100 books like Above Suspicion

I found The Moon-Spiners through a Disney movie of the same name (book was better). When I found out it was also a book, I went hunting at my local library and fell in love with the way Stewart immediately pulled me into her stories, evoking awe, fear, laughter ,and romance. She wafted me away to exotic places, and into exciting and romantic adventures with strong female characters. I went on to read all her books, even the Arthurian ones, but her romantic suspense books remain my favorites and the ones I turn to when I need a comfortable visit with old fictional friends. 

MacLean was a contemporary of Desmond Bagley, so a natural candidate when it came to following up potential leads in the Bagley vein. He’s better remembered than Bagley, possibly because quite a few of his books were made into films, but he always acknowledged Bagley as the superior writer.

This book is a good example of classic MacLean–raw action in a location that plays as much a part as any of the living characters–and his ability to create a claustrophobic atmosphere is simply terrific.

Can I make this list and not include a golden-age detective story set in a country house at Christmas? This one has all the ingredients required for an afternoon by the fire, looking out at the wintry weather—a locked room, an appealing detective, and a cast of people compelled, rather unwisely, to spend Christmas in each other’s company. "If you ask me, there very likely wouldn’t have been a murder at all if it hadn’t been for him getting ideas about peace and goodwill, and assembling all these highly uncongenial people under the same roof at the same time.” 

This recommendation is a little different from the others on my list. This “Titanic in Space” story really caught my imagination. It’s intense, romantic, and wildly believable. It does have romantic tension, but nothing steamy—the characters don’t have time or the safety for messing around. That is also another reason for my recommendation. It is an action and adventure story that includes great world-building and character interactions that make sense. I also love the author’s other books, but they aren’t blush-free. I do have to flip some pages to get past the steam. But it’s the Titanic! In space! Super fun read.

After his dismissal as German ambassador to Italy in 1938, Ulrich von Hassell kept a detailed diary, which he hid by burying it in his garden. He met frequently with resistance figures, including Stauffenberg. Designated foreign minister if the July plot succeeded, the Nazis placed him on trial. Despite the Nazis’ attempt to humiliate him by refusing to let him wear a belt or tie, and allowing him only a rumpled suit, Hassell cut a stylish figure with his pocket-handkerchief and his poised bearing. At one point, he calmly told the foaming judge: ‘Herr President, I have not lived sixty-two years to be told by you that I am a liar.’ He was hanged.

His diary is an essential primary source on the German opposition to Hitler.

Mildred Fish-Harnack was part of a wide circle of anti-Nazis that formed in the 1930s and continued to grow until it was broken by the Gestapo.

Brysac’s portrait of her is detailed and passionate. The fact that Mildred was American but gave up her life for a ‘better’ Germany never fails to move me. Mildred, her husband, and friends passed Nazi military secrets to the Americans and the Russians, and were to pay a heavy price. Virtually all were rounded up and killed.

Mildred, from Milwaukee, was the only American woman to be executed on Hitler’s personal orders. As the Nazis led her to the guillotine, she whispered, "And I loved Germany so much."

Those words act as an epitaph for all the people whose stories we told in our book: they hated the Nazis but loved Germany and wanted to save it from the horror unfolding under Hitler.

Start with the classic, this legendary British satire about cloistered college life and the darker side of the academic way of life. The story of a hapless lecturer in medieval history trying to secure his job (and get his dream girl), the book works for me on every level: it’s funny, it’s insightful, it can be scathing, and it manages to simultaneously value this strange way of life (what can be stranger than dedicating your life to study within the bubble of the academy?) while also skewering its foibles and flaws. Come for the comedy; stay for the insight and skewering. As an academic myself, this book hits very close to home.

And then there was Campusland… Fast, funny, and brutal in its satirical account of today’s campuses, with their “safe spaces” and identity politics and administrators and students alike running amok, this is a book with an agenda (be forewarned) but which executes that agenda extremely well. Johnston really nails certain character types present on many liberal arts colleges and elite campuses, as well as the dynamics as those characters execute their own agendas. If you share the author’s agenda you will lap it up; if not, you will be enraged; but either way you will be entertained. And if you haven’t been paying attention to the campus scene for a while—prepare to be shocked.  

The quiet endurance of grief. I love this small, meditative novella that captures the essence of grief as it continues to linger in the body, the mind, and the heart long past the comfortability of those around you.

While the story focuses on the main character, an aging, gay professor who has come to Washington, DC, for a visiting professorship after losing his mother to a long illness, each person encountered is grieving something in their own way (I truly love that Holleran mirrors the main character’s grief with that of Mary Todd Lincoln’s after losing her husband to an assassin but also still grieving the death of her son via a biography he’s reading).

What I find so beautiful about this book is that Holleran doesn’t go for the theatrics of grief. He keeps the story and the emotions calm, methodic, and persistent with such great care to craft… show more.

Smith is a master at depicting multi-racial families (something she knows all about, as she grew up in one).

Her narratives take up the complex nature of the relationships between parents, children, and siblings, while delving into issues of race, class, politics, infidelity, and self-knowledge. Smith is expert with her use of voice, as she composes character through idiosyncratic styles of language and expression.

Life in this novel is colorful and messy, as it cleverly investigates the impossibility of really knowing those closest to you.