I’m a sucker for unlikeable. A charged word that’s sometimes used about protagonists but mostly only about female protagonists. When they don’t fit a template. When they are imperfect. When they push back. When they are too emotional or too distant or too interior or too driven or too obsessed or too mean or too nice or too smart or not smart enough. The protagonists in these novels are flawed—period. But flawed is complex and perfect is simple and simple is boring and no one wants to read a boring novel.
Eager to get married, Virginia Carey lands a job as an operator at a police tip line, where she thinks finding a husband will be easy. But just as her plans begin to fall into place, she answers a call from a mysterious woman who provides a tip about four bodies on a remote local beach. The caller also gives details on sordid parties attended by law enforcement officers, and on the strange fetishes of cops she has been involved with. Then comes an explosive tip: it’s a police officer who is responsible for the killings.
Virginia realizes that the key to solving the case is ultimately in her hands and that the tip line will reveal the truth—as long as she is willing to hear it.
Moshfegh’s narrator declares in the book’s very first paragraph: “I hated almost everything,” and states soon after that she is “ugly, disgusting, unfit for this world.”
Completely preoccupied with her body—the way it looks as well as its functions, which are depicted in great detail—she is trapped in her small existence with no thought of escape until the introduction of a mysterious stranger and the unfurling of a crime.
But the crime plot becomes background to the finely wrought character study: a self-absorbed and obsessive woman on the brink of self-discovery and independence.
Shortlisted for the 2016 Man Booker Prize and chosen by David Sedaris as his recommended book for his Fall 2016 tour.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes-a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to…
“I wonder how I would have to behave, how many changes I would have to make, to tip myself over the edge into this endless abyss of perm.”
Millie is a temp and she wants to find a permanent job. Or so she says. Her real goal? “It should be easier to feel good.” Millie is snarky, sometimes bordering on cruel, recounts minutiae, revels in loneliness, and savors her own dark side. She knows she wants to be a better version of herself but only needs to find her way.
The New Me masterfully paints the frustration brought on by the inevitable passage of time and being unable to see a tangible change in oneself.
Marie—a young mother with a young child—is trying to make her way in the brutal restaurant industry toward a more settled life but is constantly battling her own self-destructive tendencies.
“I ask my memory, why did I take each next step?” she says near the beginning of the book, but readers feel that each next, disastrous step seems almost pre-ordained.Love Me Back is an unflinching and hyper-interior deep dive into why people are sometimes their own worst enemy.
"Sharp and dangerous and breathtaking.... A defiant story about a young woman choosing the life and motherhood that is best for her, without apology.” —Roxane Gay, bestselling author of Bad Feminist
Marie is a waitress at an upscale Dallas steakhouse, attuned to the appetites of her patrons and gifted at hiding her private struggle as a young single mother behind an easy smile and a crisp white apron. It’s a world of long hours and late nights, and Marie often gives in to self-destructive impulses, losing herself in a tangle of bodies and urgent highs as her desire for obliteration…
“The story starts at…the point perhaps at which I became aware of my inability to feel any feelings beyond those set to music by the Walt Disney Company,” Claire, the narrator ofI Love You but I’ve Chosen Darkness admits on the novel’s very first page.
And so we’re primed when she does what is probably considered by many to be the most monstrous thing a woman can do: she leaves her child. Interspersed with sections about family history and old letters that shed light on complicated dynamics, the book moves us through Claire’s journey as she pushes back against the expectations of marriage and motherhood in search of her own, individualized definition.
A darkly funny, soul-rending novel of love in an epoch of collapse-one woman's furious revisiting of family, marriage, work, sex, and motherhood.
Since my baby was born, I have been able to laugh and see the funny side of things. a) As much as I ever did. b) Not quite as much now. c) Not so much now. d) Not at all. Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case…
Joan abandons her life and moves across the country on a quest to find a stranger from her past, convinced it will help her find peace.
In a savagely honest style, Animalrecounts Joan’s affairs, family history, a traumatic incident from her youth, and a gaping emptiness within herself that she’s desperate to understand. “If someone asked me to describe myself in a single word, depravedis the one I would use.”
Depraved, sure. Maybe. But it’s impossible to be angry at her because she’s so candid about what she’s doing and why. The prose itself is fresh and stark and haunting.
From Lisa Taddeo, author of the #1 New York Times bestseller and global phenomenon Three Women, comes an “intoxicating” (Entertainment Weekly), “fearless” (Los Angeles Times), and “explosive” (People) novel about “what happens when women are pushed beyond the brink, and what comes after the reckoning” (Esquire).
Joan has spent a lifetime enduring the cruelties of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles,…
ThePianist's Only Daughter is a frank, humorous, and heartbreaking exploration of aging in an aging expert's own family.
Social worker and gerontologist Kathryn Betts Adams spent decades negotiating evolving family dynamics with her colorful and talented parents: her mother, an English scholar and poet, and her father, a pianist and music professor. Their vivid emotional lives, marital instability, and eventual divorce provided the backdrop for her 1960s and ‘70s Midwestern youth.
Nearly thirty years after they divorce, Adams' newly single father flies in to woo his ex-wife, now retired and diagnosed with Parkinson’s disease. Their daughter watches in disbelief as they reconcile and decide to live together again. She steps in to become her parents' eldercare manager when her mother’s condition worsens, facing old family dynamics and disappointing limitations to available services. Throughout, she attempts to help her parents maintain their humanity in their final years.
Grounded in insights about mental health, health and aging, The Pianist’s Only Daughter: A Memoir presents a frank and loving exploration of aging in an aging expert's own family.
Social worker and gerontologist Kathryn Betts Adams spent decades negotiating evolving family dynamics with her colorful and talented parents: her English scholar and poet mother and her pianist father. Their vivid emotional lives, marital instability, and eventual divorce provided the backdrop for her 1960s and ‘70s Midwestern youth.
Nearly thirty years after they divorce, Adams' father finds himself single and flies in to woo his ex-wife, now retired and diagnosed with…
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