100 books like Jump and Other Stories

As a mother, I could relate to June Osborne’s feelings of panic and rage when her family was pursued and her child ripped from her arms. Someone taking or hurting my kids would be my worst nightmare. I am definitely a protective Mama bear and no enemy could stop me from doing whatever I had to – to rescue my child. That is one of the main reasons this book resonated with me.

The rest of the storyline is not too far fetched these days, with politics as they are. In a world where a few rich have so much power, and the many are basically wage slaves, an apocalyptic world is not hard to imagine.

It was hard to read of the torment her captors put June through, but that had to happen to show the strength of a woman surviving everything they had thrown at her, and never… show more.

‘The evening is the best part of the day.’ This is the ultimate realisation of Mr. Stevens, the narrator of Kazuo Ishiguro’s most famous novel. It is a delightful first-person narrative, during which Stevens, an ageing butler, looks back on his life of service while embarking on a drive through the West Country.

Ultimately, it is a love story, the most moving of love stories, the unrequited love story. It is also an atmospheric portrait of a bygone age, of a life in service before the war, in the dying moments of the aristocracy’s country estate era.

I loved the fact that we, the readers, are addressed directly as if we are sitting beside Stevens in his vintage Ford as he motors around the country.

As an author from Nepal, I have learned the most from Rohinton Mistry than any other South Asian writer about how to “translate” the landscape and language of my country for an international audience. Such a Long Journey was the first novel that taught me how to integrate the social and political seamlessly into the psychological makeup of my protagonist—in an English that is uniquely local. In the novel, Gustad Noble, a devoted family man, gets snared into the deception and corruption of the government under Indira Gandhi. It’s a riveting read, and Mistry is superb with vivid descriptions. That the book was banned in certain conservative circles in India makes it even more of a gem. 

Ha Jin is a writer close to my heart. I find his spare prose and his trenchant images extremely effective in portraying the oppression of the Chinese regime. In The Bridegroom, Ha Jin uses twelve stories to show a China in transition from a society that’s just emerged from the cultural revolution to a more modern land where Western-style chicken restaurants, with their capitalist modes of operation, disrupt the accepted order of things. The Bridegroom has everything a good story collection is supposed to have: memorable characters, interesting situations, good doses of humor, and resonant images. It’s a book I have learned much from and one repeatedly taught in my classes. 

This book by South Africa’s most eminent historian, Charles van Onselen, tells the story of the night trains which brought poverty-stricken Mozambican men from Rossania Garcia on the Mozambique border to work as migrant labourers on the gold mines in Johannesburg between 1902 and 1955.

The men travelled in appalling conditions and were preyed on by petty criminals, con men, and corrupt officials. The night trains were a transport system run in partnership between the mining houses and the railways and designed to maximise profit at the expense of the health, well-being, and even the lives of the men it conveyed. 

At the end of their time in the mines, the trains sent the men back to Mozambique, often ill and broken and even insane after their experiences in the mines and in the trains. The story reflects South Africa’s evolving system of segregation and apartheid and the brutal logic… show more.

The Life and Times of Michael K is a beautifully written allegory about the troubled apartheid era in South Africa. The author, Nobel Laureate JM Coetzee, was one of my lecturers at the University of Cape Town and this is my favorite book of his. It provides superb descriptions of the arid South African landscape and how a solitary figure ekes out an existence: alone, off-grid, reclusive… waiting for the tide of history to turn. The novel is set in the heart of the Karoo, a semi-desert region that I love to visit to get away from the city and its strife.

Move Your Shadow is a masterpiece of reportage. Lelyveld, a former executive editor of the New York Times, spent considerable periods in apartheid South Africa in both the 1960s and the 1980s. The sixties was the period of “baaskap”—“bosshood” apartheid, when the perverse racist cruelties of the system were imposed with a sledgehammer. I would call the eighties the era of “facelift” apartheid—why, the word was hardly used by the regime anymore. 

To paraphrase Gramsci, the old world was dying, a new one struggled to be born. Monsters abounded. Nobody captured the period better than Lelyveld. The chapter on Philip Kgosana, the idealist who led Cape Town demonstrations in 1960—at age 19—was betrayed by the state, and wound up in exile in Sri Lanka—is worth the price of the book.

I was born in South Africa almost 300 years to the day after the first white Europeans arrived to establish a permanent home at the tip of the continent.

This book begins with that arrival and follows the history of the author’s family through eight generations.

It is a history of individuals, related by bloodlines, but diverse in ambitions and actions, and seeks to trace and explicate how some of those first settlers and their descendants became the Afrikaners of the 20th century. 

While my own antecedents are less well documented, I like to believe that they are not dissimilar to de Villiers’s,  and were touched by the same major events in the history of the Afrikaners.

I admired the creativity and originality of this epic novel. Brink has yoked the harsh political reality of South Africa with the frame of the One Hundred and One Nights. 

On the eve of cataclysmic change in nineties South Africa, a young South African émigré, Kristien, who lives in London, has been summoned back to her grandmother’s deathbed. In between the tense atmosphere before impending elections in post-apartheid South Africa, the ancient Ouma tells her granddaughter the history of all of the women in their Afrikaans family, blending fable, African folktale, and actual fact. One relative even turns into a tree! Once Ouma finishes her last story, there is one more tragedy which hits very close to home.

I loved the wide sweep of this novel, which reminded me somewhat of Faulkner, that traces the literal Calvinism and fierce militarism of the first Afrikaans settlers to South Africa—and… show more.

Some would claim Coetzee’s Boyhood is an autobiographical novel, and others would insist it is a fictionalized memoir. In any case, it is a powerful depiction of a child’s experience of being raised in the harsh, racist culture of Afrikaners in apartheid South Africa. Maybe because the author decided to tell the story from the 3rd person perspective—as if standing outside of himself—the bleakness of his home and community presses home twice as hard. One senses, behind the cruelty and callousness, the buried ugliness of entrenched bigotry. I lived in a kinder missionary community, learning to admire the people I encountered in Ethiopia, Kenya, and Sudan, but over time I had to recognize subtler prejudices that went with that evangelistic expatriate culture. Boyhood spoke to me in a necessary, truth-telling way that was not comfortable but very important.