100 books like Ethel & Ernest

You cannot mention a coming-of-age novel without mentioning this classic.

Pip is an orphan who meets an escaped prisoner in a graveyard, does him a good deed, then is made a gentleman from an inheritance he knows nothing about. All of us enter our youth with great expectations and some of us are lucky enough, or unlucky, to meet our own beautiful Estella or the damaged and doomed Miss Havisham or the worldly and wise attorney Mister Jaggers.

Set in London where the worlds of extreme poverty and privilege co-exist side by side, we experience this world firsthand as Pip does wondering, all the time, if we can survive it unscathed. Ignore all other movie adaptations since they will only disappoint. Screen the 1946 version directed by David Lean. It is a great film.

Representation in literature matters, and Jerry Craft's book offers a unique perspective on a young boy's experience of transferring to a private middle school where he stands out due to his race and socioeconomic background.

The book thoughtfully highlights microaggressions and their impact, making it an essential read for children. It's an excellent starting point for important conversations on race, identity, and friendship.

In my comic strips, all my people, streets, and buildings look real because I walked those New York streets and sketched from life. Eisner’s fictional stories are also jam-packed with reality. But his people, Bronx streets, and buildings were already stored in his memory banks, ready to be released onto the page through his bold and expressive ink lines. Hang on, because Eisner will take you by the sleeve—or, more often, the throat—saying, “Look at this world, at these people, listen to them, this is life!” and you sense that it’s also his life he’s talking, and drawing, about.

I met Kevin Sacco when he was an advertising storyboard artist. Kevin knew how to sell the story of an ad simply and dramatically in a series of graphic panels with an economy of words. In Sevenoaks, I see the same brain at work. His book is based on his life: a ‘60s-era New York City high school kid sent to an elite private school outside London. Sacco’s distinctive elongated and restrained figures, beautifully drawn geometric and airy cityscapes, and genial pace can lull one into a sense of calm, so that his moments of high and even magical drama slice more deeply into the emotions. One might be surprised to discover an unexpected tear.

My wife, a teacher to the deaf and hard of hearing, brought home a graphic children’s book, El Deafo, which she and her kids loved. Based on Bell's own life, it’s about a young girl coming to grips with her sudden deafness. As a graphic artist who specializes in adult works, I was not initially drawn to this young girl’s story, nor to Bell’s colorful cartoony panels. But one day, I picked up my wife’s copy and discovered a charming story that swept me along, the art surprisingly sophisticated and effective. As different as my graphic memoir is from Bell’s, my memoir is also about coping with adversity, and I hope it’s as compelling as El Deafo. 

Tove Jansson was not only a wonderful writer, but also a superb illustrator. In this collection of stories, I particularly love "The Hemulen who loved Silence." Even now, I go back to this story to reconnect with the soulful main character who longs for solitude. It isn’t that he doesn’t like others, but he needs to be by himself sometimes, and more than the other hemulens around him. It is the story of an introvert, but not a loner. I can relate to the Hemulen! Tove Jansson stories are full of humour, insight, and thought-provoking ideas. They can also be a little bit scary. Like all the best children’s books, the Moomin books have hidden layers, providing a stimulating read for both adults and children. 

I bought this book in a charity shop to help me maintain my knowledge of French! I deliberately chose a children’s book because my level of French is modest, but I don’t really need a reason to pick up a Charlie Brown book. Charles M Schultz created an entire world of personalities with the peanut characters. They began life as a comic strip which makes it perfect for dipping in and out of, sometimes just for one joke! Beneath the humour and childlike simplicity, there are complex topics like mental wellbeing and self-esteem, all delivered via fiendishly clever punchlines. Like all the best illustrators, Schultz is able to convey emotion and energy with a few strokes of his pen. The Charlie Brown books are works of genius, in any language. 

The Railway Children is a rich family saga set in 1905 told from the perspective of the children, Bobbie, Phyllis, and Peter. They live a happy, comfortable life until their father is suddenly taken away by two police officers. The family is forced to move away and adapt to living in the countryside on a much-reduced income. The separation from their father is keenly felt by the children, whilst their mother hides her own distress to protect them. 

We eventually realise that an injustice has occurred, but how can the children hope to reunite with their father? The Railway might provide an answer. Edith Nesbit has created a warm and engaging novel where acts of kindness, sometimes misguided, are integral to the storytelling.

This was Calvino’s first novel when he was just in his early twenties, and long before he became known for his explorations of fantasy, fable, and magical realism.

He tells the story of a cobbler’s apprentice in a Ligurian town who becomes involved with a band of partisans during WWII. This brotherhood, who take on assumed identities by day and fight for Italy’s freedom up in the mountains by night, provides a story of second family for the protagonist, Pin, as he comes of age during a tumultuous time.

I love how we see the flickerings of who Calvino will become as a writer with this early foray into realism.

This book plays hide and seek with reality. You’re never a hundred percent sure if you’re in the normal mundane world or the world of magic and danger. The story moves swiftly and compellingly between worlds and raises questions about what we can and cannot believe in.

Some parts seem like drug trips gone wrong and others like the comfort and assurance of close relationships no matter how long they’ve lasted.

Murakami is a master at juggling worlds in such a way that sometimes the fantasy worlds are more real than the actual worlds.