Here are 90 books that The Lord of the Rings Sketchbook fans have personally recommended if you like
The Lord of the Rings Sketchbook.
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I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
A fascinating in-depth insight into the personality, career, and work of Rackham, who I view as the king of the golden age of illustration. His fine draughtsmanship and ability to create fantastical worlds and characters that range from the grotesque to the beautiful inspired me from an early age. The pages are packed with artwork done in his trademark pen and ink and watercolour.
A fascinating insight into the personality, career and work of one of the world's most collectable illustrators
Filled with enchanting pictures and authoritative text
In this fascinating book, art historian James Hamilton examines the work and life of the illustrator Arthur Rackham. Rackham's illustrations for works such as Rip Van Winkle, Peter Pan in Kensington Gardens, Alice in Wonderland and A Midsummer Night's Dream have attained the classic status of the writings themselves - indeed, in some cases they have become synonymous with them. Rackham himself, however, has previously remained a shadowy figure. As well as featuring exquisite illustrations and…
I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
This book contains exquisite pencil and ink drawings by Dr. Sarah Simblet who teaches at The Ruskin and Christ Church, at Oxford University. Her observational work is second to none and through it, she explores the relationship between science, history, and art. She is dedicated to sharing visual intelligence and promoting understanding through art. This is complemented perfectly with the text by Gabriel Hemery who gives an in-depth insight into the value of one of our most treasured assets – the trees of our land.
"Beautiful, useful, inspirational" BBC Wildlife Book of the Month
"A delight on every page" Evening Standard
In 1664, the horticulturist and diarist John Evelyn wrote Sylva, the first comprehensive study of British trees. It was also the world's earliest forestry book, and the first book ever published by the Royal Society. Evelyn's elegant prose has a lot to tell us today, but the world has changed dramatically since his day. Now authors Gabriel Hemery and Sarah Simblet, taking inspiration from the original work, have masterfully created a contemporary version - The New Sylva. The result is a fabulous resource that…
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
For me, this book was a real education. It provided insight into how the greatest artists strive to break the rules and find interest in juxtapositioning different versions of reality and fantasy. The perfect summation, to me, of what Escher strived to do is communicated in this quote, “My topics are often playful too. I cannot stop fiddling around with our incontestable certainty. It is a pleasure, for example, to deliberately mingle two- and three-dimensions, flat and spatial and to poke fun at gravity.” One of the main takeaways from this book is to always strive to reimagine reality, break rules, be playful, and never be afraid to fail.
As beautiful and rigorous as an Escher work itself, this book is the classic study of a great maverick who so memorably linked the world of imagemaking with geometry and paradox. Escher's works, from the great master prints to numerous drawings, are brilliantly arranged to form a cinematic journey of discovery that reveals the magical world of the artist's mind, an uncharted realm lush with exotic conceptions and inventions.
I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
Doré was a prolific artist who illustrated editions of the Bible, Dante's Inferno, Poe's The Raven, and The Adventures of Don Quixote. He was a veritable ‘dream machine’ with multi-disciplinary skills. His depictions of London never cease to amaze me with the intricacy of his observation. The fact that he also turned to sculpture and not to mention his influence on early cinema are all aspects that fill me with awe especially when considering his life was cut short at 51. The epic quality of his work inspires me hugely and this big book encompasses his whole career with lots of well-reproduced images, and the photograph of him on page 17 always makes me laugh.
The diverse oeuvre of Gustave Doré—illustrations, paintings, sculpture—combines with biography and critical essays and attests to the artist’s enduring impact on contemporary culture. Proclaimed "the most illustrious of illustrators," Gustave Doré is best known for his engravings, which appeared in editions of the Bible, Dante’s Inferno, Poe’s The Raven, The Adventures of Don Quixote, and even in Hollywood, from King Kong to Seven. Yet the extent of his genius remains largely unknown. Here, along with his renowned illustrations, his paintings and sculptures are also examined, bringing to light the rich diversity of his talent. Using watercolor, vivid oil paint, or…
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
I love a good, solid, chewy book of critical essays around a specific theme—I know, it’s a specialized taste. This is a good one.
Yes, I’d love to tramp peacefully around Middle-earth with the field guide I reviewed above, but there are horrors there as well, and this collection gives Tolkien’s dragons, wolves, spiders, and other monsters their due.
Fear and horror are an inextricable part of Tolkien's great mythology and his use of medieval sources for his evocations of fear and horror contribute to the distinctive tone of his work. This collection of essays shows how his masterly narrative techniques transform his sources, both familiar and unfamiliar, so that hitherto benign characters, objects and landscapes, as well as his famous monstrous creations, engage with deeply rooted human fears. The essays, by an international group of scholars, confirm Tolkien's worldwide reputation. They highlight the depiction of the fear associated with marginalised characters; explore the moral implications of light and…
I readThe Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.
This one’s for the hardcore Tolkien reader, but it’s a gem. It’s a collection of academic essays on The History of Middle-earth,(the foundational stories that lie behind Tolkien’s more popular works, some of which made it into The Silmarillion). Flieger and Hostetter are giants of Tolkien academia, and their individual works are well worth seeking out. The essays cover language, theme, structure, mythology, and other areas of literary criticism. As a writer, one in particular struck a chord with me: Hammond’s A Continuing and Evolving Creation. This explores how Tolkien actively worked on his vast mythology his entire life, revising, adding, and even re-conceiving elements as his understanding of his own work changed, and it offers a flavour of how one man could transform his experience, imagination, and beliefs into a personal mythology that has captured and enraptured so many readers.
As a scholar of medieval languages and literature, J.R.R. Tolkien brought to his fiction an intense interest in myth and legend. When he died in 1973, he left behind a vast body of unpublished material related to his fictive mythology. Now edited and published as The History of Middle-earth by his son and literary executor, Christopher Tolkien, these 12 volumes provide a record of the growth of J.R.R. Tolkien's mythology from its beginnings in 1917 to the time of his death more than 50 years later. The material in these volumes offers an unparalleled insight into Tolkien's process of myth-making…
I’ve been fascinated by the fantastic since childhood—ever since I read my first book, The Princess & the Goblin. As a young adult, I lived on the Emerald Isle of Ireland and I fell in love with the history and legends of the British Isles. Stories of King Arthur, Saint Patrick, and the mighty warrior Cu Chulainn inspired my imagination. Now through years of studying Arthurian Legend and Celtic Mythos—I write historical fantasy filled with the ageless inspirations of the ancient Celtic world.
Read this book if you want to get inside the heads of the two fathers of Fantasy, JRR Tolkien and CS Lewis. This book brilliantly ventures into what created the ‘Inklings’, and how they inspired each other to write fantastic stories of hobbits, dragons and magical worlds. This book particularly gripped me, because these two authors are my hero’s and have inspired my imagination above all others. This book even showed me how I could personally become an inkling, and join forces with other creative, and inspired writers to create a new world all our own.
An inside look at the Inklings and their creative process
C. S. Lewis, J. R. R. Tolkien, and the other Inklings met each week to read and discuss each other's works-in-progress, offering both encouragement and blistering critique. How did these conversations shape the books they were writing? How does creative collaboration enhance individual talent? And what can we learn from their example?
Complemented with original illustrations by James Owen, Bandersnatch offers an inside look at the Inklings of Oxford-and a seat at their table at the Eagle and Child pub. It shows how encouragement and criticism made all the difference…
While the werewolf curse isn’t real (as far as we know/thank goodness!), I do know what it’s like to have my life turned upside down by a painful illness that seems like a curse. When I was 23, I almost died from a rare autoimmune disease that tried to devour my lungs. More than a decade later, I’m still here and fighting, and my escapist love of reading fantasy books turned into a passion to write them. I also love metaphors and werewolves, and it all combined nicely with my BA in English! Aside from writing, I help other “underdog” authors as COO for indie publisher Thinklings Books.
I saw the 2010 movie first and then later found the book version in a thrift store and had to grab it. Both book and movie deftly create a gloomy, gothic, Romantic atmosphere; the book develops the characters and relationships further. It’s the age-old story of a man seeking to rid himself of a curse, pursued by the law and betrayed by someone who was supposed to protect him—I’m a sucker for that kind of tale! If you enjoy the classics like Dracula and Frankenstein, but find it harder to get through them or connect with them emotionally because of the older language and style, give this book a try.
Inspired by the Universal Pictures' classic horror film, "The Wolfman" tells the story of Lawrence Talbot, a man haunted by dark, disturbing memories. When his brother mysteriously disappears, Talbot returns to the village of his childhood to investigate. In the process he discovers both a terrifying secret about men cursed as werewolves and the truth about this tortured past. This movie tie-in edition is written by Bram Stoker Award-winning author Jonathan Maberry ("Patient Zero"). The film is directed by Joe Johnston Oscar(copyright)-winning director of "Jumanji", "October Sky", and "Jurassic Park III", and will star Oscar(copyright)-winning actors Benicio Del Toro and…
I am an award-winning art director, creative mentor, and print and pattern designer with nearly two decades of experience working successfully in the creative industries. As a young person, I loved drama, dance, and art, and was constantly bursting with creative passion. As I grew older, I faced doubt from the people around me about pursuing a creative career. I stubbornly pursued it anyway and ignored the naysayers who told me to “stop dreaming” or to “get a real job.” I am now described as a “powerhouse” in the design world and someone who fearlessly strives forward in her creative career and helps thousands around the world to believe in their own creative power.
I’m not someone who gets really precious about books and loves the feel of a well-read book. So when I picked up Wreck This Journal, I knew I was going to adore it. As it says in the title, the book actually invites you to wreck it through pages of fun, often "destructive," creative exercises.
My own copy has been flipped, tossed, had stuff thrown at it, glued, painted, ripped, and pretty much anything else you can think of, and it’s just the most fun you’ll have with a book.
“Not gonna lie, this is probably the coolest journal you’ll ever see. . . . Wreck This Journal is here to inspire you.” —Buzzfeed
A spectacular coloring and painting edition of the incredible journal that started it all, in celebration of the tenth anniversary of the 10-million-copy international bestseller
Perhaps you're a seasoned Wreck-er, having made your way through one or more copies of Wreck This Journal. Or maybe you're new to the phenomenon (little do you know, this experience might just change your life). Whatever the case, you've found the perfect book to destroy...
Travels to the Arctic and Antarctic and time spent alongside researching counting Magellanic penguins in Argentina have inspired not only The Tourist Trail but a life spent advocating for animals. The oceans may appear vast and impenetrable but they are fragile, and we need to act now to protect the many species who call these waters home. The books here not only expose the crisis we face but highlight those people and organizations who have dedicated their lives to protecting our planet and its many residents. It’s not too late to make a difference and I hope these books inspire you to lend your voice and energy to the fight.
A wry tale of financial desperation, conceptual art, insanity, infertility, seagulls, marital crisis, jellyfish, organized crime, and the plight of a plastic-filled ocean, JoeAnn Hart’s novel takes a smart, satirical look at family, the environment, and life in a hardscrabble seaside town in Maine. I am proud that Ashland Creek Press (which Midge Raymond and I founded in 2011) published this amazing novel.
When everything around you is sinking, sometimes it takes desperate measures to stay afloat
When Duncan Leland looks down at the garbage-strewn beach beneath his office window, he sees the words God Help Us scrawled in the sand. While it seems a fitting message-not only is Duncan's business underwater, but his marriage is drowning as well-he goes down to the beach to erase it. Once there, he helps a seagull being strangled by a plastic six-pack holder-the only creature in worse shape than he is at the moment. Duncan rescues the seagull, not realizing that he's being filmed by a…
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