100 books like American Dirt

In this book, the lines between science and sorcery are indistinguishably and deliberately blurred, crafting a narrative that has evolved into a timeless masterpiece.

Set in a distant future, the universe is ruled over by feudalistic dukes and barons who wage interstellar wars for planets and resources. Here, psychoactive substances grant visions of the future, and colossal sandworms are revered as divine entities. But what truly captured my imagination was the portrayal of the technological as the magical. The Bene Gesserit, a secretive sisterhood often likened to witches, uses multigenerational genetic engineering to bring about prophesies and wield supernatural mind-controlling abilities. 

This seamless fusion of advanced bioengineering with elements of the mystical not only makes the universe of this book feel magical but also tangibly real, resulting in a novel that is both intricate and immersive. 

I sat on my mother’s lap as a child to hear stories of her childhood in Appalachia—no running water or electricity, and the shame brought on by her mother’s escape from that hard life. The setting and the characterizations in Book Woman of Troublesome Creek brought back some of the memories of my mother’s stories.

I came to love the character’s adaptation to the harsh environment, their want for a better life, and the difference one person’s influence can make in a community. The spirit of survival, even with the hardest of circumstances, forced me to cherish this story. It was as if my mother had written this book or perhaps read it to me.

Haunting and beautiful, it gave me a new perspective on what science fiction can accomplish: Ishiguro’s book is subtle, humane, and deeply concerned with the troubles of the real world.

This story of Klara, an “artificial friend” purchased to keep a sick little girl company, takes up questions of eugenics, artificial intelligence, and, ultimately, what it means to be a human being.

Along the way, the book explores the gulf between economic and social classes with as much care and compassion as Charles Dickens or Thomas Hardy—Klara and the Sun is some of the most inspiring science fiction I have ever read.

This winner of the Newbury Medal is another book that gave me the courage to write a book that includes my own invented tribe. The author, Scott O'Dell, also spent his early years in Southern Calif. as did I and much of the described island flora and fauna is reminiscent of Santa Catalina Island. After hunting for otters Karina's tribe misses the first boat that was to take them back to the mainland. When she misses the second one because of an act of bravery, she is fated to survive many years alone which she does with unimaginable courage and tenacity.

As a writer who’s interested in what comes next—after climate change, after fascism—I love how Diane Cook uses broad brush strokes to show us the future, without going into too much history or detail.

Instead of hyper-focusing on what the future holds for us, Cook directs our attention to one small, outlier community that’s doing weird things. This is a great technique: she paints a picture of a future world by painting a picture of a fringe group that’s trying desperately to be different from the main one.

A mother-daughter drama drives the plot forward, and we learn about the rules and ruminations of the fringe group as the characters sort out their power struggles.

I'm not sure the 1957 movie version of Hemingway's 1926 first novel, with terrific performances by Tyrone Power, Ava Gardner, and Errol Flynn, is a great movie, but when I first saw it on my old black and white TV in the early sixties, I was so deeply affected. I had to immediately read the book.

Hemingway, was, of course, himself an expatriate American in Paris in the 1920s. What I love about the book is Hemingway's ability to capture the atmosphere of the time and place, as his Lost Generation characters booze, fight, love, and perhaps try to come to terms with the life they have created for themselves. Then there is that impossible love story between war-injured Jake and Brett!

Besides being a page-turning terrorism thriller, what gives the novel even more life is the protagonist, John Corey. He’s a bit of a wise-ass, and his sarcastic humor, despite dire situations, appeals to me. You just know he’ll get the bad guy(s) and do it with devil-may-care determination. His pugnacious attitude often gets him in trouble, but he’s a character easy to like and root for.

After a lonely barman, Bob, rescues an abused puppy from a trashcan, his mundane world is turned upside down. He befriends an emotionally scarred woman, which puts him at odds with her ex, and unknowingly gets drawn into a con against the Chechen Mafia that uses the bar for money drops.

Lehane is masterful at creating flawed characters that pins readers to the text. As a short novel, The Drop is loaded with punchy dialogue, rapid characterisation, and off-beat humour. However, it’s barman Bob’s stoic presence that makes this such a fascinating read. He fades sublimely into the gloomy Boston crime scene in a profound way, which makes him one of the most unconventional protagonists caught on paper.

Dr. No was the sixth James Bond novel Fleming wrote but it was the first one I was finally able to read in paperback when I was about twelve years old.

It transfixed me. I had never read anything quite like it, transporting a boy trapped in small-town Ontario into a wider world of sophistication, sex, and violence.

I devoured the other Bond adventures as fast as I could get my hands on them. If any books made me hunger for faraway glamorous places, it was the Bond novels.

If you can’t imagine the influence Fleming’s worldly writing had on me, you have only to read one of the Priscilla Tempest mysteries.

I’ll admit, the Russian villain in this thriller is a very bit part, but I can’t have a top 5 list of any thriller without including Elmore Leonard. I read one of Leonard’s first urban thrillers, Glitz, back in ‘80’s and was blown away with how gritty it was. I’d never heard dialogue coming out of character’s mouths like that before. He wrote dialogue like people actually spoke—not with perfect dialect, but street language. It’s the reason he was dubbed the Dickens of Detroit. If you’ve read Elmore Leonard and liked him, then pick this up and read it. It’s a quasi-sequel to Get Shorty with shylock Chili Palmer moving from the movie industry to the music business. 

If you’ve never read Leonard, then start with this one. My writing career would never have flourished like is has without reading Leonard, so this on is near to my heart. Enjoy.