Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
It is about a private investigator named Noland Twice. A former star athlete, Noland has a unique superpower—he can find anyone, no matter how far they run or how well they hide. He works the Orlando-Tampa corridor, a strange land of theme parks and tourists, as well as drug deals and shady businessmen. When a shady local executive, Valkenburg, goes missing, Noland is hired to find him. Noland soon becomes caught up in a web of corruption and violence as he pursues the mystery.
This is my favorite novel. I read it every year or so, and each time, I feel like it makes my own writing better.
Set in the latter years of the Vietnam War, it tells the story of two friends—Converse, a war-traumatized journalist, and Hicks, a world-weary, cynical marine—who smuggle three kilos of heroin back to Berkeley, California.
I love the realism of this book, but it might be too brutal were it not tempered by how intelligent and sympathetic the main characters are, even when doing terrible things. The book feels exactly like a crime/adventure novel, exploring the dark underbelly of the counterculture in the 1970s. It’s also an amazingly complex and philosophical novel about the balance between morality and ego.
In Saigon during the last stages of the Vietnam War, a small-time journalist named John Converse thinks he'll find action - and profit - by getting involved in a big-time drug deal. But back in the States, things go horribly wrong. His courier disappears, probably with his wife, and a corrupt Fed wants Converse to find him the drugs, or else.
Dog Soldiers is a frightening, powerful, intense novel that perfectly captures the underground mood of the United States in the 1970s, when amateur drug dealers and hippies encountered the violent world of cops on the make and professional killers.…
What I really love about this novel is the voice of the main character, Ezekial “Easy” Rollins. Easy is not your typical P.I. A recently fired machinist in post-war Los Angeles, he’s just a guy trying to pay his bills. But he’s also a black man from the South trying to survive in a white, west-coast world. When a white gangster hires him to find a missing girl, Easy senses that he’s in extreme danger, but he has no choice but to take the job.
Told in the first-person, this book captures all of Easy’s doubt, dread, and defiance as he unravels the mystery.
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
If Anton Chekhov had risen from the dead in 1982 and written a book about the criminal underworld of South Florida, the result would have been something like Miami Blues. I am utterly fascinated by the level of social realism in this (supposedly) simple crime novel!
The villain, ex-con Freddy Frenger, is a monster, but he’s also weirdly compelling. Hoke Moseley, the protagonist, is a deeply flawed hero, if ever there was one. In telling their bizarre tales, Willeford weaves a narrative that is as gritty and detailed as it is artful and grotesquely beautiful.
After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious El Dorado Hotel and nurses a glass of brandy. With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge,…
If there is one central defining quality of noir crime fiction, it is the main character’s struggle to preserve his moral center in a fundamentally corrupt and evil world. The best P.I. novels are able to render this kind of character in brushstrokes that are both beautiful and subtle.
One of my favorites is Ross Macdonald’s Lew Archer, first introduced in this novel. When Archer is hired to find a missing rich guy in a tony, Southern California beach town, he finds himself knee-deep in violence, greed, and deceit, uncertain of who is guilty, who he can trust, and even who is worth saving. A moving target, indeed.
The first book in Ross Macdonald's acclaimed Lew Archer series introduces the detective who redefined the role of the American private eye and gave the crime novel a psychological depth and moral complexity only hinted at before.
Like many Southern California millionaires, Ralph Sampson keeps odd company. There's the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson's friends may have arranged his kidnapping.
As Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up…
One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.
The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer.
Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.
From debut author Alex Kenna comes a pulse-pounding tapestry of secrets, retribution, and greed for fans of Jeffrey Archer.
Kate Myles was a promising Los Angeles police detective, until an accident and opioid addiction blew up her family and destroyed her career. Struggling to rebuild her life, Kate decides to try her hand at private detective work—but she gets much more than she bargained for when she takes on the case of a celebrated painter found dead in a downtown loft.
When Margot Starling’s body was found, the cause of death was assumed to be suicide. Despite her beauty, talent,…
A story you'll never forget about survival, forgiveness, healing, and love.
Twenty years ago. A plane crash. Three women survivors are inexorably connected by fate, destiny, and a cause.
Julie Geiger, a flight attendant, told five sets of parents to place their babies on the floor of the plane when it was going down. Now, she must live with the consequences. Will changing the emergency rules bring her healing and forgiveness? And where does love fit into her life now?
Marie Stanley lost her baby boy on that flight. And she knows exactly who to blame. Julie. The problem is that vindictiveness festers. And eats into your soul. How will Marie learn to move past her hate and save her marriage in the process?
Paige Montgomery, the lap baby who survived the flight, would love to forget it ever happened. After all, she’s happy. And she’s on the cusp of a new relationship. How will she learn to forge her own path, one that integrates all the elements of her past, including the crash, the loss of her parents, and her subsequent adoption?
Twenty years ago. A plane crash. Three women survivors inexorably connected by fate, destiny, and a cause.
Did you know that lap babies (children under the age of two) are instructed to be placed on the floor of a plane during an emergency? Sounds crazy, but it’s true.
Julie Geiger, a flight attendant, told five sets of parents to do just that. Now she must live with the consequences. Will changing the rules bring her healing and forgiveness? And where does love fit into her life now?
Marie Stanley lost her baby boy on that flight. And she knows exactly…
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