54 books like A Gambling Man

Dashiell Hammett, more than any other author, created the hardboiled anti-hero. He’s also a damn fine prose writer. I re-read one of his books every year because of this, hoping perhaps to absorb his spare, elegant style. Each sentence is brutally trimmed of any excess and yet resonates with layered meaning. 

Dashiell Hammett himself was a broken hero. He fought in two World Wars for his country and yet was sent to jail by the committee for un-American activities for refusing to name names. He was a communist, who yet, as a young man, worked for the fascist, union-busting Pinkertons.

A complex, troubled individual who created dark and cynical worlds, and none more cynical than that of The Maltese Falcon. Here, we have a femme fatale, a hardboiled detective, gangsters, and conmen, all vying for the titular prize. It is a mean-streets masterpiece. 

I read this one in college, and it sparked my imagination for years and years. Set in 1890s New York, it combines the lowbrow pleasures of gory crime with lots of nifty historical settings and facts (the history of psychiatry! Early forensic science! Gilded Age politics!).

I read it on my bottom bunk in the dorms in about 8 hours, probably while I should have been studying. I’d love to recapture that intensity of pleasure in reading, but a job and two small children make it tricky. 

Disfigured and jobless after a fire, Timothy Wilde takes a job with the newly formed NYPD. He is assigned to the Sixth Ward, right on the border of the Five Points, a ward notorious for the desperately poor who live there and the rampant crime. One night he finds a young girl running through the street in a nightgown soaked with blood. She tells an unbelievable story of bodies buried in a nearby woods. Wilde investigates and soon finds himself a target of the city’s wealthy, several of whom are guilty of the most heinous of crimes but feel entitled to escape any accountability. Written in the slang of the times, it reads with the immediacy and plausibility of a memoir. I loved this book because it treats such serious issues: income inequality and the lack of accountability for the rich and powerful—even when engaged in child prostitution and murder.

This is a fun-filled mystery set in 1920s London. Cozies are not usually my thing, but I recently gave this a go as I am also writing a series in that exact time period and thought I’d see how Kinsey set about it. The historical beautifully captures the exuberance of the time period after World War I. Women have emerged from behind closed doors to interact on equal status as men, jazz music parades the pages with wild abandon, and the slang of the characters is spot on. The twists, turns, and action are blended in with the rich description to make this a delightful read.  

I was introduced to Ian Hamilton’s Ava Lee Novels when I was looking for a successful Canadian writer of “business fiction.” We never call it that, of course, it has to be written as an action-adventure, thriller, mystery, suspense novel, and Hamilton meets those criteria with Ava Lee as a tough-as-nails, lesbian Chinese-Canadian forensic accountant tracking down money stolen from business clients.

Her connections and family investments lead her to Hong Kong and Macau for a settling of accounts with local organized crime and Ava Lee knows that violence is the only negotiating tactic they understand.           

This book is the best model for me of what I wanted to write with my own Dale Hunter crime thriller series: a scientist, entrepreneur, or professional as the hero, not a private detective or law enforcement officer, and it’s set in Montreal with all the unique characteristics of that fascinating, multicultural historic city, including the bilingual dialogue unique to Montrealers that Reichs manages to untangle for readers to follow easily.

In addition, she tells the terrifying story of a forensic anthropologist helping to track down a serial killer who finds herself to be the next targeted victim. Déjà Dead is the novel that launched Tempe Brennan novels and the award-winning Bones TV series.      

Linwood Barclay is a fellow Canadian crime writer who imagines terrifying scenarios and takes stories through startling twists and turns of non-stop tension and suspense better than most.

Stephen King is a big fan of his writing in the style of horrifying domestic thrillers. In The Accident, we meet the humble hard-working neighbour with an eight-year-old daughter who discovers his wife killed in a car accident. The police claim she was the drunk driver who was responsible for it.

Garber has to believe the evidence but starts to explore what really happened and learns that his friends and neighbours are involved with dangerous criminals who are prepared to kill to protect their illegal activities. 

A gifted storyteller and USA Today bestselling author, Rick Mofina is a master of the thriller page-turner that starts with a family-friendly story and quickly accelerates through terrifying discoveries of the killer in the house, or next door, or rising from the character’s haunted past.

In Her Last Goodbye, we have the husband waking from some regrettable misbehavior and finding that his wife has not come home from her book club the previous night. He cannot answer his son’s question, “Where’s Mommy?” nor explain that he is the main suspect in his wife’s disappearance.

The mystery may never be explained either and a happy ending seems even more unlikely as he digs into the untold stories of their dark past.    

One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.

The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer. 

Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.

As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.

To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.

I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.