I love historical settings and detail – I love coming away from a novel feeling like I’ve also learned something about the world. But I also like lots and lots of plot and intensity. Historical fiction slash mystery novels hit the spot just right. Though my own work thus far is more on the historical fiction side, I do try to plot it like a mystery, with lots of questions, revelations, and discoveries to be made as you go along.
My book is a multi-generational saga of a Jewish family living in the shadow of West Virginia's iconic Greenbrier Resort, a place with a complicated (true) history. Built as a pleasure palace for Southern gentry, it became a prison camp for detained Axis diplomats during WWII, then the site of a secret government facility during the Cold War.
In the novel, the Zelner family becomes entangled with the resort and its guests, creating secrets that reverberate throughout the generations. Through intertwined timelines, you'll meet Sol, a plucky immigrant peddler in the 1910s; Sylvia, an unhappy refugee bride in 1942; Doree, a bright-but-burdened teenager in 1959; and Jordan, a young reporter in the early 90s, looking to unravel the family's mysteries.
Victorian thieves, forbidden romance, a Gothic mansion, a character known only as “the Gentleman” – yes, please.
I read all of Sarah Waters’ novels in a month or two during the 2016 election runup, and they’re all fantastic, but this one has a particularly high degree of muchness, which I love in a book. It was the basis of a fantastic miniseries, which transported the plot from Victorian England to Japanese-occupied Korea.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
Like many, I came to know Emma Donoghue through Room, which was adapted into the 2015 film. But she’s mostly a writer of historical fiction.
This book (which also became a movie) is set during the Irish Potato Famine when an English nurse is called to examine a supposedly miraculous “fasting girl” who claims to have gone weeks without food.
Now a Netflix film starring Florence Pugh: In this “old-school page turner” (Stephen King, New York Times Book Review) by the bestselling author of Room, an English nurse is brought to a small Irish village to observe what appears to be a miracle—a girl said to have survived without food for months—and soon finds herself fighting to save the child's life.
Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired…
A gorgeous, extravagant dual-timeline historical mystery about late-20th-century academics researching a pair of (fictional) Victorian poets – did they or didn’t they?
If you like library settings, fictional documents (letters, poems – lots of poems), and a good dose of poking-fun-at-academia, you’ll love it. Yes, it is also a movie (though I can’t speak to it).
Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story. It is the tale of a pair of young scholars investigating the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time.
Grace Marks was a real Irish-Canadian maid who, in 1840s Ontario, was convicted of murdering her employer. Did she do it? If so, why?
Margaret Atwood uses the lens of interviews with a (fictional) doctor to unpeel Grace’s many layers (or is she only adding lies?). Dreamy, Gothic, and tragic; I loved it. I also loved the miniseries adaptation from Sarah Polley.
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
I read this one in college, and it sparked my imagination for years and years. Set in 1890s New York, it combines the lowbrow pleasures of gory crime with lots of nifty historical settings and facts (the history of psychiatry! Early forensic science! Gilded Age politics!).
I read it on my bottom bunk in the dorms in about 8 hours, probably while I should have been studying. I’d love to recapture that intensity of pleasure in reading, but a job and two small children make it tricky.
The internationally bestselling historical thriller, now a major Netflix series starring Luke Evans, Dakota Fanning and Daniel Bruhl.
Some things never change.
New York City, 1896. Hypocrisy in high places is rife, police corruption commonplace, and a brutal killer is terrorising young male prostitutes.
Unfortunately for Police Commissioner Theodore Roosevelt, the psychological profiling of murderers is a practice still in its infancy, struggling to make headway against the prejudices of those who prefer the mentally ill - and the 'alienists' who treat them - to be out of sight as well as out of mind.
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” I also spent over thirty years in the corporate world and was exposed to many situations reminiscent of those described in my fiction and in these recommended books. While I support enterprise, “enlightened capitalism” is preferable to the bare-knuckle type we have today, and which seems to resurface whenever regulation weakens. I also find writing novels closer to my lived experience connects me intimately with readers who are looking for socio-political, realist literature.
Avery Mann, a retired pharmaceuticals executive, is in crisis.
His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election. Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian beekeeper living on Vancouver Island hold the key to Avery’s recovery, a man holding secrets that put lives in jeopardy? Avery races across the country to find out, with crooked bosses, politicians, and assassins on his tail. Joseph spins a cautionary tale of corporate and political greed that is endemic to our times.
Avery Mann, a retired pharmaceuticals executive, is in crisis. His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election.
Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian bee keeper living on Vancouver Island hold…
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