Here are 100 books that Audacity fans have personally recommended if you like
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I have always been drawn to stories that include a touch of magic – whether it’s the magical realism of Gabriel García Márquez, or the fantasy-adjacent work of Alice Hoffman. To me, works that include an element of magic speak to something in the human experience that is transcendent. The experience of praying, of having a child trust you, of falling in love – all these have a tinge of magic, or an unexplainable element in them. I want my stories to be, in part, a celebration of the magic we experience every day.
This one is pushing the limits of my list in a couple of different ways – it is technically not a novel, but rather a memoir in verse.
It’s also a middle grade work rather than an adult novel. I’m including it here because I feel it’s one of those books for children that every adult should read. The prose is beautiful, and the author’s coming-of-age story is a tale of resilience, love, and family. The author invokes the ghosts of her ancestors in a way that lends a bit of magic to the work.
The compelling story of a young Black girl growing up in 1960-70s America - a multi-award winning New York Times bestseller and President Obama's 'O' Book Club pick.
Brown Girl Dreaming is the unforgettable story of Jacqueline Woodson's childhood, told in vivid and accessible blank verse. She shares what it was like to grow up as an African-American in the wake of the Civil Rights movement, never truly feeling at home, and discovering the first sparks of an incredible, lifelong gift for writing. It's packed with wonderful reflections on family and on place, in a way that will appeal to…
I am a poet and author living and writing in Northern Colorado. I love reading (and writing) novels in verse because they invite the reader into an active relationship with the author-poet. The story is co-created through mutual trust and imagination: the reader has to trust the author to provide enough language to reveal the narrative, and the author has to trust the reader to fill in details left by the white space on the page. Through this mutual effort and creative collaboration, dazzling stories emerge.
Joy McCullough’s Blood Water Paint is historical fiction that tells the story of Artemisia Gentileschi, a Renaissance painter who survived a sexual assault and persevered to see her assailant convicted in an Italian court. If the true aspects of the story weren’t compelling enough, McCullough contrasts her fictional character with the biblical heroines Judith and Susanna, using prose and verse strategically to weave the stories with their counter-narratives. McCullough’s experience as a playwright shines through here and her poetic devices are downright Shakespearean, revealing clues to her characters’ emotional truths through the deceptively simple arrangement of words on the page. This book is astonishingly good and a must-read for anyone intrigued by novels in verse.
Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint.
She chose paint.
By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the…
I write historical YA in verse—pretty much the niche of the niche. Before I was published, I spent many years writing and querying various YA projects in prose, but it wasn’t until I decided to try a project in verse that I really found my groove. Nowadays, everything I write falls under that same (small) umbrella, so I really looked to novels like the ones here to learn from the best. These days, I still love reading YA historicals and anything in verse, but YA historicals in verse remain forever my favorite.
Your Heart, My Sky is a gorgeous book set on the island of Cuba during a terrible period of starvation in the 1990s. The points of view of two young lovers and a stray dog work together to paint a full picture of both the bleak situation and their heightened emotions during this desperate time.
I found the romance to be the perfect bright spot as the protagonists and their families struggle to survive on the island they love. As always, Engle’s poetry sings as the perfect vehicle for this very personal story that YA fans will surely devour.
Acclaimed author Margarita Engle tells a “deeply felt and engrossing” (Horn Book Magazine) story of love in a time of hunger inspired by her own family’s struggles during a dark period in Cuba’s history.
The people of Cuba are living in el período especial en tiempos de paz—the special period in times of peace. That’s what the government insists that this era must be called, but the reality behind these words is starvation.
Liana is struggling to find enough to eat. Yet hunger has also made her brave: she finds the courage to skip a summer of so-called volunteer farm…
I write historical YA in verse—pretty much the niche of the niche. Before I was published, I spent many years writing and querying various YA projects in prose, but it wasn’t until I decided to try a project in verse that I really found my groove. Nowadays, everything I write falls under that same (small) umbrella, so I really looked to novels like the ones here to learn from the best. These days, I still love reading YA historicals and anything in verse, but YA historicals in verse remain forever my favorite.
Here in Harlem pays homage to the people of Harlem in the first half of the 20th century. I loved how the rhythmic, musical verse brings the setting to life. It’s modeled on Spoon River Anthology by Edgar Lee Masters, but in a completely unique way that will really speak to YA readers.
The voices depicted in this poetry collection—especially Clara Brown’s recurring testimonies—make the book feel like a fully alive story rather than simple moments captured in time.
Acclaimed writer Walter Dean Myers celebrates the people of Harlem with these powerful and soulful first-person poems in the voices of the residents who make up the legendary neighborhood: basketball players, teachers, mail carriers, jazz artists, maids, veterans, nannies, students, and more. Exhilarating and electric, these poems capture the energy and resilience of a neighborhood and a people.
I have always been drawn to biographies. Individual stories make the past personal. Biographies also transcend the usual boundaries of time and topic, illuminating multiple issues across an individual’s entire life course. I’m especially interested in feminist biography—not just biographies of feminists, but biographies that combine the personal and the political, showing how individuals’ personal experiences and intimate relationships shaped their professional choices and political careers. I also enjoy group biographies, especially when they weave multiple stories together to illuminate many facets of shared themes. Ideally, a great biography will introduce a reader to an interesting individual (or group of people) whose story illuminates important themes in their lifetime.
Common Sense and a Little Fire is a group biography of four Jewish immigrant women who became important leaders in the labor movement and the New Deal: Rose Schneiderman, Fannia Cohn, Clara Lemlich Shavelson, and Pauline Newman. Building on their shared experiences growing up in New York City’s Lower East Side, these women challenged sexism in the labor movement and classism in the suffrage movement and became leaders in “industrial feminism,” which fused labor organizing and feminist activism. Annelise Orleck skillfully weaves together a variety of sources, including interviews with the women, as well as the women’s life stories to produce a compelling new history of working women’s activism.
Twenty years after its initial publication, Annelise Orleck's Common Sense and a Little Fire continues to resonate with its harrowing story of activism, labor, and women's history. Orleck traces the personal and public lives of four immigrant women activists who left a lasting imprint on American politics. Though they have rarely made more than cameo appearances in previous histories, Rose Schneiderman, Fannia Cohn, Clara Lemlich Shavelson, and Pauline Newman played important roles in the emergence of organized labor, the New Deal welfare state, adult education, and the modern women's movement. Orleck takes her four subjects from turbulent, turn-of-the-century Eastern Europe…
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
If you’ve read all 783 pages of World of Our Fathers and are still looking for more about early Jewish-American life in New York—or just something more immediate—this is the book for you.
An autobiographical fever-dream of a novel, Jews Without Money is a vivid, violent, look at the life of the Jewish slum kids whose parents emigrated to America. A lifelong communist, Gold only wrote one novel, but it anticipates the hallucinatory fiction of writers like Denis Johnson by half a century.
At once entirely Jewish and entirely American, Jews Without Money gives an unvarnished first-person glimpse into the surreal world of turn-of-the-century New York.
As a writer and political activist in early-twentieth-century America, Michael Gold was an important presence on the American cultural scene for more than three decades. Beginning in the 1920s his was a powerful journalistic voice for social change and human rights, and Jews Without Money--the author's only novel--is a passionate record of the times. First published in 1930, this fictionalized autobiography offered an unusually candid look at the thieves, gangsters, and ordinary citizens who struggled against brutal odds in lower East Side Manhattan. Like Henry Roth's Call It Sleep and Abraham Cahan's The Rise and Fall of David Levinsky, Jews…
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
This 1925 autobiographical novel dropped me into the middle of New York’s Lower East Side Jewish neighborhoods in the early 20th century. The main character has a life of substantial struggle with and against her family, employers, landlords, and an American society that seems intent on erasing her.
While the book has elements of both a classic immigrant story and a coming-of-age tale, I love how it reveals the realities of urban living for a young immigrant woman. The pace and practices of making a home in a too-small space, getting by on minimal resources, scrumming for work, and avoiding harassment fill this book’s chapters. As a social and cultural historian, reading about daily activities–both struggles and joys–in a different time and place helps fire my imagination about not just what happened but how it might have felt to experience it.
First published in 1925, Anzia Yezierska's "Bread Givers" is the tale of a young Jewish-American immigrant woman and her struggle to control her own destiny in Manhattan's Lower East Side at the turn of the century. The novel is based in large part on Yezierska's own life experiences immigrating from Poland as a child and growing up in New York City in an Orthodox Jewish family. "Bread Givers" centers on the story of its main character, Sara Smolinsky, who lives with her older sisters and parents in a poor tenement in the Lower East Side. The Smolinsky family is destitute…
A former special assistant to Maryland’s attorney general, I reluctantly gave up my three-decade legal career to tell two remarkable stories I was uniquely qualified to tell. Orphaned at age 11, I grew up in New Orleans as a foster care client of the Jewish Children’s Regional Service, the agency that formerly ran the orphanage in which my mentor, legal trailblazer Bessie Margolin, was raised. It was also the orphanage in which I would've been raised had it not closed in 1946. During the time I spent with Bessie Margolin she inspired me to both become her future biographerand go on to write the first comprehensive history of the nation’s earliest purpose-built Jewish orphanage.
Newberry Honor book winner Gail Carson Levine beautifully captures the life of eleven-year-old Dave, a troublemaking orphan in 1926, and his time in New York’s Hebrew Home for Boys.
When I years ago read this book to my son, who was abut Dave’s age, both of us became enthralled with not only the vivid description of the sometimes tough and rigid orphanage in the Lower East Side, but also Dave’s late-night adventures into the beautiful music and among the kind strangers and leading figures of the Harlem Renaissance.
Loosely based on her father’s time in New York’s Hebrew Orphan Asylum, Levine opens a window and lets us hear the Yiddish sounds and lets us peak into the early twentieth-century world of Jewish orphanages, while also celebrating the boisterous joys of friendship with unlikely partners.
If nobody wants him, that's fine.He'll just take care of himself.
When his father dies, Dave knows nothing will ever be thesame. And then it happens. Dave lands in an orphanage—the cold and strict Hebrew Home for Boys in Harlem—far from the life he knew on the Lower East Side. But he's not so worried. He knows he'll be okay. He always is. If it doesn't work out, he'll just leave, find a better place to stay. But it's not that simple.
Outside the gates of the orphanage, the nighttime streets of Harlem buzz with jazz musicians and swindlers; exclusive…
Growing up, I’d always been fascinated by science fiction narratives, having been suckered in by Star Warsat a very young age. But it wasn’t until I stumbled upon The Hitchhiker’s GuideTo The Galaxy that I realized stories didn’t have to take everything so seriously. This pivoted to an obsession with comedy, leading me to write skits for the stage and screen in my late 20s as a fun side-gig along with my own comedic sci-fi novel series. I’ve always appreciated stories that lean into the lighter side of things. Reality is grim and dark enough as it is, our escapism doesn’t need to double down on that.
Carmen Loup's The Audacity is the successor to The Hitchhiker’s Guide to the Galaxy that I've been looking for for a long time. Loup takes strands of Hitchhiker's Guide DNA lovingly engineers it into its own unique tale filled with bright, colorful, and snarky characters and a fun, insightful (and, indeed, inciteful) voice that rings incredibly true to an Americanized Douglas Adams (that is, lacking in British poise and restraint). The Audacity is simply an amazing sci-fi comedy from start to finish and feels like a love letter to The Hitchhiker's Guide and, indeed, to all its fans. Plus, the entire first trilogy is available now (with more to come!).
Rocket racing can be deadly, but working in food service is worse.
May’s humdrum life is flung into hyperdrive when she’s abducted, but not all aliens are out to probe her. She’s inadvertently rescued by Xan, an “I Love Lucy” obsessed alien with the orangest rocket ship in the universe.
But you still have to eat in space, and rocket racing is a quick, if life-threatening, way to make a living.
Finally, May has a career she loves and a friend to share her winnings with. Until a Chaos goddess possessing Xan’s ex decides to start a cult on Earth…
I am a professor of history and Jewish studies at American University and author of America’s Jewish Women: A History from Colonial Times to Today, winner of the National Jewish Book Award – 2019 Jewish Book of the Year. Since childhood I have been reading stories of women’s lives and tales set in Jewish communities across time and space. Yet, the voices that so often best evoke the past are those captured on the pages of great memoirs.
In 1951, Sydney Taylor invented the memorable Brenners—papa, mama, five sisters, and baby brother—a Jewish family on the Lower East Side in turn-of-the-century New York. Taylor’s words and Helen John’s illustrations in this book, the first in a series, set the scene. A calendar in the parlor announced that it was 1912. Tenements lined city streets. When I read these novels as a child, I did not yet know that they were closely based on Taylor’s own life. When the entire series was republished in 2014, I quipped: I became a Jewish historian because of these books.
Meet the All-of-a-Kind Family -- Ella, Henny, Sarah, Charlotte, and Gertie -- who live with their parents in New York City at the turn of the century.
Together they share adventures that find them searching for hidden buttons while dusting Mama's front parlor and visiting with the peddlers in Papa's shop on rainy days. The girls enjoy doing everything together, especially when it involves holidays and surprises.
But no one could have prepared them for the biggest surprise of all!