I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.
Despite the title, this is not so much a story of one woman, but a portrait of several individual Jews and Poles caught in the Nazi web during WWII.
Each chapter is a finely drawn sketch of a single individual tested by fate and circumstance. The author captures how each of these characters responds to his or her plight in ways that are rarely predictable. I was particularly impressed by how the author displays a broad knowledge of national and political movements which he incorporates into the stories.
This provides a nuanced backdrop to the personal struggles experienced by each of his meticulously crafted characters.
In Nazi-occupied Warsaw of 1943, Irma Seidenman, a young Jewish widow passes as the wife of a Polish officer, until an informer spots her and drags her off to the Gestapo to await her fate
I was born and raised in rural Western Australia, married young, traveled with my geologist husband in the Outback until our children were born, and was settling down to becoming a housewife and mother in a Perth suburb when an Indian guru crossed my path. In no time at all, I packed up my family and we moved to India. Four years later I followed my guru when he went to America, and four years after that, I found myself behind bars. Understanding what led me there, and facing the consequences, was to occupy me for many years to come. I continue to have a deep and abiding interest in what makes us tick and why we do the things we do.
This is a profound and disturbing work written after reading his wife’s account of how she, her mother and sister, all of Jewish origin, survived the Nazi/war years in Warsaw (Winter in the Morning by Janina Bauman (1986)). Bauman exposes the popular fallacy that the Holocaust was a singular event, an unfortunate tear in the fabric of civilization, demonstrating with devastating clarity that it was, in fact, a (logical) product of modernism: “Without modern civilization and its most central essential achievements, there would be no Holocaust”.
A new afterword to this edition, "The Duty to Remember-But What?" tackles difficult issues of guilt and innocence on the individual and societal levels. Zygmunt Bauman explores the silences found in debates about the Holocaust, and asks what the historical facts of the Holocaust tell us about the hidden capacities of present-day life. He finds great danger in such phenomena as the seductiveness of martyrdom; going to extremes in the name of safety; the insidious effects of tragic memory; and efficient, "scientific" implementation of the death penalty. Bauman writes, "Once the problem of the guilt of the Holocaust perpetrators has…
There
is a widely held belief that modern educated populations of industrial
countries are the most morally assertive societies. Consequently, unlike less
democratic peoples, it is the conventional wisdom that these societies would be
the least likely to acquiesce to being occupied by a foreign military.
Narratives of resistance and revolution pervade the popular media. Peter
Liberman, in his book Does Conquest Pay?, refutes these incorrect sociological
understandings of contemporary democracies, and in fact shows how easy it is in
fact to occupy urban populations.
Despite the obvious humiliation and agony of
contemplating being occupied by a foreign power, Liberman’s case studies of
German conquest of France and Soviet occupation of select Warsaw Pact states,
shows that contemporary societies are the easiest to occupy because of their
actual social fragmentation.
Can foreign invaders successfully exploit industrial economies? Since control over economic resources is a key source of power, the answer affects the likelihood of aggression and how strenuously states should counter it. The resurgence of nationalism has led many policymakers and scholars to doubt that conquest still pays. But, until now, the "cumulativity" of industrial resources has never been subjected to systematic analysis. Does Conquest Pay? demonstrates that expansion can, in fact, provide rewards to aggressor nations. Peter Liberman argues that invaders can exploit industrial societies for short periods of time and can maintain control and economic performance over the…
I have been fascinated by Russian history and American-Soviet relations since high school. Now at American University’s School of International Service, I teach courses on the history of U.S. foreign relations, the Cold War, as well as human rights and U.S. foreign policy. I have written two books on the role of human rights in U.S. foreign policy, including Human Rights Activism and the End of the Cold War: A Transnational History of the Helsinki Network and From Selma to Moscow: How U.S. Human Rights Activists Transformed U.S. Foreign Policy. When I’m not working, I love a good Cold War TV series (Deutschland 83 or The Americans).
Domber details how Americans aided and supported the Polish trade union movement Solidarity in the 1980s and the ways U.S. assistance was effective in aiding Poland’s democratic transition. Importantly, in Domber’s account, it was the Polish opposition, leading by moral example, who became heroes to Americans inside and outside the government, and American officials in Washington and Warsaw who looked to Solidarity for guidance on U.S. policy rather than the reverse.
As the most populous country in Eastern Europe as well as the birthplace of the largest anticommunist dissident movement, Poland is crucial in understanding the end of the Cold War. During the 1980s, both the United States and the Soviet Union vied for influence over Poland's politically tumultuous steps toward democratic revolution. In this groundbreaking history, Gregory F. Domber examines American policy toward Poland and its promotion of moderate voices within the opposition, while simultaneously addressing the Soviet and European influences on Poland's revolution in 1989. With a cast including Reagan, Gorbachev, and Pope John Paul II, Domber charts American…
Although as an adult I very much prefer true-life adventures to fictional ones – it’s why I wrote Heroes and Rescue, as well as Survivors – many of the most enjoyable books I read as a child were fictional accounts of daring and danger, mostly if not entirely centred on children with whom I could identify. I found them inspiring and still do, and can’t help feeling that if after nearly 50 years I can still remember so many of the details – and, trust me, I really can - the authors of these five must really have known what they were up to. I really hope no one will be put off them because of their age because I feel they have genuinely stood the test of time.
Another real thriller that I still find exciting and completely compelling. After losing their parents in the chaos of war, three children are left alone to fend for themselves. While hiding from the Nazis amid the rubble of a ruined city, they meet a ragged orphan who shows them his ‘treasure,’ an old paperknife. Clearly the silver sword of the title, this was entrusted to him by an escaped prisoner of war but the children recognise it and realise the escapee must be their father. Taking the ‘sword’ as a message that he is alive, they set out to search for him. As a historian, I always try to smuggle education into my own books by disguising it as entertainment, and this book does that brilliantly.
A BBC radio full-cast dramatisation of Ian Serraillier's classic wartime story.
When the Germans march into Poland in 1941, the Balickis' happy family life is shattered. With their parents taken away by Nazis, Ruth, Edek and Bronia are forced to fend for themselves in the dangerous, war-ravaged city of Warsaw.
When Edek is captured too, the girls are desperate. Then they meet orphaned street urchin Jan, who carries with him a talisman of hope: a silver sword paperknife that they recognise as having belonged to their mother.
Realising that their parents may still be alive, Ruth and Bronia set off…
As a sports reporter since 1990, my never-ending passion for reading and studying the best sports journalism is captured in these five books. The art of column writing, while capturing the thrill of victory, the agony of defeat, and the intricacies of every game under the sun, is celebrated in these books by David Halberstam, Paul Zimmerman, Red Smith, Dave Anderson, and Dave Kindred. My voracious reading of sports columns plus magazine profiles, online essays, and thousands of books, has given me a great appreciation for authors who capture the essence of competition and reveal the biggest and smallest examples of themes unique to teams and eras, iconoclasts and forgotten figures.
David Halberstam, who died in an auto accident in 2007 while doing research for a book about the 1958 NFL championship game, wrote with clarity and perpetual curiosity about all sports. This posthumous anthology highlights his diverse mix of stories. For example, horse racing in Warsaw in the 1960s, American slugger Reggie Smith’s experience as a pro baseball player in Japan in the 1980s, a character study of NBA coaching great Pat Riley in the 1990s, fishing with pals in Argentina as a septuagenarian in the 21st century. And Halberstam’s probing search for the soul of sports is underlined in the “Anatomy of a Champion,” detailed reportage on American fencers and their quest for Olympic glory. This book's mesmerizing range of sporting topics and the author's incredible eye for details captured my attention from start to finish.
"Sometimes sports mirrors society, sometimes it allows us to understand the larger society a little better. But mostly, it is a world of entertainment of talented and driven young men and women who do certain things with both skill and passion."--David Halberstam David Halberstam was a distinguished journalist and historian of American politics. He was also a sports writer. Everything They Had brings together for the first time his articles from newspapers and magazines, a wide-ranging collection edited by Glenn Stout, selected over the full scope of Halberstam's five decades as one of America's most honored journalists. These are dazzling…
I never planned to be a spy thriller writer. One day an editor suggested I write genre fiction. “Pick a genre you read just for fun,” he said. For me, that was spy novels. I had some background (military intelligence, journalist in Europe, Africa, etc.) and John Le Carré had shown that spy novels could be serious fiction. An encounter in the Amazon jungle sparked my first spy thriller, Hour of the Assassins. Then came Scorpion, Homeland, and the rest. What’s the attraction? Intelligence agents lie better than most because their lives depend on it. But if you dig hard enough, you get small truths. Big ones too.
Reading a novel by Alan Furst is like seeing Casablanca for the first time, if it were written by Hemingway. There’s that same evocative atmosphere of people smoking cigarettes, having affairs, making sophisticated remarks, while looming over them is the war. Furst mines a narrow niche. All of his books are set in Europe either during World War Two or in the Thirties, with the war threatening. The protagonist here is Colonel Mercier, military attaché at the French embassy in Warsaw. Mercier must navigate the salons and alleyways of Warsaw against all manner of spies and German agents. The book is also an exploration of love in a desperate time through Mercier’s affair with the beautiful Anna, a Polish lawyer. It’s very good. Furst is always good.
An Autumn evening in 1937. A German engineer arrives at the Warsaw railway station. Tonight, he will be with his Polish mistress; tomorrow, at a workers' bar in the city's factory district, he will meet with the military attache from the French embassy. Information will be exchanged for money. So begins The Spies of Warsaw, with war coming to Europe, and French and German operatives locked in a life-and-death struggle on the espionage battlefield. At the French embassy, the new military attache, Colonel Jean-Francois Mercier, a decorated hero of the 1914 war, is drawn in to a world of abduction,…
I am a child of Holocaust survivors. It wasn’t until I was an adult that I truly appreciated the horrendous circumstances that they lived through. But even more than their plight and will to survive, I was impressed with the heroism of the people willing to sacrifice their lives in order to help others. It is their story, above all else that I want to tell in my books.
This story effectively unites the present with the past. Two girls anticipate their Bat Mitzvah in very different circumstances. Laura learns to appreciate the freedoms she has to make her own choices through the past life of a girl the same age as her but facing severe limitations. It is a thought-provoking book for young teens.
My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction.
Yes! We all saw the movie, but did you know that it began as a memoir written by Szpilman to document his life during WWII? If you didn’t, pick up this book. You will be there, by Szpilman’s side as he fights for survival, and his first-person narrative allows us to see the ghetto and Poland through his eyes.
The powerful and bestselling memoir of a young Jewish pianist who survived the war in Warsaw against all odds. Made into a Bafta and Oscar-winning film.
'You can learn more about human nature from this brief account of the survival of one man throughout the war years in the devastated city of Warsaw than from several volumes of the average encyclopaedia' Independent on Sunday
'We are drawn in to share his surprise and then disbelief at the horrifying progress of events, all conveyed with an understated intimacy and dailiness that render them painfully close - riveting' Observer
I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
There are dozens of journeys contained within this unclassifiable work of fiction. With each episode or story or exploration, the reader begins to perceive how travel transforms and erases us, even as it shows us the true strangeness of the world. If that sounds vague, then I’d say that you don’t read Flightsfor its many stories, as you do for Tokarczuk’s quiet, steely, attuned prose and exhilarating ideas.
NATIONAL BOOK AWARD FINALIST FOR TRANSLATED LITERATURE
A visionary work of fiction by "A writer on the level of W. G. Sebald" (Annie Proulx)
"A magnificent writer." — Svetlana Alexievich, Nobel Prize-winning author of Secondhand Time
"A beautifully fragmented look at man's longing for permanence.... Ambitious and complex." — Washington Post
From the incomparably original Polish writer Olga Tokarczuk, Flights interweaves reflections on travel with an in-depth exploration of the human body, broaching life, death, motion, and migration. Chopin's heart is carried back to Warsaw in…
