70 authors created a book list
connected to the indigenous peoples of the Americas,
and here are their favorite indigenous peoples of the Americas books.
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What type of indigenous peoples of the Americas book?
I am drawn to what happens when writers skilled in one form of expression explore their ideas in another. Poets write with a sense of distillation. Prose allows for something different, the essay form bringing to the surface something more expansive, less concentrated. Clarity is constant, but it takes on a different rhythm, a spaciousness, a sense of one thing leading to another and another.
Because of the way she writes about the past and the way she writes about the present. Because she is at once straightforward and lyrical. Because she writes about places and people with the same acuity and insight. Because she writes with certainty about ambiguity.
Presented in two sections, "Memory: Persons and Places" and "Stories," this book offers the collected prose writings of Elizabeth Bishop (1911-79), one of America's most celebrated and admired poets. The selections are arranged not by date of compostion, but in biographical order, such that reading this volume greatly enriches one's understanding of Bishop's life--and thus her poetry as well. "Bishop's admirers will want to consult her Collected Prose for the light it sheds on her poetry," as David Lehman wrote in Newsweek. "They will discover, however, that it is more than just a handsome companion volume to [her] Complete Poems.…
I was an avid reader from the age of six. Books inspired me and, as a shy girl, stories helped me find the confidence to be myself. I felt amazed and inspired by reading – finding out about parts of the world I had never been to. Especially as an adult, I’ve been blessed with wonderful, female friends. These are the themes I explore now in my books. I hope to inspire young readers to be themselves and celebrate friendship. I love travelling and nature. I've lived in various parts of the US and England. Through my writing, I hope to share the wonder of different cultures and natural settings.
I love the ocean, and love stories about strong, ground-breaking young women. This tale is beautifully set in a coastal town in New Zealand. Kahu, a young girl from a lineage of Maori leaders, can communicate with whales. Her grandfather does not expect this and rejects her because of her gender. Kahu proves without a doubt that she is a competent and natural leader. I love how Kahu prevails. She is strong in herself, and she never shies away from the truth – that she is the natural leader and a whale rider like her ancestor.
Eight-year-old Kahu craves her great-grandfather's love and attention. But he is focused on his duties as chief of a Maori tribe in Whangara, on the East Coast of New Zealand - a tribe that claims descent from the legendary 'whale rider'. In every generation since the whale rider, a male has inherited the title of chief. But now there is no male heir - there's only Kahu. She should be the next in line for the title, but her great-grandfather is blinded by tradition and sees no use for a girl. Kahu will not be ignored. And in her struggle…
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
Poetry like this is crucial to telling the other side of the story. It’s a counternarrative, and that’s why Oodgeroo’s work has shaped my thinking and experiences in life-affirming ways.
Oodgeroo sees her work as an extension of the songkeeping and oral storytelling so intrinsic to Indigenous social life and survival. Her poems are not simply about a bygone past, as every line is relevant today (but hush, you mustn’t say so, Oodgeroo teases). That’s why I treasure her wit and writing – they give me life, a lifeline to a reality often denied us in Western thought.
It is written with so much beauty, elegance, and hope. Full of love for her people and full of grace, passion, and rage. Because there is so much to rage about (but that is another story)…
Oodgeroo’s writing has a unique place in Australian literature. When her poetry was first published in the 1960s, Kath Walker, as she was known then, provided a brave new voice for marginalised Aboriginal Australians. For the first time, an Aboriginal Australian was analysing and judging white Australians as well as her own people. She often made provocative and passionate pleas for justice:
We want hope, not racialism, Brotherhood, not ostracism, Black advance, not white ascendance: Make us equals, not dependants.
This collection of poetry and prose is a reminder of Oodgeroo’s contribution to Indigenous culture and the journey…
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.
Bury My Heart at Wounded Knee is a broad, well-researched tale of the indigenous people of the American West, chronicling the destruction of their way of life and their relocation to reservations amid the gradual encroachment of western civilization across the continental United States in the 19th Century. Describing the tribes and their leaders, Dee Brown captures the hardships and persecution of Native Americans, evoking an appreciation for their legacy and compassion for their plight. This book ignited my passion for painting the visual diversity and unique differences of various native nations.
The American West, 1860-1890: years of broken promises, disillusionment, war and massacre.
Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward. Woven into a an engrossing saga of cruelty, treachery and violence are the fascinating stories of such legendary figures as Sitting Bull, Cochise, Crazy Horse and Geronimo.
First published in 1970, Dee Brown's brutal and compelling narrative changed the way people thought about the original inhabitants of America, and focused attention…
I’ve been a reader and writer of historical fiction for as long as I remember. As a writer, my goal is to bring these figures from the past alive again. These were real people and I want my readers to see that they are not just photos or stories in a history book.
I loved this book. I adore Mozart and reading about him through the eyes of his wife, was so well done in this book. We see Mozart brought to life from his early days as a young child to his struggles with his father as an adult. Waldron captured Mozart’s brilliance, his silliness, and his all-around personality with his family. She also shows the reader that behind this man, was a woman who supported her husband despite his frivolous spending and disregard for authority. This novel was well done, and I highly recommend it to anyone who has an interest in Mozart behind his music.
Giddy sugarplum or calculating bitch? Pretty Konstanze aroused strong feelings among her contemporaries. Her in-law's loathed her. Mozart's friends, more than forty years after his death, remained eager to gossip about her "failures" as wife to the world's first superstar.
Maturing from child, to wife, to hard-headed widow, Konstanze would pay Mozart's debts, provide for their children, and relentlessly market and mythologize her brilliant husband.
Mozart's letters attest to his affection for Konstanze as well as to their powerful sexual bond. Nevertheless, prominent among the many mysteries surrounding the composer's untimely death: why did his much beloved Konstanze never mark…
Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.
Creation’s Journey ties actual native stories and beliefs with genuine artifacts from the vast collections of the National Museum of the American Indian. It provides a refreshing approach to our understanding of indigenous people’s utilitarian objects and how important they are in their daily lives. The photos in this book show the care for detail and craftsmanship that was pervasive in everyday Native American objects and clothing. It inspired me to commission native Americans to hand make the various costumes shown in my book.
Drawing on the vast collections of the National Museum of the American Indian, Creation’s Journey retells the story of native life from the Arctic to the Tierra del Fuego, and from childhood to old age.
I
love books with creepy houses, complicated friendships, grown-ups returning to
their hometowns, dual timelines, and mysterious books that characters must
decode.
The Wonder State has all these things. And not just one creepy
house, but many! From the outside it might seem like your standard
wayward-teens-get-into-trouble story, but it is so much more. It’s magical.
It’s heartfelt. It’s clever. It’s atmospheric.
The houses in this book are more
than homes. They are works of art, they are portals to the past, they are hideouts,
they are solace, and they are terrible dangers, all at once.
From the author of Girl One comes a spellbinding adventure about a strange power lurking in the Arkansas Ozarks, and the group of friends obsessed with finding it.
Five friends arrive back in Eternal Springs, the small town they all fled after high-school graduation. Each of them is drawn home by a cryptic, scrawled two-word letter: You promised.
It has been fifteen years since that life-changing summer, and they're anxious to find out why Brandi called them back, especially when they vowed never to return.
But Brandi is missing. She'd been acting erratically for months, in and out of rehab,…
The heart of Golden Rule is its presentation of the investment theory of party competition. This developed out of a crucial formative experience of mine as a graduate student at Princeton University in the mid-seventies. An adviser remarked to me that Ivy Lee’s papers were over at Seeley Mudd Library. I knew Lee’s history, as a co-founder (with Edward L. Bernays, the nephew of Sigmund Freud) of public relations in America. I had never consulted an archive – but with an eye to finding some inspiration for my Ph.D. thesis, I decided to go take a look. What I found there changed my whole approach to understanding politics.
This is a sequel to the author’s famous The Robber Barons. His detailed primary research into campaigns and negotiations between politicians and their backers illuminates many subjects that later historians have too quickly passed over. Because he knew so much about the economy, Josephson also zeros in again and again on the driving forces that later work often dissolves into bromides about “concentrated wealth” and such. Josephson shows you the people and the institutions actually at work.
There’s something about a horror story set in the winter, especially with characters stuck in a snowstorm, that makes it more chilling to me. My first novel, Ancient Enemy, was inspired by my love of horror set in the dead of winter. If you haven’t read these books on my list, I hope you’ll check them out. It was difficult narrowing the list down to just five – I can think of so many other great winter-themed horror novels.
While not technically a horror novel, this book paints a scary possibility – an unflinching look at what a nationwide blackout in the middle of winter would be like, focusing on a group of people in an apartment building in Manhattan. They are trapped, trying to find food, trying to stay warm, trying to survive. Loved this book. I always recommend this one.
The incredibly realistic story of one family's struggle to survive the apocalyptic destruction of New York. GoodReads Award winning million-copy international bestseller now in development with NETFLIX.
★ ★ ★ ★ ★ "Shows how dangerous our transition to an interconnected infrastructure has become." —Karic Allega, Joint Military Cyber Command, US NAVY
New York goes dark in the dead of winter... A terrifying mystery begins... But who is the enemy?
Mike Mitchell is an average New Yorker struggling just to keep his family together and take care of his two-year-old son when a string of disasters shreds the bustling city around…
I’ve been a historian of the period for more than two decades, and I am still fascinated by Andrew Jackson. He captures the attention of my undergraduate students and his name offers one of the best ways to start a shouting match at an academic conference. As I sifted through the various accounts of Jackson for this book, I was amazed at the range. Writers dealing with the same individual concluded that he was either a product of his age, a hero, the founder of American democracy, a populist, a racist, or a monstrous psychopath. All of these interpretations might have some merit, which made the project, in my opinion, all the more interesting.
If you ever thought to yourself, “Wow, Andrew Jackson would be a great candidate for psychotherapy, but no historian would ever actually try to view his life through Freudian analysis,” well, think again. Psychohistory enjoyed a brief moment in the sun during the 1970s and Rogin’s posthumous placement of Jackson on the couch was one of its shining examples. This book examines Jackson’s childhood trauma and fatherless upbringing as a major factor in his attitude and treatment of Native Americans throughout his life. Readers might find the analysis that dominates the second half of the book to be a bit dated in psychological terms, but Rogin offers a provocative way to explain Jackson’s confusing blend of patronizing and pathology towards Native Americans in the Early American Republic.
Rogin shows us a Jackson who saw the Indians as a menace to the new nation and its citizens. This volatile synthesis of liberal egalitarianism and an assault on the American Indians is the source of continuing interest in the sobering and important book.
