100 books like Everything That Rises Must Converge

In elegant prose, Nien Cheng, a Shell Oil Company in 1966, recounts her life in Shanghai in 1966, when Chairman Mao launched the Great Proletarian Cultural Revolution.

Mao’s Red Guards ransacked Cheng and her husband’s bourgeois home and then delivered her to No. 1 Detention House in Shanghai where she was held in solitary confinement of 7 years until her rehabilitation and release after several struggle trials.

Her work is prescient as the United States in under attack by a radical woke ideology. Many Americans have been cancelled or have been made to attend struggle sessions.  

Nein Chen is a heroic woman, a brilliant writer, and an example of how one courageous woman can stand up to a totalitarian regime. 

As the best introduction to the American Gothic chosen by one of the most prolific modern masters of the genre, this anthology spans two centuries. It offers insightful context and an engaging historical road map to the current site of the genre, the weird and wounded world of the suburbs.

Joyce Carol Oates, who has written some of the most chilling contemporary examples of American Gothic fiction, dissects the shadowy heritage of our national preoccupation with the macabre themes that haunt the American Dream. From Poe, Hawthorne, and Melville through James and Wharton to Anne Rice, Raymond Carver, Stephen King, and several lesser-known writers, Oates provides readers with a provocative selection that probes beneath superficial normality to reach the dangerous psychological abnormalities of our national identity.

I’d normally abstain from the pompous sin of quoting one’s own fiction, but I’m doing it here only to contextualize this recommendation.

“Adolescence is an exercise in coveting what exists just beyond our grasp,” my book’s narrator tells us in his preamble to his telling of Foster’s story. “It is this inaccessibility that sustains its magic.” To be fifteen is to be a voyeur looking wistfully in on the poignancy of others’ lives: this is the idea I tried to operationalize through the narrator’s project, with full knowledge that I’d never do it as lyrically as The Virgin Suicides. 

Nominally, the main characters of Eugenides’ debut are the five titular Lisbon sisters, who successively take their own lives, but we encounter them chiefly as figments of a collective imagination: in the captivated minds of a faceless group of teenage boys who witness the tragedies from afar.

As a sort of… show more.

The possibility of evil. Not only is this the title of the first selection in this collection of classic and newly printed stories by the queen of suburban gothic – it is the essence of her uncanny literary witchcraft, where subtle twists and sudden turns force readers to confront a creeping unease in post-WWII America. No hideous monsters or grotesque horrors here. Instead, sinister insinuation and irrational fears invade the “safe” suburban spaces. A man believes someone is stalking him on his way home from work.  Anonymous poison pen letters threaten a community. A runaway teenager reappears several years later … and seems to be someone else.

The deconstruction of so-called normality is what makes these stories so unsettling. Who knows what evil lurks behind the white picket fences? Shirley Jackson does.

I don’t think I like Ghost World, but it belongs on this list. When I think of Clowes’ work I think of caricature, but the environments in Ghost World pull most of the storytelling weight. You can hear the hum of the fluorescents in the grocery store and the wind between buildings on an empty street.

This is the single greatest work of fiction ever written, reaching heights close to perfection. A life-changing read with utterly fascinating plots and caricatures that swallows hours with joyous ease.

This book is the book I set all other books against as the ultimate judge to decide its ultimate rating, thus making the Count of Monte Cristo the perfect ten.

Samuel Pickwick Esq., G.C.M.P.C., is just one of Charles Dicken's delightful retinue of characters.

He was a portly little man shaped like a bowling pin with an unquenchable thirst for knowledge who was nominated to lead three bumbling Pickwickians (members of Pickwick's eponymous Pickwick Club in London) on a tour of the English countryside to learn about life outside of London then report back to a full meeting of the Club post haste.

Through their ineptitude, Pickwick and his retinue manage to tumble into a series of unimaginable yet hilarious intrigues.

No matter their travails, Dickens through his alter-ego Samuel Pickwick always sides with what is just and fair. If you believe in Providence you'll find all of Dickens' novels a joy to read. 

John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.

The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.

Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."

Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.

I sometimes read entries from… show more.

Lassiter presents a nuanced examination of how social and political conflicts in Richmond, Atlanta, and Charlotte during enabled Richard Nixon and other Republicans to resurrect the GOP from its 1964 electoral disaster through reliance, not on a “southern strategy,” as many pundits have long claimed, but rather on a suburban strategy that involved the complex interplay of race, class, and other factors. 

The messages that enabled the GOP to gain traction in the suburban South, Lassiter emphasizes, worked across the nation. The South was not as different as many observers have long claimed. Lassiter also chronicles how these conflicts reshaped the Democratic Party in the South, as by the early 1970s more moderate figures such Jimmy Carter had supplanted the staunch segregationists of decades past.

This slim volume packs a mean punch. Following the secession of the seven Deep Southern states in 1860-61, commissioners were sent out to the remaining uncommitted slaveholding states to convince their leaders of the necessity of joining the new Confederate States of America. While the arguments of these secession commissioners included constitutional arguments in favor of secession, they relied even more so on emotional pleas that framed the election of the nation’s first Republican president as a direct threat to the institution of slavery and white supremacy. Their speeches were laced with horrific images of emancipation and a region plunged into racial violence. Charles Dew offers a compelling argument that highlights the importance of slavery and race in the outbreak of war.