The most recommended books about the Odyssey

I have picked this book because it tells a story that should interest anyone even if they have no interest in technical economics. Albert Hirschman was born into a Jewish family in Berlin and in his teens became politically committed as a socialist, at a time when the rise of the Nazi party made this a dangerous activity. The book tells the story of his exploits in Germany and occupied Europe before he ended up in the United States, where he made his career as a specialist on economic development, spending a significant part of his life advising the government of Colombia.

Hopefully, the book gives an account of Hirschman’s economic ideas in a way that will make sense even to readers who don’t know any economics, but even without that, it is a sufficiently gripping story of the life of an exile from inter-war Germany who ended up as… show more.

Richly woven history of immigration, family, and the California Dream as refracted through Chinese newcomers and their Chinese American descendants. The author has two very powerful tools at her disposal – penetrating historical sensibility and a great novelist’s ear for language. Across time and space, family stories, and passed-down memories endure. They all come together in this wonderful book in which California alternates between background and foreground through both hope and disappointment.

The author, a professor of classics at Bard College, invites his father to attend his class on The Odyssey. What unfolds is a marvelous father-son story as his opinionated father vigorously participates and the author limns his complicated relationship to this endearing and perplexing man. All this is set against insightful discussions of The Odyssey and the father-son relationship of Odysseus and Telemachus. A surprising and very pleasurable read.

Journeys are most often linear – Here to There – or circular – "There and Back Again." The Odyssey is actually a return leg in the most traumatic and perennial circular journey: going to war, and then, getting back. "Wily" (in modern terms, read, "sneaky," "trickster")  Odysseus left Troy a famous warrior, but takes seven years to get home. The fabulous episodes of that journey, the Cyclops, the Sirens, Scylla and Charybdis, Circe, and Calypso, the wreck in Phaeacia that leaves him bereft even of clothes, have grounded the Western imagination. But the concluding little things – the recognition scenes, the dog that dies, and the nurse who doesn't – push that epic past into a close, human Now.

This is the most intense nature-writing and storytelling, as if written by bear or tiger, by the rainforest tree or tropical sea itself. Jay Griffiths becomes Joseph Campbell’s hero with a thousand faces, as we travel out in life, across the threshold and leaving behind ordinary world. Myth is story, and it is also how we live, battling against personal and historical limitations. Jay finds the secret openings and weaves an Odyssey to the wildness of earth and sea, water and fire. On the heroic journey, we are repeatedly tested, and come back with an elixir. Story itself becomes currency and guide. The monk and mystic, Meister Eckhart of Thuringia, wrote in the early 1300s, “There are many ways, Some are crowded, others less travelled, But every way, is the right one.”

Not a novel, but it reads like one, as Nicolson tells the story of how the greatest sea voyage tale of all time – The Odyssey, and its sister epic The Iliad – came to be, with a cast of characters including the Greek heroes, gods and goddesses crossing the land and seascapes of Ancient Greece. 

Nicolson argues that these poems emerged not in the 8th century BC, when they were first written down, but a thousand years earlier in the oral tradition. In them, he sees the origin myths of the people who became the Greeks – the fusion of the native people of the Eastern Mediterranean and invaders from the northern steppes. 

But it is Nicolson’s personal investment in his subject that is so beguiling. A sailor himself, he brings his deep knowledge of the sea, of sailing, navigation, the capriciousness of wind, the knife-edge between… show more.

This book combines the exciting travels in the deserts of Arabia with his spiritual journey to uncover the meaning of the faith practiced there. I find immense meaning and wisdom in his words as he explores a faith practiced by more than a quarter of the world’s population!

In one story, an old man explains what it means to pray, and it sunk into me that it is focused on the willing surrender to God, obeying His commands, and bringing peace within us and our destiny.

I admire Asad’s interpretation of 'unhappiness' when he sees unhappy faces while traveling in a subway. On reaching home, he finds an open page from Qur’an that translates to mean, “You are distracted by mutual competition in amassing (worldly benefits), until you reach the graves.” That really struck me. 

Hinds' mesmerizing paintings set the scene for a beautiful graphic rendition of The Odyssey. Anyone who has moved or travelled a lot, or seems to not be able to find a way home, can appreciate the story of Odysseus. I read this book many times with my two (once) young children, hopefully preparing them for a life of travel and living in Greece with their wanderer, researcher mom. For us Greek mythology is not for learning a "western" canon, which was never defined by ethnic Greeks anyway. We read the Odyssey to appreciate our roots in Greek island cultures and the hospitality they offer, which this lovely version makes palpable.

Tightwads on the Loose is another honest and well-written account of a couple’s ups and downs, in this case while cruising in the Pacific for seven years; only one year less than my husband and I traveled on our sailboat.

This enticing story also has a lot of parallels with my life: the couple’s age, their sense of adventure, their frugal means, their full-time commitment to their boat for many years, their need to make money, and some of the geographical and cultural experiences. Recognizing experiences and personality traits while reading this book made me enjoy it better.

Luckily, Wendy and her partner did not have to endure numerous dramatic life-altering events. Tightwads on the Loose is an easy-to-read sailing memoir that I highly recommend. 

It seems repetitive now to sing Wilson’s praises, but I have read many translations of Homer’s Odyssey, from Pope to Fagles, but it was not until I came to Emily Wilson’s rendition that I felt truly drawn, bodily, to Homer and I especially enjoyed her readings, one, in her Introduction to the poem in the book, and two, her performance of it on YouTube.

Also, Judith Thurman’s review/interview of her in the New Yorker is particularly revealing. Her article, “Mother Tongue,” about Wilson’s personal relationship with the poem and her “folk poetics,” spoke to me like a kindred spirit. Poetry, for me, has always been a physiological experience, which is why Wilson’s approach feels so familiar: “I write for the body,” she told Thurman in that interview.