I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.
My book is...
Witches: The Absolutely True Tale of Disaster in Salem
One freezing day in 1692, a preacher’s two young daughters began to choke and twist their bodies into strange abnormal shapes and speak in words that made no sense. But why? An elderly physician examined the girls and proclaimed that they were witches!! For centuries these horrid creatures had invaded the nightmares of suspicious souls around the world, and now the Devil himself had brought them all to Salem. A torrent of evil soon invaded the town. The King of Hell was captured, and many witches were jailed or hanged or worse. How did this happen? Read all about it if you dare.
In his classic, brutally brilliant graphic novel, frustrated New York cartoonist Art Spiegelman interviews his Jewish father, who had survived the atrocities of Hitler’s Holocaust only to lose his wife to suicide. Spiegelman’s commentary mixes angst with humor and deep despair; his artwork displays the Germans as cats, the Jews as mice, the Poles as pigs, the Americans as dogs, and the French as frogs. The state of Tennessee recently banned its use in public schools; what a tragic loss for all students of history.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
Don’t worry; this gripping 534-page tale of mystery can sweep you through its pages in a single day, especially since its gritty-but-stunning brown and white artwork acts like a movie as it speeds you and a young orphaned boy through an underground train station and across the streets of Paris and up a clock tower in 1931. Why was the boy’s dead father obsessed with repairing a broken clock? And who is the mysterious angry old man anyway?
Orphan, clock keeper, thief: Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. Combining elements of picture book, graphic novel, and film, Caldecott Honor artist Selznick breaks open the novel form to create an entirely new reading experience in this intricate, tender, and spellbinding mystery.
This wise and witty, tragic, and often politically oriented autobiography begins in Iran in 1980 after the Shah has been overthrown and a hardcore Islamic regime has taken its place. Using a black and white comic book format, Satrapi first introduces herself as a veiled, disgruntled 10-year-old schoolgirl upset by the new government’s strict Islamic rules. Have some fun as you follow her through her own coming-of-age stories via a great sense of humor. In the mix, she will pull you in and tell you more about history than most other media can ever portray.
Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution.
The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.
Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary,…
High atop a cliff overlooking the sea sits the battered remains of a sailboat. But how did it get there? An old man insists that the waves had tossed it all the way up during a storm a very long time ago, although this clearly seems to be impossible. Or is it? In this magical tale of adventure, a young boy had aimed to prove that he was the most brilliant sailor his villagers had ever seen, so he set out to prove it. What happened when he was blown to a brand-new land, and did he survive? I have always enjoyed Chris’s artwork and you may have overlooked this particular book, so pick it up and check it out.
At the edge of a cliff lies the wreck of a small sailboat. How did it get there? "Waves carried it up in a storm," says an old sailor. But is it possible that waves could ever go that high?
There is another story - the story of a boy and his desire to be the greatest sailor, the story of a storm that carried the boy and his boat to a place where boats glide like gulls high above the water.
Destitute Jasper Ankle will pay any price to attend his beloved opera. But when its most famous diva chokes to death on an admirer’s candied violet, a hitherto unknown beauty named Ortenzia Caviglia takes her place, and as her star rises, everyone who might stand in her way conveniently drops dead. But as her fame and fortune increase, Jasper Ankle becomes more and more impoverished, and if you are familiar with Edward Gorey’s dreadfully terrifying tales and his delicate, elegantly devilish black and white penmanship, perhaps you can imagine what is happening herein. (By the way, Gorey is also dead but you can still get hold of his evil little books.)
Ortenzia Caviglia is an undiscovered opera understudy whose lucky break results from the mysterious murder of the reigning diva. Upon hearing her sing, Jasper Ankle becomes her deepest admirer, undaunted by perilous weather and abject poverty in his quest to hear her sing. As Ortenzia's star rises, Jasper sinks further into despair, until performer and fan collide in true Edward Gorey fashion. Exquisitely illustrated with Gorey's signature pen-and-ink crosshatching, The Blue Aspic is a heart-wrenching and oddly hilarious tale of unrequited love and the dangers of celebrity.
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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