I’m an Australian writer and journalist. I’ve written several humour books, as well as a history of Australia in the 1960 and 1970s called The Land Before Avocado. I also write for the Sydney Morning Herald and The Washington Post and present a radio show on ABC Radio Sydney. Of the books I’ve written, the one that’s closest to my heart is my memoir Flesh Wounds.
A young boy, already knowing he’s gay, is growing up in a Scottish slum. The rest of the household consists of people who are drunk, violent, and unemployed. Then, watching the TV, tiny Damian sees Margaret Thatcher, the then British Prime Minister, emerging from the smoke and destruction caused by the IRA’s bombing of the 1984 Conservative Party Conference. Maggie doesn’t have a hair out of place. This little ill-treated boy, sitting on his filthy couch, thinks: “If only she could come here, she’d sort this lot out....” Maggie & Me is so fresh, unlikely, and hilarious, I can’t think of anyone who wouldn’t be moved by the story.
A unique, tender and witty memoir of surviving the tough streets of small town Scotland during the Margaret Thatcher years
________________________
'Shocking and funny in equal measure, and will have you weeping with laughter and sorrow' Independent on Sunday
'A work of stealthy genius' Maggie O'Farrell
'Certain memoirs catch a moment and seem to define it, bottle it ... hugely entertaining' Sunday Times
It's 12 October 1984. An IRA bomb blows apart the Grand Hotel in Brighton. Miraculously, Margaret Thatcher survives. In small-town Scotland, eight-year-old Damian Barr watches in horror as his mum rips her wedding ring off and packs…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
One of the most kinetic books I read a few years back and told in a kind of beautiful, white-hot stream of consciousness, Sketchtasy is the tale of young, genderqueer Alexa and her friends navigating pleasure and survival in mid-90s, AIDS-battered Boston.
This is no “model LGBTQ person” book; Alexa and her friends, scarred by trauma and addled by every recreational drug on the planet, are creatures of the night, showing off outrageous looks in the clubs and turning tricks to pay the rent and put food in their mouths.
It’s a breakneck-paced look at both exuberant and terrified young queer people right before HIV went from being a near death sentence to a chronic manageable disease.
Sketchtasy takes place in that late-night moment when everything comes together, and everything falls apart—it’s an urgent, glittering, devastating novel about the perils of queer world-making in the mid-‘90s.
This is Boston in 1995, a city defined by a rabid fear of difference. Alexa, an incisive twenty-one-year-old queen, faces everyday brutality with determined nonchalance. Rejecting middle-class pretensions, she negotiates past and present traumas with a scathing critique of the world. Drawn to the ecstasy of drugged-out escapades, Alexa searches for nourishment in a gay culture bonded by clubs and conformity, willful apathy, and the specter of AIDS. Is there any…
I’m a historical mystery writer, English teacher, and book reviewer for Lambda Literary. I love to write and explore buried and forgotten histories, particularly those of the LGBTQ+ community. Equally, I’m fascinated by the ways in which self-understanding eludes us and is a life-long pursuit. For that reason, as a reader, I’m attracted to slow burn psychological suspense in which underlying, even subconscious, motivations play a role. I also love it when I fall for a character who, in life, I’d find corrupt or repulsive.
One of the qualities of mystery fiction that continues to draw me to the genre is the complex interplay between past and present. Nava’s 8th Rios novel utilizes separate narrative lines that resonate and then, like a parallel perspective drawing, converge in a powerful emotional twist. The first line is the story of Bill Ryan, a young gay man who, after being cast out of his home in Illinois, flees to 1970s San Francisco to discover himself and the gay community. The second line is Rios’s recovery from alcoholism and his investigation of Ryan’s suspicious death during the beginning of the AIDS epidemic. Ryan and Rios serve as foils: Ryan is a man losing the war with his self-loathing. Rios, in contrast, is winning his war.
November, 1984. Criminal defense lawyer Henry Rios, fresh out of rehab and picking up the pieces of his life, reluctantly accepts work as an insurance claims investigator and is immediately is assigned to investigate the apparently accidental death of Bill Ryan. Ryan, part of the great gay migration into San Francisco in the 1970s, has died in his flat of carbon monoxide poisoning from a faulty gas line, his young lover barely surviving. Rios’s investigation into Ryan’s death–which Rios becomes convinced was no accident–tracks Ryan’s life from his arrival in San Francisco as a terrified 18-year-old to his transformation into…
As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.
Fadeout is the first book in Hansen’s Dave Brandstetter mysteries. The protagonist, an openly gay insurance investigator in 1970s California, is convinced that a man who has been reported dead is actually still alive, and he must hurry to find him. Another classic in the gay mystery canon, Fadeout is vividly noir, grittily honest, and rejects cliches and stereotypes in a way that is still shocking over fifty years later.
'After forty years, Hammett has a worthy successor' The Times
Radio personality Fox Olsen seemed to have it all: devoted wife, adoring fans, perfect life. When his car is found crashed in a dry river bed, all of California mourns. But there is no body...
Insurance investigator Dave Brandstetter is hired to dig a little deeper. And the more he looks into Fox Olsen's life, the more it seems as if he had good reason to disappear.
Fadeout is the first novel starring Dave Brandstetter - one of the best fictional PIs in the business, and one of the first…
I'm an art, performance, and music junkie. I love spectacle. My writing career began with articles in the political underground press of the 1970s and I've always seen art and entertainment as ‘political’ in their messages and in the emotions they incite. Tennis for me is part of a cultural spectrum embracing fashion, city and recreational life, film and artistic counter cultures, all creating a world of excitement and passion, so my writing on tennis is part of a wider project: to try to answer the questions of why these performances are so much more than ‘just’ entertainment, why they give passion and meaning to life, and why they are inspirational.
Fisher tells a bigger story of world events and heroism through the lens of one historic tennis match: the Davis Cup final between the US and Germany played at Wimbledon in 1936 with the Swastika fluttering over the sacred green lawns. I love this inspirational and dramatic book and its hero, the German tennis star, Baron Gottfried von Cramm, the most beautiful man in Europe, an aristocrat whose tennis was exquisite. But he was more than simply a player. He lost the match. Had he won, the Nazis could not have touched him, the sporting hero, but he openly criticized the regime. He was also gay and this was the excuse for his imprisonment. Yet he survived and played a role in the failed attempt on Hitler’s life in 1944. His courage is inspiring.
Before Federer versus Nadal, before Borg versus McEnroe, the greatest tennis match ever played pitted the dominant Don Budge against the seductively handsome Baron Gottfried von Cramm. This deciding 1937 Davis Cup match, played on the hallowed grounds of Wimbledon, was a battle of titans: the world's number one tennis player against the number two; America against Germany; democracy against fascism. For five superhuman sets, the duo’s brilliant shotmaking kept the Centre Court crowd–and the world–spellbound.
But the match’s significance extended well beyond the immaculate grass courts of Wimbledon. Against the backdrop of the Great Depression and the brink of…
I started reading romance because I wanted to drown myself in stories of women stepping into their power and getting everything they wanted. Romance is a genre often looked down upon because of the happy-ever-afters, but I think that’s part of why it can be so deliciously subversive. Most (but not all) romance novels are centered on women, their voices, their sexuality, their desires, and their victories. In a world that’s often cruel, escaping into a world where dreams and fantasies are possible can be liberating. I started writing romance because I wanted to be a part of these stories and craft a world for others to escape into.
This book was one of the first male/male romance novels I ever read.
I loved how the author took an interracial gay love story set in the early 1800s and made it believable and sweet without glossing over the harsh realities of the time. The romance follows the trope of “opposites attract” between a disgraced English gentleman and a Black former boxer who runs a pub.
The two characters complimented each other well, and altogether I was worried they could never truly have happily-ever-after in Regency England, the author found a wonderful way to make sure they did.
The book delves into concepts like found-family, healing from sexual trauma, classism, racism, consent, and boundaries—a wonderful, uplifting escape into history.
If you haven’t read Cat Sebastian, what are you waiting for?”—Lorraine Heath, New York Times bestselling author
Once beloved by London's fashionable elite, Hartley Sedgwick has become a recluse after a spate of salacious gossip exposed his most-private secrets. Rarely venturing from the house whose inheritance is a daily reminder of his downfall, he’s captivated by the exceedingly handsome man who seeks to rob him.
Since retiring from the boxing ring, Sam Fox has made his pub, The Bell, into a haven for those in his Free Black community. But when his best friend Kate implores him to find and…
Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
This book has a provenance that’s almost like a prison
sentence: released in 1953 under the title Cast the First Stone, it
would have been Himes’ first novel, but its frankness about homosexual
relationships in prison and the fact that a Black writer had written white
main characters, made publishers shit their pants and doctor the life out of it
to make it conform to 50s market expectations. Of course, in the process, they
ruined it.
But in 1998, Old School Books released Himes’ "director’s cut,” a much different, more beautiful, raw, and thoughtful book that’s as much about prison life as it is about the prison of masculinity. Paradoxically, prison
seems to be a place where people indulge homosexual desires, though the
atmosphere somehow remains homophobic.
Reading this book could foster more
compassion for queer desires, whether those of prisoners who identify as
LGBTQIA+, or those who claim…
A classic restored-the complete and unexpurgated text of a great African-American writer's brutal and lyrical novel of prison life. First published in reduced and bowdlerized form in 1952 as Cast the First Stone, Yesterday Will Make You Cry was Chester Himes's first, most powerful, and autobiographical novel. This Old School Books edition presents it for the first time precisely as Himes wrote it, a sardonic masterpiece of debasement and transfiguration in an American penitentiary and one of his most enduring literary achievements.
Sylvia Barry is our invention, a solitary witch who writes queer romance from her lighthouse keep. As a pair of co-authors, one of us grew up with the dry humor of Terry Pratchett and Douglas Adams, and the other grew up with fanfiction and romance tropes. We came together to write quirky, queer romances that are playful and ironic but also deal with deeper themes of self-discovery, trauma healing, and community. Rivals-to-lovers and grumpy/sunshine are our favorite tropes to write, especially in dual (or more!) POV, because the Yearning is always juicy, and we play off each other’s energy as we write our opposing characters.
If a book could smell like jasmine and taste like clover honey, it would be this.
We loved losing ourselves in the warm, sticky, bitter-sweet nostalgia of a small Georgia hometown, where you can practically hear the crickets and smell the night-blooming flowers. We had our hearts broken by a story of childhood friends turned lovers, turned dirty little secrets, turned estranged, turned something fragile but precious.
We were left breathless by Sander Santiago’s descriptions of grief, acceptance, and the fully caramelized romance between golden sunshine boy Fin (ballplayer turned med student) and taciturn bad boy Orion (delinquent turned musician).
There’s a whole bit about pain being broken down between guilt and hope that absolutely killed us. Good cry turned warm and fuzzies.
When Franklin-Fin-Ness makes up his mind it tends to stay made. Running, med school, and caring for his healing mother are things Fin never second-guesses. More stubborn than his mind, his heart picked Orion a long time ago. Seeing Orion again proves his heart is still invested, but his temper and fears about their past repeating have Fin wondering if following his heart is worth losing his mind.
Musician and drifter Orion Starr expects ghosts at his mother's funeral in his rural Georgia town. He never expects one to be his former crush, Fin. Especially since he ghosted the guy…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
Like so many of the books I love, this book isn’t afraid to show a queer couple in distress.
I love this book for its brutality, its interracial couple and the dynamics that entails, for its detour to Japan, for its scrumptious descriptions of food, and its emphasis on food as a means of connection.
It’s beautiful, honest, raw, and contemporary in all the best ways.
'This feels like a vision for the 21st-century novel... It made me happy' Ocean Vuong, author of On Earth We're Briefly Gorgeous
Benson and Mike are two young guys who have been together for a few years - good years - but now they're not sure why they're still a couple. There's the sex, sure, and the meals Mike cooks for Benson, and, well, they love each other. But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives for a visit, Mike picks…
Sensei Koshin Paley Ellison is an author, Soto Zen teacher, and Jungian psychotherapist. Koshin co-founded the New York Zen Center for Contemplative Care, which offers contemplative approaches to care through education, personal caregiving, and Zen practice. He is the author of Wholehearted: Slow Down, Help Out, Wake Up. And the co-editor of Awake at the Bedside: Contemplative Teachings on Palliative and End of Life Care. He is a recognized Zen teacher by the Soto Zen Buddhist Association, White Plum Asanga, and American Zen Teachers Association.
This book inspired my own integration of service and Zen. Issan Dorsey is a person who did not hold back. This portrait of a teacher whose creativity, love, honesty, joy, and compassion continues to awaken new possibilities for engaged Buddhism.
Drag queen. Prostitute. Drug addict. American bodhisattva.
These words describe the unlikely persona of Issan Dorsey, one of the most beloved teachers to emerge in American Zen. From his early days as a gorgeous female impersonator to the LSD experiences that set him on the spiritual path, Issan's life was never conventional. In 1989, after twenty years of Zen practice, he became the Founding Abbot of San Francisco's Hartford Street Zen Center, where he established Maitri Hospice for AIDS patients. Featuring Bernie Glassman's foreword to the second edition, as well as a new foreword by Koshin Paley Ellison, Street Zen…
