I am fascinated by the things people do and the reasons they give for doing them. That people also do things in culturally specific ways and that their culturally specific ways of doing things are related to their culturally specific ideas about what makes sense and what does not inspires in me a sense of awe. As a professor and historian, thinking anthropologically has always been an important tool, because it helps me look for the hidden, cultural logics that guided the behavior of people in history. It helps me ask different questions. And it sharpens my sense of humility for the fundamental unknowability of this world we call home.
A lot of Inga Clendinnen’s work dealt with what happens when two very different cultures and ways of making sense of things come into contact. In the subtitle of her book Aztecs: An Interpretation, she boldly asserted her method for approaching history. It is not merely a recitation of facts, it is an elucidation of those facts by an expert steeped in the knowledge of a particular past. Having written about the Maya and the Aztecs, Reading the Holocaust was a departure, topically, geographically, historically. What I found so extraordinary about the book was precisely Clendinnen’s decision to look anthropologically at staggering events historians had often written about in “functional” terms (who did what, when, and where). In so doing, she tried to offer insight into something unthinkable (what the perpetrators thought they were doing) and something unimaginable (what the victims experienced).
More than fifty years after their occurrence, the events of the Holocaust remain for some of their most dedicated students as morally and intellectually baffling, as 'unthinkable', as they were at their first rumouring. Reading the Holocaust, first published in 2002, challenges that bafflement, and the demoralization that attends it. Exploring the experience of the Holocaust from both the victims' and the perpetrators' points of view, as it appears in histories and memoirs, films and poems, Inga Clendinnen seeks to dispel what she calls the 'Gorgon effect': the sickening of imagination and curiosity and the draining of the will that…
I really enjoyed how this book takes a more factual approach. Always keen to learn more about the human body and the dark acts humans carry out on each other, I was enthralled by the stories Sue tells of real-world murders and deaths.
Although factual, I found it fascinating just how much emotion I felt reading Sue’s book. I can’t deny that I was choked up at quite a few points.
WINNER OF THE CWA GOLDEN DAGGER FOR NON FICTION 2021
'Gripping from the start, Written in Bone is superb' - Dr Richard Shepherd, author of Unnatural Causes
From the Sunday Times Bestselling author of All That Remains, Sue Black reveals the secrets hidden deep within our bones. Drawing upon her years of research and a wealth of remarkable experience, the world-renowned forensic anthropologist Professor Dame Sue Black takes us on a journey of revelation. From skull to feet, via the face, spine, chest, arms, hands, pelvis and legs, she shows that each part of us has a tale to tell.…
I’m an avid reader of fiction and kind of a nerd, too, so I love books with science in them. I’m a scientist myself, now retired from a career in environmental and engineering geology. I am fascinated by the Earth and the geologic processes that shape it, from the seemingly mundane (like erosion) to the remarkable (like earthquakes, landslides, and volcanic eruptions). As a writer, I try to translate that wonder for non-scientist readers, all wrapped up in a compelling story. Each book on this list sure does that, weaving science into the fabric of a gripping narrative. I hope you’ll love them as much as I do.
I’m not a big reader of historical fiction, but this book was a big exception to that.
Nell Stone, inspired by renowned anthropologist Margaret Mead, is thoroughly engaging. And so is the portrayal of the science of anthropology and how it was done, for better or worse, in the 1930s.
Like all the books on this list, you don’t need to know about the science in the book's pages before being swept into the story. The characters taught me what I needed to know, all without me realizing it, as they made their way up rivers, into indigenous cultures, and meandered through their own messy lives.
From the author of Writers & Lovers, Euphoria is Lily King's gripping novel inspired by the true story of a woman who changed the way we understand our world.
'Pretty much perfect' - Curtis Sittenfeld, author of Rodham
In 1933 three young, gifted anthropologists are thrown together in the jungle of New Guinea. They are Nell Stone, fascinating, magnetic and famous for her controversial work studying South Pacific tribes, her intelligent and aggressive husband Fen, and Andrew Bankson, who stumbles into the lives of this strange couple and becomes totally enthralled. Within months…
Elesha Coffman writes about religion and ideas in twentieth century America. A journalist before she trained as a historian, she’s especially interested in the circulation of ideas—how they were communicated, how they were received, why some ideas gained traction and others did not. Her first book examined how a magazine, The Christian Century, helped define the religious tradition known as the Protestant mainline. She didn’t realize that Margaret Mead belonged to that tradition until she was invited to write about Mead for the Oxford Spiritual Lives series, billed as spiritual biographies of people who are famous for something other than being spiritual. Elesha lives in Texas, but she’d rather be at the beach in North Carolina.
The reader gets a three-for-one deal in this incredibly thoughtful book: an intimate look at two towering anthropologists by their daughter, a distinguished anthropologist herself. Mary Catherine Bateson understood her difficult parents and their groundbreaking work as well as anyone could.
Talking to her father, she wrote, was “a form of argument that was also a dance.” Her mother was “a one-person conference.” The reader gets to know each member of this remarkable family through insightful anecdotes, rare family photos, conceptual diagrams, and lucid prose.
In "With a Daughter's Eye," writer and cultural anthropologist Mary Catherine Bateson looks back on her extraordinary childhood with two of the world's legendary anthropologists, Margaret Mead and Gregory Bateson. This deeply human and illuminating portrait sheds new light on her parents' prodigious achievements and stands alone as an important contribution for scholars of Mead and Bateson. But for readers everywhere, this engaging, poignant, and powerful book is first and foremost a singularly candid memoir of a unique family by the only person who could have written it.
I was drawn to Haiti for two reasons; the Haitian Revolution is the only one of the three 18th century upheavals to fulfill the declared ideology of the French and American Revolutions by extending basic human rights to all people, not just white people. Secondly, or maybe I should put it first, the practice of Vodou makes Haiti one of the few places where one can meet divinity in the flesh, an experience I coveted, although (as it is written) it is a fearful thing to fall into the hands of the Living God.
Nan Domi is the only book I know of that reports on the interior, private, mystical practices of Vodou—one of the world’s great religions, though much misunderstood and despised outside of Haiti. A preface I wrote for the book gives an efficient introduction to the basic history, beliefs, and practices of Vodou, providing the necessary context for Beaubrun’s more esoteric text.
"This new and valuable book delves into the 'interior' experience of voodoo, as opposed to the usual outsider focus on ritual and cosmology. In telling the story of her own initiation and painstaking education in voodoo, Beaubrun takes us into the mystical dimensions of this ancient religion."--The Guardian UK Like all the great religions Vodou has an external, public practice of rituals and ceremonies--and also an internal, mystical dimension. Before Nan Domi, works about Vodou have concentrated on the spectacular outward manifestations of Vodou observance--hypnotic drumming and chanting, frenetic dancing, fits of spirit possession. But practically all reports on Vodou…
At an early age, I became a fan of tightly plotted mysteries that play fair with the reader. This led to my career in mystery games and videos and a dozen books of short mysteries. It also led to my TV career. When the creator of Monkrealized he needed some twisty plots, he visited a bookstore, found my books, and tracked me down. Since then, I’ve been plying my trade on the small screen as well, working with some very talented people, like Steve Martin, who needed a mystery guy to come in and add some structure to their ideas.
A forensic anthropologist tackles three murders, separated by time but united by their theme, the evil that men do – and by men, I mean the male of the species. The outrageous humor and atmospheric southern setting draw you in, and you don’t realize until too late how your expectations have been overturned.
The eighth book in the Elizabeth MacPherson series.
When forensic anthropologist Elizabeth MacPherson becomes the official P.I. for her brother Bill's fledgling Virginia law firm, she quickly takes on two complex cases. Eleanor Royden, a perfect lawyer's wife for twenty years, has shot her ex-husband and his wife in cold blood. And Donna Jean Morgan is implicated in the death of her Bible-thumping bigamist husband.
Bill's feminist firebrand partner, A. P. Hill, does her damnedest for Eleanor, an abused wife in denial, and Bill gallantly defends Donna Jean. Meanwhile, Elizabeth's forensic expertise, including her special knowledge of poisons, gives her the most challenging case of her career. .…
My twenty novels tend to focus on characters who face great challenges, and I have a particular appreciation for beautiful prose. I don’t read for distraction or entertainment, but to be enlightened, moved, and made more compassionate about different kinds of people in different environments.
I think Robert Stone was one of the greatest American novelists of the recent era, a man with a profound concern for how political situations affect the individual. I love Stone’s ability to delve into complex situations.
This is fiction, unlike the last two recommendations mentioned above, and takes place in Central America during the Seventies. I love books about political situations, and I love novels set in other countries. Stone is a master of both.
He was also a humble, good man, though maybe I’m not completely objective because he provided a generous blurb for my first novel. I had the pleasure of spending a little time with him after my novel was published, and I found him to be brilliant, funny, modest, and just a fun person to be around.
Like Dostoevsky, he was able to delve into deep matters by telling a great story with amazing characters.…
I am a lawyer, law professor, and author of legal history books. Mostly, though, I have much to learn. Importantly, then, I believe in the possibilities of learning. But how? Teaching, in the transitive sense of cramming something into another person's head, is impossible; yet learning is infinitely possible. Ideas are what excite us to learn. In widely varied ways, I have found engaging ideas in—and have learned importantly from—each of these books.
A wonderful introduction to, or return visit with, a strikingly interesting and groundbreaking legal anthropologist. Moore's writing is clear and confident, and her thinking fascinating. This book is, to my mind, an invitation to undertake again, at any time, the joys of being a student. Why? She models so well the curiosity, care, and rethinking that are the essence of being a student.
Few scholars have had a more varied career than Sally Falk Moore. Once a lawyer for an elite New York law firm, her career has led her to the Nuremberg trials where she prepared cases against major industrialists, to Harvard, to the Spanish archives where she studied the Inca political system, and to the mountain of Kilimanjaro where she studied the politics of Tanzanian socialism. This book offers a compelling tour of Moore's diverse experiences, a history of her thought as she reflects on her life and thought in the disciplines of anthropology, law, and politics. The essays range from…
Though religious violence is an odd obsession for a nice guy like me, the topic was forced on me. Having lived for years in the Indian Punjab, I was struck by the uprising of Sikhs in the 1980s. I wanted to know why, and what religion had to do with it. These could have been my own students. It is easy to understand why bad people do bad things, but why do good people—often with religious visions of peace—employ such savage acts of violence? This is the question that has propelled me through a half-dozen books, including the recent When God Stops Fighting: How Religious Violence Ends.
This modern classic by a Harvard anthropologist is about torture and inflicted body pain in general, though it has abundant examples from the bible and religion-related conflicts. Her main thesis is that acts of torture are attempts to destroy the worlds of the victim and remake them in the mold of the torturer. It helps us understand that acts of religious violence are always so some extent a clash of worldviews and the attempt to forcibly destroy one view of reality with another.
Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Henry Kissinger. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain difficult to describe in words, it also actively destroys language, reducing sufferers in the most extreme cases to an inarticulate state of cries and moans.…
The house I grew up in was haunted. I believe that we shared the space with other people who’d lived there before us. I longed to communicate with them and to see them – but I never did. The closest I ever got to those spirits, was hearing a marble roll across the floorboards of my bedroom; I was alone in the room, the room was carpeted, but the sound was unmistakable. Perhaps it was the little boy whose lead soldiers we’d unearthed in the garden? I never knew. I never found a way of slipping through the shadows to join him, though I desperately wanted to.
In The Sterkarm Handshake, the device for time travel is simply a tube; not magical, but scientific, down which modern ruthless developers travel back to 16th century Scotland. Here they meet with equally ruthless highlanders. The scientists are planning to plunder Scotland’s resources (the 16th-century locals have been plundering roundabout for years), and of course, the modern developers run into problems. As in all books of this genre, the characters who travel through time may want to fit in or may choose to reject what the past has to offer.
The heroine, like similar time-travellers, falls in love with a long-dead character and here, there’s also the possibility of the 16th century Scots coming up the tube to 20th century England – a good twist. There are also some very satisfying links between past and present, moments where you smile and think, Ah, how clever!
A twenty-first-century corporation invades the domain of a warlike sixteenth-century Scottish clan in this "brilliantly imagined" time-travel adventure (Philip Pullman).
The miraculous invention of a Time Tube has given Great Britain's mighty FUP corporation unprecedented power, granting it unlimited access to the rich natural resources of the past. Opening a portal into sixteenth-century Scotland, the company has sent representatives back five hundred years to deal with the Sterkarms, a lawless barbarian clan that has plundered both sides of the English-Scottish border for generations.
Among the first of the company's representatives to arrive from the future, young anthropologist Andrea Mitchell finds…
