Here are 100 books that Go, Mutants! fans have personally recommended if you like
Go, Mutants!.
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The best stories are the ones that take very silly ideas seriously. This doesn’t mean that they’re not funny; on the contrary, you don’t really hear the truth until it makes you laugh. These books all lean heavily on tropes, specifically B-movie tropes. I used to write detailed reviews of terrible movies, afterschool specials, and creature features. I host a podcast all about the funnier parts of TV criticism. Figuring out how something simple speaks to the core of us is the height of fiction, and all five of these do that and do it with humor.
It’s hard to beat Scalzi for nailing the execution of a high concept.
Redshirts could have so easily been nothing but a gimmick, but Scalzi really gets into the guts of the horror and humor of being a character written for the sole purpose of dying. I picked up the book with a cynical eye, expecting to hate it, but it drew me in.
Scalzi went so much further with the concept, shined a light on every corner of the idea, that he managed to create a deconstruction and reconstruction of the same trope at the same time.
'I can honestly say I can't think of another book that ever made me laugh this much. Ever' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It's a prestige posting, and Andrew is even more delighted when he's assigned to the ship's Xenobiology laboratory. Life couldn't be better ... although there are a few strange things going on:
(1) every Away Mission involves a lethal confrontation with alien forces
The best stories are the ones that take very silly ideas seriously. This doesn’t mean that they’re not funny; on the contrary, you don’t really hear the truth until it makes you laugh. These books all lean heavily on tropes, specifically B-movie tropes. I used to write detailed reviews of terrible movies, afterschool specials, and creature features. I host a podcast all about the funnier parts of TV criticism. Figuring out how something simple speaks to the core of us is the height of fiction, and all five of these do that and do it with humor.
Liking Terry Pratchett is a bit like liking pizza: not terribly remarkable.
Pratchett is a master storyteller who commands not only tropes but the idea behind them with such skill that I can read one of his books and never realize I’m getting the most profound lesson of my life. I could have recommended any of his books, and more to the point, any of his City Watch books, but I single out this particular book for a reason. I’m a humanist, like Pratchett, and this book explores his humanism most effectively.
And it’s also an amazing mystery and incredible comedy.
Vimes is back, in all his curmudgeonly glory, in this classic, perceptive and laugh-out-loud Discworld mystery that will keep you turning the pages.
'In my opinion, this is the book where Pratchett *really* hits his stride in terms of the city watch books . . . Is this book worth your time? Yes. A thousand times yes' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
THERE'S A WEREWOLF WITH PRE-LUNAR TENSION IN ANKH-MORPORK. AND A DWARF WITH ATTITUDE AND A GOLEM WHO'S BEGUN TO THINK FOR ITSELF.
But for Commander Vimes, Head of Ankh-Morpork City…
I love mysteries, but I find that after a while, a lot of them tend to run together in my head. So I just love it when I find a book with a setting so unique that it sticks in my mind forever. And it’s even better when the author uses that setting to show me something new about human nature, history, or society while still delivering me a plot that keeps me turning pages.
Like a lot of folks, I found out about this book when the movie version came out, Who Framed Roger Rabbit.
The world-building in the movie was so compelling and unique that I decided to pick up the book. And I’m so glad that I did. The plot in the book is much more complicated, and the social satire is even sharper. One of my all-time favorite noir mysteries.
The best stories are the ones that take very silly ideas seriously. This doesn’t mean that they’re not funny; on the contrary, you don’t really hear the truth until it makes you laugh. These books all lean heavily on tropes, specifically B-movie tropes. I used to write detailed reviews of terrible movies, afterschool specials, and creature features. I host a podcast all about the funnier parts of TV criticism. Figuring out how something simple speaks to the core of us is the height of fiction, and all five of these do that and do it with humor.
I’m cheating a little with this one since this is technically three books but go with me. Slaves of the Volcano God, Bride of the Slime Monster, and Revenge of the Fluffy Bunnies are some of those series that used to be thick on the ground but now are harder to find.
They’re adventure novels that play with the tropes of B-movies, and not only are they hilarious, but they made a young Justin like B-movies more. Playing with tropes can get exhausting, but when it’s done with genuine love, as it is here, it makes for an airy joy of a series.
I’ve loved comic strips since I was a kid, so children’s books that had cartoon art in them were the ultimate for me. That love drove me to research and write about the career and life of Jack Kent. Books by cartoonists tend to have the whole package: They tell a story visually, they’re funny, and they use language economically but memorably. The limitations I placed on myself in choosing this list were 1) the creator had to have both written and drawn the book, and 2) they had to have been established as a professional cartoonist before moving into children’s books.
Shrek! was a book before it was ever a wildly successful film franchise, but the book bears almost no resemblance to the movies.
Yes, William Steig’s ogre is both vile and reviled, and he has a donkey for a friend, but the story itself is very straightforward, detailing Shrek’s rampage across the countryside on his way to meet a “stunningly ugly princess” with whom he can live “horribly ever after.”
Steig had been a celebrated New Yorker cartoonist for almost four decades when he produced his first children’s book in 1968. He wrote and drew Shrek! when he was in his early 80s. He breaks the cardinal rule of using simple language, but makes up for it with fun-to-read-aloud choices in vocabulary and sentence structure, such as “The irascible dragon was preparing to separate Shrek from his noggin.”
1
author picked
Shrek!
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
Read the book that inspired the famous film franchise in this wonderfully funny picture book.
Before Shrek made it big on the silver screen, there was William Steig's SHREK!, a book about an ordinary ogre who leaves his swampy childhood home to go out and see the world. Ordinary, that is, if a foul and hideous being who ends up marrying the most stunningly ugly princess on the planet is what you consider ordinary.
I always used to want to sleep with a nightlight. Then one night my dad said, “what does it matter, if when you close your eyes it’s dark anyway?” That’s when I realized, he was completely right. I'd been vulnerable to monsters this whole time and since none of them had tried to snack on me yet, then that must mean some were friendly… right? The only way to be sure was to learn more about them. So, I did. Here's a list of some of my favorite middle grade books featuring monsters. Because the only thing better than a book about a monster, is a book about kiddos that they scare or befriend.
There is nothing more fun than a rag-tag group of kids living in a tree house and battling monsters, zombies, and whatever else bleeds into their dimension.
Max Brallier does an amazing job of tapping into a middle grader’s pituitary. What he squeezes out is a thrilling and hilarious roller-coaster of an adventure. Just writing this makes me want to take the ride all over again. And I didn’t even mention the art yet either.
Douglas Holgate draws monsters so cool, that they are often drool inducing. Seriously. Do a Google search if you don’t believe me.
'Terrifyingly fun! Max Brallier's The Last Kids on Earth delivers big thrills and even bigger laughs.' Jeff Kinney, author of Diary of a Wimpy Kid.
SOON TO BE A MAJOR NETFLIX SERIES!
'Forty-two days ago I was an ordinary kid, living an uneventful life. But now it's TOTAL MONSTER ZOMBIE CHAOS and I'm battling beasts on a daily basis. Crazy, right? But I know exactly how to make it through the zombie apocalypse.'
Meet Jack Sullivan, self-described as a late-blooming, slow-developing 13-year-old who has so far survived the zombie apocalypse by hiding out in his treehouse. Overnight Jack's life has…
I’m a poet, short story writer, novelist, essayist, and writing professor at New York University. I also have a fascination with altered states of consciousness, especially with mysticism, psychosis, and psychedelic art. (My book James Joyce’s Mandala examines all three.) My first novel, Claiming De Wayke, delves into those elements too, but with a particular focus on vivid first-person narration, so most of my recommendations involve books that are not only trippy in terms of plot and characterization but are also psychedelically inflected in their use of language itself. I hope you check some of them out.
I grew up in rural Ireland, so not exactly the gritty urban Scotland of Welsh’s novel, but the first thing that struck me about the book was its savage, semi-feral, intensely real Scottish dialect. I’d never seen anything quite like it in print.
The prose feels almost illegal, a ne’er-do-well that has simply decided to break into the publishing house and force its way onto the page without anyone’s permission. I didn’t consciously plan to steal this technique for my own novel, but how could I not endorse it?
Welsh has written more explicitly psychedelic works, but this book remains for me his masterwork, underscoring how, in many ways, his protagonist Renton’s life is at its weirdest when he tries to get sober.
'An unremitting powerhouse of a novel that marks the arrival of a major new talent. Trainspotting is a loosely knotted string of jagged, dislocated tales that lay bare the hearts of darkness of the junkies, wide-boys and psychos who ride in the down escalator of opportunity in the nation's capital. Loud with laughter in the dark, this novel is the real McCoy. If you haven't heard of Irvine Welsh before-don't worry, you will' The Herald
I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
I'm a memoir writer whose latest book, Drunk-ish, chronicles my experience getting sober. Before quitting drinking and after, I devoured all the "quit lit" books I could get my hands on despite not being entirely convinced I had an issue. I read to bond and identify with the authors, and the books I'm recommending are a few of my very favorites on the topic of addiction. On my podcast, "For Crying Out Loud," I often share about quitting drinking and addiction in general, and when I do, I find those are some of the most popular episodes. If you're sober, thinking about quitting, or even just like reading books about messed-up boozers, these books are for you.
You guessed it, this book is about a mom struggling with alcoholism. I read this book early in my sobriety, and I felt like I got punched in the ribs, but in a good way. It was the first time I’d heard this level of honesty from a parent about drinking, even though the book is a work of fiction.
The author is sober, so she knows what she’s talking about. After reading this book, I gobbled up everything else she’s written, and the other books don’t disappoint.
A timely and captivating novel about a mother whose life spirals out of control when she descends into alcoholism, and her battle to get sober and regain custody of her beloved son.
Cadence didn’t sit down one night and decide that downing two bottles of wine was a brilliant idea.
Her drinking snuck up on her—as a way to sleep, to help her relax after a long day, to relieve some of the stress of the painful divorce that’s left her struggling to make ends meet with her five-year old son, Charlie.
Some creative writers believe that stories carry a responsibility. The duty to entertain, of course, but also to educate, challenge and question the character(s) of the most powerful, the wealthiest. I am one of them. As an author, screenwriter, stage, and film actor, I’ve always believed in using stories as a platform to convey positively disruptive ideas, to highlight potentially destructive ideologies, to combat imperialism, expansionism, racism, and other toxic practices while delivering a neutral message devoid of political affiliations and emotional responses with no logical ground. Not unlike my latest novel, America is a Zoo, I am the product of a passionate soul, one who’s apolitical by design, yet political by conviction.
If I had to use one word to describe The Sellout, it would be “charged”.
The Sellout tells the story of a young black man who lost his father to a police shooting. As he attempts to cope with this new reality, his hometown is gradually fading into oblivion. To salvage what’s left of it, he decides on the craziest plan: reinstating slavery. An action that will drag our protagonist to the Supreme Court’s doorsteps.
Unconventional and wild, The Sellout is one of the best social commentaries on America’s racial issues you’ll ever read. I guarantee it, I stand behind it.
'Outrageous, hilarious and profound.' Simon Schama, Financial Times
'The longer you stare at Beatty's pages, the smarter you'll get.' Guardian
'The most badass first 100 pages of an American novel I've read.' New York Times
A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, The Sellout showcases a comic genius at the top of his game.
Born in Dickens on the southern outskirts of Los Angeles, the narrator of The Sellout spent his childhood as the subject in his father's racially charged…
