I'm a mystery writer and teacher now. Back then, I spent 10 years homeless and addicted on the streets of San Francisco. I could always return to Mom in CT and get put in a cushy rehab. Until I couldn't. And then she was dying, and my younger brother was addicted and soon he'd be dead too. It got scary at the end because I wasn't just some white suburban kid playing a scumbag junkie. I was a scumbag junkie. But why do I have a passion for the topic? I guess it's because it isn't all bad. I know that sounds weird, but being homeless and addicted has moments of beauty and joy too.
Orangutan is a working-class opus. Broderick excels in his display of the grind and how some men can weather and accept, as the Boss sings, dying little by little, piece by piece, and how others need more help to make it through the day. The most compelling part of Broderick's writing is the way he is able to delineate between the haves and have-nots. And, no, I don't mean money. Some men can drink a six-pack on the weekend, even do some blow. They'll be fine. Others? Like Colin? A shot is too much of an allure. Not just to get drunk, wasted, blotto. It goes way deeper. It's a form of wakeful suicide. You get through the day. You get your paycheck. You survive. But the price is not living.
Few people who have been slave to an addiction as vicious, as destructive, and as unrelenting as Colin Broderick's have lived to tell their tale. Fewer still have emerged from the darkest depths of alcoholism—from the perpetual fistfights and muggings, car crashes and blackouts—to tell the harrowing truth about the modern Irish immigrant experience.
Orangutan is the story of a generation of young men and women in search of identity in a foreign land, both in love with and at odds with the country they've made their home. So much more than just another memoir about battling addiction, Orangutan is…
Ever since I was a kid, I’ve collected family stories. My late grandmother told me that I had “nose trouble.” I can’t help it. I’m fascinated by the psychic ghosts that both haunt us and light us up. In researching my most recent novel about the generational ripples of family addiction, I read more than 50 books and talked with dozens of addicts in various stages of recovery. All my books, though, feature humans who seek to mend ruptures of the soul and in turn liberate themselves from the troubles that define them. These are my favorite stories to read and to tell.
I’d read about the demise of Bill Clegg, the handsome, superstar New York agent who struggled with alcoholism and crack addiction, and I held my breath while I devoured his memoir about his harrowing quest to complete 90 sober days.
The specifics of his raw and beautifully written story convey the universal truth that recovery from any challenge is not a straight line. Relapses happen, sometimes to the people who are throwing out the lifelines.
Among other things, this is a narrative about the healing and redemptive properties of connection, community, and storytelling. So much wisdom and humility in this brave and vital book.
The goal is ninety. Just ninety clean and sober days to loosen the hold of the addiction that caused Bill Clegg to lose everything. With six weeks of his most recent rehab behind him he returns to New York and attends two or three meetings each day. It is in these refuges that he befriends essential allies including Polly, who struggles daily with her own cycle of recovery and relapse, and the seemingly unshakably sober Asa.
At first, the support is not enough: Clegg relapses with only three days left. Written with uncompromised immediacy, Ninety Days begins where Portrait of…
Having known families affected by substance abuse, I’ve long been fascinated by the resiliency of addicts’ relatives and close friends. Equally compelling to me, as a one-time wannabe psychologist, was how living with substance abusers shaped people’s characters and lives. But while the search for a recovering addict drives Beyond Billicombe’s plot, the book is also an ode of sorts to North Devon, the area of England where I spent three of the happiest years of my life. Though I now live outside New York City, I haven’t given up hope on being able to move back there someday.
Shuggie Bain invades the senses: You smell the sour breath of Shuggie’s mum as she snores, open-mouthed, in a drunken stupor; you feel the stiffness of the rug where endless spilled drinks were left to dry. Just as important, you feel the push-and-pull of love and despair, hope and anger, as Shuggie grows up, the youngest child of an alcoholic who is ultimately abandoned by the rest of their family. The final chapters, as Shuggie moves into adolescence and struggles to break from the burden of becoming caretaker to the woman who should have been taking care of him, are exceptional.
WINNER OF THE BOOKER PRIZE NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK AWARD
A stunning debut novel by a masterful writer telling the heartwrenching story of a young boy and his alcoholic mother, whose love is only matched by her pride.
Shuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.
I’m a philosophy professor who started writing memoir in her mid-thirties. I love the similarities and the differences between memoir and philosophy (to sum it up: both are ways of making sense of your experience, but memoirists are allowed to tell stories, make jokes and break your heart.) On the trail of my obsession with the two, I’ve written a book on the philosophy of memoir and a memoir about philosophy. My sister calls them “your weird book twins.” Whatever! The whole experience has felt like falling in love, and I now want to encourage everyone to give personal writing a shot.
This book is a blast to read and also packed with insight (the Holy Grail, no?) It’s a collection of short chapters on a wide range of questions that either a baby or seasoned memoirist might ask. How do I find my voice? How do I organize my material? Am I betraying my family? (When Karr asked her own mom if she minded being outed as a knife-wielding alcoholic who set her children’s toys on fire, Mrs. Karr apparently replied: “Oh hell, the whole town knew about that.”) Karr draws on her extensive experience as a best-selling memoirist and teacher of memoir, serving up hard-won wisdom and concrete practical advice. ReadingThe Art of Memoiris like trapping a celebrity genius in a hotel bar and getting the unvarnished version. You’ll love it.
Credited with sparking the current memoir explosion, Mary Karr's The Liars' Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well. For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and "black belt sinner," providing a unique window…
Bad boys in young adult romance have always been one of my favorite tropes to read. For seven years, I facilitated a poetry workshop with teens in a juvenile detention center and got to hear their stories—the heartbreak, the challenges, and the triumphs under all that bad boy façade. My memoir, Kids in Orange: Voices from Juvenile Detention, is about the workshops and helped me understand both myself as a writer and the “bad boys” who wrote poetry each week. There are a lot of complexities to bad boy characters and the most satisfying stories are the ones where the bad boys redeem themselves and find love.
Bad boy, Tim, has struggled with drinking and now is a member of AA and is trying to start his life over. He and my character, Christopher, could attend AA meetings together and I am always happy to find a young adult character who is a reformed bad boy and trying to stay sober with AA and this story does not disappoint.
For fans of Morgan Matson's Since You've Been Gone, Rainbow Rowell's Fangirl and John Green's Paper Towns
Tim Mason was The Boy Most Likely To find the drinks cabinet blindfolded, need a liver transplant, and drive his car into a house.
Alice Garrett was The Girl Most Likely To ... well, not date her little brother's baggage-burdened best friend, for starters.
For Tim, it wouldn't be smart to fall for Alice. For Alice, nothing could be scarier than falling for Tim. But Tim has never been known for making the smart choice, and Alice is starting to wonder if the…
I’m often asked: “Are you a musician? You mustbe, in order to write so beautifully and convincingly, through the eyes of a musician!” Actually, I’m what’s known as a “serious amateur”—which means that I study the piano “seriously” but not professionally, purely for the love of it. In fact, my understanding of the piano deepened tremendously as I worked on this book, as if my protagonist required that of me, in order to bring her to life the way she needed. The piano has become more and more vital to me, as a writer, because it allows me to explore and express in ways that don’t depend on words.
In Everything You Are, Braden is a cellist who has lost the use of his hands—in his case, through a tragic twist of fate. Enter Ophelia, granddaughter of the man who sold Branden his cello and made Ophelia swear that he will always play it. Author Kerry Anne King weaves a magical spell around these two characters as, together, they find their way to forgiveness. This is a story full of twists and turns, culminating in a beautiful ending that depicts the healing power of music.
From the bestselling author of Whisper Me This comes a haunting and lyrical novel about the promises we make and the forgiveness we need when we break them.
One tragic twist of fate destroyed Braden Healey's hands, his musical career, and his family. Now, unable to play, adrift in an alcoholic daze, and with only fragmented memories of his past, Braden wants desperately to escape the darkness of the last eleven years.
When his ex-wife and son are killed in a car accident, Braden returns home, hoping to forge a relationship with his troubled seventeen-year-old daughter, Allie. But how can…
I'm the author of the best-selling books How to Tell Depression to Piss Off: 40 Ways to Get Your Life Back, How to Tell Anxiety to Sod Off: 40 Ways to Get Your Life Back, The Recovery Letters, and What I Do to Get Through. My sixth book will be, How to Smash Stress: 40 Ways to Manage the Unmanageable.
He describes the death of his partner from alcoholism and the events leading up to it in an unflinchingly honest and moving way. It's raw and personal but that's what grief is. It's beautiful and respectful and shows how grief is both a shared experience and so completely individual at the same time.
'Immensely moving and disarmingly witty' Nigella Lawson 'Such a moving, tough, funny, raw, honest read' Matt Haig 'Beautifully written, moving and gut-wrenching, but also at times very funny' Ian Rankin 'Captures brilliantly, beautifully, bravely the comedy as well as the tragedy of bereavement' The Times 'Will strike a chord with anyone who has grieved' Independent
Whether it is pastoral care for the bereaved, discussions about the afterlife, or being called out to perform the last rites, death is part of the Reverend Richard Coles's life and work. But when his partner the Reverend David Coles died,…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
As the name might suggest, this novel is very much a spiritual descendant of Shirley Jackson’s Hill House, with a very similar setup: ghost hunters visit a haunted house that’s been abandoned for decades. That, however, is where the similarities end. In Matheson’s work, the haunting is more physical, with bodily threats to the ghost hunters at every turn, and the psychological and spiritual terror it inflicts does far more damage to them at each step, turning them against each other in violent and sometimes deadly ways.
"Hell House is the scariest haunted house novel ever written. It looms over the rest the way the mountains loom over the foothills." -- Stephen King
From the author of I Am Legend comes Richard Matheson's Hell House, the basis for the supernatural horror film starring Pamela Franklin, Roddy McDowall, Clive Revill.
Rolf Rudolph Deutsch is going die. But when Deutsch, a wealthy magazine and newspaper publisher, starts thinking seriously about his impending death, he offers to pay a physicist and two mediums, one physical and one mental, $100,000 each to establish the facts of life after death.
I vowed at a young age to never drink alcohol. I dove headfirst into psychology, earning a doctorate and I believed generational alcohol chains were broken. I became the "LA Shrink" and "Life Coach" on some pretty cool TV pilots! But life threw me a curveball, and after two decades of moderate, responsible drinking, I found myself addicted to alcohol. However, I cured it, and I've been passionately helping others do the same. I'm now a coach at WearetheAFR.org, an amazing nonprofit community dedicated to supporting individuals with alcohol addictions. My journey is filled with passion, resilience, and joy. I'm living proof that it's possible.
This book revolutionized the way I perceived alcohol addiction. It presented a groundbreaking view that alcohol is just as addictive as tobacco, affecting everyone.
The Easyway method breathed new life into curing my old belief that alcohol was addictive to only a select few. I felt inspired to break free from the clutches of alcohol because I realized I was not defective and that there is a full easy cure, just like a past cigarette smoker.
I love this book for its revolutionary approach and the genuine hope it offers in ‘easily’ setting us free from the alcohol trap.
READ THIS BOOK NOW AND BECOME A HAPPY NONDRINKER FOR THE REST OF YOUR LIFE.
Allen Carr's Easyway is the most successful stop-smoking method of all time. It has helped millions of smokers from all over the world to quit. In Quit Drinking Without Willpower, Allen Carr's Easyway method has been applied to problem drinking. By explaining why you feel the need to drink and with simple step-by-step instructions to set you free, he shows you how to escape from the alcohol trap.
• A unique method that does not require willpower • Removes the desire to drink alcohol •…
Ever since I was a kid, I’ve collected family stories. My late grandmother told me that I had “nose trouble.” I can’t help it. I’m fascinated by the psychic ghosts that both haunt us and light us up. In researching my most recent novel about the generational ripples of family addiction, I read more than 50 books and talked with dozens of addicts in various stages of recovery. All my books, though, feature humans who seek to mend ruptures of the soul and in turn liberate themselves from the troubles that define them. These are my favorite stories to read and to tell.
I love a well-told, emotionally complex, family drama set in the burbs (aʹ la John Cheever, Amy Bloom, A.M. Homes, you get the drift).
Setting and gorgeous writing aside, Lily King crawls inside the heart and head of protagonist Daley Amory, a twenty-something who is trying to escape the tyranny of her father’s alcoholism and reinvent a new life for herself.
I rooted hard for her to make this break, to ride off into the sunset, or to enroll at Berkely to study anthropology, and make a life with a great guy.
I won’t give away the ending, but suffice it to say that King writes brilliantly about addiction, family, and the fierce and often futile siren’s call to repair what is broken.
Prize-winning author Lily King’s masterful new novel spans three decades of a volatile relationship between a charismatic, alcoholic father and the daughter who loves him.
Gardiner Amory is a New England WASP who's beginning to feel the cracks in his empire. Nixon is being impeached, his wife is leaving him, and his worldview is rapidly becoming outdated. His daughter, Daley, has spent the first eleven years of her life negotiating her parents’ conflicting worlds: the liberal, socially committed realm of her mother and the conservative, decadent, liquor-soaked life of her father. But when they divorce, and Gardiner’s basest impulses are…
