I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
My book is a speculative novel set in Vienna and Paris in the 1930s and 1940s. The life of the protagonist, 13-year-old Max Spiegelman, splits in two one night when his parents’ house burns down. He manages to escape, but they are killed. Then he wakes up with the memory of this dream and succeeds in saving his parents, too.
Gradually the reader understands that there are now two versions of Max: the Jewish boy whose parents are still alive, and Hans, the orphan adopted by an Aryan couple, who grows up to become a Nazi. It’s like Sliding Doors, except each boy dreams of the other. Both fall in love with the same girl. Their destinies collide and intertwine.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
Anyone who’s ever taken drugs (or drunk an energy drink) will know that the high always comes at a price: you are not being given new energy; you are just borrowing tomorrow’s energy, and you will pay for it later.
This book tells the story of a man who lives a life of hedonistic depravity but sails through it all, apparently untouched by experience, his face as young and innocent-looking as ever. But all his guilt and fear show up on the face of the portrait of himself that he keeps in his attic. I can’t think of a more perfect example of the novel-as-metaphor.
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
Time travel is one of those superpowers that I have always found thrilling, yet there are very few convincing examples of it in fiction. The genius of this book is that time travel is presented as a disease. Henry has no control over when or where he is swept away, and every trip revolves around his own life, so he doesn’t ever meet Napoleon or Shakespeare.
What I love most about the story is how it illuminates so many angles of a romantic relationship that are never normally illuminated–and how Henry keeps finding himself naked and throwing up. The last chapter is just so sad and beautiful that it brings tears to my eyes every time I read it.
Now a series on HBO starring Rose Leslie and Theo James!
The iconic time travel love story and mega-bestselling first novel from Audrey Niffenegger is "a soaring celebration of the victory of love over time" (Chicago Tribune).
Henry DeTamble is a dashing, adventurous librarian who is at the mercy of his random time time-traveling abilities. Clare Abshire is an artist whose life moves through a natural sequential course. This is the celebrated and timeless tale of their love. Henry and Clare's passionate affair is built and endures across a sea of time and captures them in an impossibly romantic trap…
Part of what I love about this novel is that its basic premise–an English pastor is sent to a distant planet to preach the Christian gospel to aliens–sounds so absurd that it’s hard to imagine it feeling real. But Faber does a wonderful job of taking the glamor out of space travel and foreign worlds.
The atmosphere of this novel is all empty cafeterias and unpleasant humidity–I love the banality of it all! In its portrait of a loving but strained marriage (with the husband getting excited over aliens and the wife struggling to hold it together on a dying Earth), the novel is dryly funny while also being genuinely moving.
'I am with you always, even unto the end of the world . . .'
Peter Leigh is a missionary called to go on the journey of a lifetime. Leaving behind his beloved wife, Bea, he boards a flight for a remote and unfamiliar land, a place where the locals are hungry for the teachings of the Bible - his 'book of strange new things'. It is a quest that will challenge Peter's beliefs, his understanding of the limits of the human body and, most of all, his love for Bea.
I love elements of fantasy in the fiction I read, but I would generally consider myself slightly allergic to dragons and zombies. What I like about George R. R. Martin is the way he combines the supernatural stuff with characters who feel more three-dimensional than most actual humans.
I also love his world-weary wit and the absence of any morally perfect heroes. Greed, cruelty, lust, ambition, and tribalism are not the preserve of the ‘evil’ characters in Westeros; they are simply part of what makes us all human. And the massive success of A Song of Ice and Fire is proof that bestsellers don’t have to be stupid.
HBO's hit series A GAME OF THRONES is based on George R R Martin's internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A GAME OF THRONES is the first volume in the series.
'Completely immersive' Guardian
'When you play the game of thrones, you win or you die. There is no middle ground'
Summers span decades. Winter can last a lifetime. And the struggle for the Iron Throne has begun.
From the fertile south, where heat breeds conspiracy, to the vast and savage eastern lands, all the way to the frozen…
Burne’s been hiding out in the forest since deserting the King’s Guard. Each time he tries to return to the village, he begins to panic. And then one day, he encounters a handsome stranger picking flowers and hides behind a tree instead of talking.
He wants to be braver—and he’s about to get another chance. Because the stranger is Gray, a fairy and master of illusions who’s now following Burne home. And Gray’s got more on his mind than talking. Would a fairy that beautiful ever want someone like him? Stranger things have happened.
Burne hid behind a tree. He wanted to talk to the handsome man picking flowers at the edge of the forest, but he'd only flub it if he tried-he'd stumble over his words and blush bright red. And now the man is gone.
He tries to continue on to the village, but the same thing happens as always: his hands start shaking and panic wells up inside him. What if he runs into the bullies who tormented him in the King's Guard last spring? Ever since he deserted, he has hidden out in the…
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