those who have first-hand experience. This is a one-of-a-kind book and to Beah’s credit, well-written as well. 

I promised my publisher, who edited Kapuscinski, a book as elemental, pure, and wild as Kapuscinski's seminal account of the Angolan independence struggle in 1975.

Though I’m not sure I succeeded, Breakup is that book.

I was inspired by this classic of reportage for its simple and profound observations of the city, and countryside, trying to make sense of the chaos and what Angolans, in Portuguese, called confusão.

This Cretan writer, who is most often identified as a Greek, asks us to probe our deepest identity, to be honest with ourselves. I think that that should be the first premise of an honest writer…an honest person. When you are born you are told early what to believe. Why you should believe. Who you and what you should believe or not believe in. At some point in your own life, you must resolve what you yourself accept for your own belief system. You should determine what is or is not important to you. Only then can you live YOUR LIFE.

I think that we should all make an effort to understand people who are not from our cultural stew; people who seem different, but wind up being like us; once we get to know them.

Patrick Oster is not a sociologist, a psychologist, or an ugly American. He could be Joe Blow from down the block who decides to go to Mexico, to get to know the Mexican people. He does not make an effort to know all the people, he simply makes friends with those who are friendly, and leaves the others alone; just the way he would do in America.

I feel that this book is a wonderful example of what can come from an honest exploration and a warm writing style.

Drought has hit a Malawi village and everyone’s crops are failing. Fourteen-year-old William Kamkwamba figures out how to bring electricity to the village by building a windmill out of scraps from a junkyard. I love this story because it highlights the importance of education, and along with determination, William was able to build this windmill bringing electricity which helped lift this community up and bring hope. Education is the best way to lift communities up from poverty. Elizabeth Zunon provides gorgeous illustrations that enhance the text.  

This is a harrowing account of the genocide in Rwanda told by one of its survivors, Imaculee llibagiza, after Hutu soldiers murdered her father, mother, and two brothers during a killing spree that took the lives of a million Rwandans.

In a fight for survival, Imaculee and seven other women took refuge in a 3’ by 3’ bathroom hidden behind a wardrobe in a pastor’s home. As the machete-wielding gunmen continued hunting for more victims, Imaculee and the women remained in their cloister in silence. Her  91 days in hiding is a testimony of endurance and resilience in the face of unrestrained evil.

When everyone you love is dead, and everything you love is lost, how do you go on? Imaculee found the answer in faith, love, forgiveness, and optimism. It is a haunting story of an ordinary woman and earthly mortal forced into an enlightening spiritual experience with the… show more.

This is a heart-warming true story of the courage of one woman you have probably never heard of but you need to. A woman of great courage and integrity who took on the South African apartheid regime and for a while as a liberal was the only opposition member (and I think the only woman) in the racist all-white parliament. Some are naturally courageous, some have courage thrust upon them. Nelson Mandela and the ANC took on the racist regime from outside, Helen Suzman almost single-handedly took it on from within parliament. A real hero.

While I was a graduate student of writing, I devoured every novel and story by Nadine Gordimer, whose body of work is astounding in how it combines artistic sensibility with a moral vision. Most important, Gordimer, with her unflinching and unrelenting gaze at the horror of apartheid in South Africa, taught me the value of passion in writing. Gordimer is known mostly for her novels, but her short stories are equally sharp and biting in their critique, and she uses the form’s precision to devastating effect. What is striking in Jump and Other Stories is the diversity of her characters and situations, thereby illuminating every corner of the racial injustices in her country.