Here are 100 books that Between Two Fires fans have personally recommended if you like
Between Two Fires.
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I’m an October baby born during a full moon, into a small New England town notorious for their connection to the Salem Witch Trials. My house was for sure haunted growing up, I’ve had a lot of nightmares over the years, and I found solace in the horror genre. Though my true background is in comedy having studied with Second City Chicago, the experience afforded me the opportunity to explore the more pained and shadowed sides of myself as a tool to write relevant material. I learned to focus those explorations into narratives and create stories with a lot of heart that highlight my own quest to uncover inner peace.
A fellow New Englander, Tremblay took me by complete surprise with this novel. In the past, I saw horror defined by slashers, gore, and jump scares. This novel helped me understand that modern horror is a bit savvier and more nuanced, with a stronger focus on emotional suffering.
I really connected with the struggling working-class family and sympathized with their decision to let a documentary film crew create a series about their clearly struggling daughter. The film crew intended to market the girl as possessed by a demon, which the family signs off on in order to collect a desperately needed financial boost.
It expertly explores the hardships of the middle class, sibling love, and the societal hush-hush of mental illness. Plus, it’s got some twists and turns to that made my blood run absolutely cold.
The lives of the Barretts, a suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help, and soon find themselves the unwitting stars of The Possession, a hit reality television show.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls the terrifying events that took place when she was just eight years old, long-buried secrets…
Having spent thirty years working as a chef, I was always going to have working-class heroes in my stories. When someone said this is uncommon in science fiction, I didn’t believe them. But then I couldn’t think of any. I started searching through my bookshelves, and still, I couldn’t find enough to fill this list. I asked on socials and eventually found five books.
It would seem natural that in a science fiction world of adventure and exploration, the professionals would be at the forefront. But I am pretty sure that the toilet cleaners on the Death Star would still have a story or two to tell.
It became obvious to me early in this book that Nophek Gloss was written by someone who works with their hands. Not only in how the action was choreographed but also in how the world was described.
This brings a real world feel to the writing as we join Caiden helping his father with the menial tasks that keep a farming community running. Soon after, his whole world is destroyed. But as Caiden escapes and throws in with a ragtag bunch of aliens and a ship with a conscience, we can appreciate his point of view as someone who has seen so little of the universe but is suddenly exposed to multitudes of new and unusual things as he adventures into the unknown.
This book is for sci-fi fans who enjoy great worldbuilding, interesting aliens, and action throughout.
'AN EXCEPTIONAL DEBUT . . . READS LIKE A BECKY CHAMBERS NOVEL CROSSED WITH FIREFLY' Michael Mammay, author of Planetside
'A SUCKER PUNCH TO THE SENSES . . . A KILLER STORY WITH REAL HEART AND SOUL' Alastair Reynolds
In this dark, dangerous, roller coaster of a debut, a young man sets out on a single-minded quest for revenge across a breathtaking multiverse filled with aliens, mind-bending tech, and ships beyond his wildest imagining. Essa Hansen's is a bold new voice for the next generation of science fiction readers.
Caiden's planet is destroyed. His family gone. And, his only hope…
Ever since I can remember, I wanted to be a ghostbuster. I was the kid with the stack of ghost books and horror film obsession, sparked full of adrenaline and excitement. I knew about ouija boards and poltergeists before I knew my times tables and even now - older, more cynical, less drawn to graveyards - I still feel that same thrill when I am holding a horror novel in my hands. I write about discomfort, about fear. I’m well-acquainted with it. I like the feeling of being unnerved and want to evoke that in the stories I tell and the ones I read, like the books below. Hope you enjoy!
So good! A ghost story rich in texture, set in Britain during the seventies. Twins Tim and Abi live in an insular world, obsessed with the paranormal. After they prank a school friend with a fake ghost photograph events start to spiral out of control. Nostalgic without being syrupy, this book felt like stepping back into my own ghost-obsessed childhood. It’s that familiarity, as well as the slow burn of the strange and unnerving events, that kept me absolutely hooked.
'A delight for both the expert and the uninitiated, this creepy tale is a carapace of cosy nostalgia wrapped round a solid thread of dread ... A page turner that keeps you in dreaded suspense of what you are about to be shown ... A claustrophobic and entertaining read that left me breathless ... Horror for the connoisseur.' ALICE LOWE
'Hallucinatory brilliance ... The Apparition Phase may be the perfect novel for our phantom present.' GUARDIAN ___________________________________ Tim and Abi have always been different from their peers. Precociously bright, they spend their evenings in…
I have always had a greater interest in supernatural horror compared to the other subgenres of horror. Another way to describe it is fantasy horror. However, sometimes the fantasy can take away from the overall story. I find the best stories with supernatural elements also have a lot of real-life horror to balance with the fantasy. Magic realism is also a trope of Post-Modern Culture and I find myself drawn to stories with post-modern elements versus those that don’t. These are my top five pics for the best “Real-Life Horror Meets Supernatural Horror” novels.
This novel was not what I was expecting. It was dark and provides an interesting commentary on human behavior. The town of Black Spring and its locals are cursed. If someone is born there, or moves into the town, they’re doomed to stay until they die. If they try to leave and never come back, they’ll die. The town is also home to the Black Rock Witch, whose eyes and mouth are sewn shut. She’s been there since the town was cursed in the seventeenth century. The town was cursed because people did terrible things. The novel takes place during the final days of the town because some people did more terrible things to the Black Rock Witch.
The greats of fiction Stephen King and George R. R. Martin lead the fanfare for HEX, so be assured that Thomas Olde Heuvelt's debut English novel is both terrifying and unputdownable in equal measure.
Whoever is born here, is doomed to stay until death. Whoever comes to stay, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth-century woman whose eyes and mouth are sewn shut. Blind and silenced, she walks the streets and enters homes at will. She stands next to children's beds for nights on end. So accustomed…
Ever since I can remember, I wanted to be a ghostbuster. I was the kid with the stack of ghost books and horror film obsession, sparked full of adrenaline and excitement. I knew about ouija boards and poltergeists before I knew my times tables and even now - older, more cynical, less drawn to graveyards - I still feel that same thrill when I am holding a horror novel in my hands. I write about discomfort, about fear. I’m well-acquainted with it. I like the feeling of being unnerved and want to evoke that in the stories I tell and the ones I read, like the books below. Hope you enjoy!
Although this is a slow-burning horror with an air of menace throughout Witch Bottle is a very human book. It is a story about grief and loss and loneliness and conjures up a deeply unsettling atmosphere that stayed with me long after I’d turned out the light. Uncanny, in the truest sense of the word.
A deeply atmospheric literary horror novel about the nature of repressed guilt, grief and fear: 'Unsettling, horribly gripping and touched with genius' says the Daily Mail
Daniel once had a baby brother, but he died, a long time ago now. And he had a wife and a daughter, but that didn't work out, so now he's alone. The easy monotony of his job as a milkman in the remote northwest of England demands nothing from him other than dealing with unreasonable customer demands and the vagaries of his enigmatic boss.
But things are changing. Daniel's started having nightmares, seeing things…
As writers, one of the things that most commonly unites us is how quickly we are able to point to our favourite teacher from school—almost always our literature teacher. These people instilled in us a love of reading, and encouraged us to explore and hone the craft of writing. I’m always drawn to, and fascinated by, the idea of how certain individuals can impact our lives, this butterfly effect of personal connection. Sometimes these relationships can have very complex dynamics; other times these mentors won’t even know the impact they have had on us. In this list, I have selected five works that I have read recently and which I think examine these relationships masterfully.
A beautifully written novel of a young man torn between two worlds.
Wen Alder is schooled from infancy both in the Imperial arts and (secretly) in the arcane tribal ways of his grandmother. Both are paths to magic ability, the former sanctioned, the latter very much illegal.
There are no prophetic heroes here; just the story of an angsty and foolish young man trying to find his way through competing heritages.
'A captivating epic of conflicted loyalties and dangerous ambition' Anthony Ryan, New York Times bestselling author
'Brilliantly told and immediately engrossing, filled with magic, mistakes, and their merciless consequences' Andrea Stewart, author of The Bone Shard Daughter
'An exciting new voice in epic fantasy' SFX
'This is one of the best debuts I've ever read' Novel Notions
My name is Wen Alder. My name is Foolish Cur.
All my life, I have been torn between two legacies: my father's, whose family trace their roots back to the right hand of the Emperor. My mother's, whose family want to bring the…
As writers, one of the things that most commonly unites us is how quickly we are able to point to our favourite teacher from school—almost always our literature teacher. These people instilled in us a love of reading, and encouraged us to explore and hone the craft of writing. I’m always drawn to, and fascinated by, the idea of how certain individuals can impact our lives, this butterfly effect of personal connection. Sometimes these relationships can have very complex dynamics; other times these mentors won’t even know the impact they have had on us. In this list, I have selected five works that I have read recently and which I think examine these relationships masterfully.
A brilliant science-fantasy story. In a world where international conflict is resolved through the proxy of individual prize fighters, a young street brawler is schooled by an old warrior (with something to prove) through the underground and up into the big leagues.
Come for the zero-to-hero character arc and the good ole' fashioned fights, stay for the surprising (and subtle) depth of worldbuilding.
In a world where battle-hardened warriors determine the fate of empires, war-ravaged nations seek out a new champion in the first book of a thrilling science fantasy trilogy: "that rare book that fully satisfies me as an action fan" (Fonda Lee, author of Jade City).
In a world long ago ravaged by war, the nations have sworn an armistice never to use weapons of mass destruction again. Instead, highly-skilled warriors known as Grievar Knights represent their nations’ interests in brutal hand-to-hand combat.
Murray Pearson was once a famed Knight until he suffered a loss that crippled his homeland — but…
From a young age, I've been engrossed by the complexities of identity, a theme I explore as an Australian speculative fiction writer. My own identity comes with its quirks—I hold a Bachelor of Music in Composition, spent a decade in admin roles, and the better part of another decade teaching English to adult migrants, refugees, and asylum seekers. This eclectic background enriches my narratives, which blend supernatural elements with grounded realism and diverse representation. Whether it's exploring loneliness or delving into the lives of victims of bullying, my unique lens makes me well-suited to recommend books that tackle intricate themes of identity.
36 Streets by Australian author T.R. Napper is a cyberpunk thriller set in a futuristic noir Vietnam that tackles identity in a unique way.
The protagonist, a woman born in Vietnam but raised in Australia, grapples with her sense of belonging—deported from her adopted country due to racist government policies, her body language and command of English is as an Australian, and she is painfully aware that her Vietnamese is heavily accented and uncertain, and that her body language doesn’t match the locals of her birth nation.
Add to that the ability to edit human memory and to experience VR so realistically that you can live as someone else, and you have a story that questions the very fabric of identity.
Altered Carbon and The Wind-Up Girl meet Apocalypse Now in this fast-paced, intelligent, action-driven cyberpunk, probing questions of memory, identity and the power of narratives.
Lin 'The Silent One' Vu is a gangster and sometime private investigator living in Chinese-occupied Hanoi, in the steaming, paranoid alleyways of the 36 Streets. Born in Vietnam, raised in Australia, everywhere she is an outsider.
Through grit and courage Lin has carved a place for herself in the Vietnamese underworld where Hanoi's crime boss, Bao Nguyen, is training her to fight and lead. Bao drives her hard; on the streets there are no second…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.
He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.
This retained its curiosity value even on a second reading. A great little book.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Who knew that an account of a disappeared medieval world could be so gripping?
I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.
Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.
The fourteenth century was a time of fabled crusades and chivalry, glittering cathedrals and grand castles. It was also a time of ferocity and spiritual agony, a world of chaos and the plague.
Here, Barbara Tuchman masterfully reveals the two contradictory images of the age, examining the great rhythms of history and the grain and texture of domestic life as it was lived: what childhood was like; what marriage meant; how money, taxes and war dominated the lives of serf, noble and clergy alike.
Granting her subjects their loyalties, treacheries and guilty passions, Tuchman recreates the lives of proud cardinals,…
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