I think Mother Goose got it all wrong. I have been creating books and coloring books for LGBTQ families for over two decades. I believe we deserve stories about LGBTQ children that are jubilant and adventurous; that are about love, mystery, time travel, and all the things everyone else treasures in their favorite books without being lesson books about bullying or being “different.” I have closed many children's books as soon as I get to the part where they are beaten up and made fun of for being gender non-conforming. I am also a visual artist and I love well-written books that are beautiful to look at.
A More Graceful Shaboom is a children’s book about a nonbinary protagonist named Harmon Jitney who finds joy and purpose in a magical satchel, leading to an extraordinary, previously undiscovered universe. This book features LGBTQ characters seamlessly woven into a delightful, imagination-sparking story, without overtly being a lesson book about gender identity.
Follow Harmon as they unlock the key to their own inner happiness and sense of community. You may even meet a Muffin Monster along the way! It’s a dash of Narnia, The Little Prince, and the town of Woodstock all rolled into one, plus there are disco balls. I always prefer if people buy books directly from my website. This is the best way to most straightforwardly support me as an author.
I love how you casually get introduced to the main character’s brother’s boyfriend, Peleke, while the children are on a scavenger hunt for natural things in all the colors of the rainbow. If I were a teacher and had to grade this, I would give it an A+++. The publisher, Flamingo Rampant Press, states, “we don’t publish books that have primary narratives about bullying, ostracization, harassment or violence. If your book is about a kid who is made to feel like their identity or family is a problem, that’s not going to be a book for us.” That is one terrific reason for me to love this book.
The world is bursting full of beautiful colors, from the blue of the fish to the green of the leaves! Even more wondrous are the many names the different peoples of the world have for them. Join these Hawai’ian kids, their older brother and his boyfriend as they adventure around their island to learn their colours – and a little about love along the way.
This book was published by Lollipop Power Press, an iconic feminist publishing house formed in 1969. I have a soft spot for old-school one-color illustrations (these ones are forest green against an off-white background). Emily is raised in an intentional community of four women. One mom is studying to be an electrician. Another is a healer. Vicki drives a school bus. Annie Jo is a carpenter who loves to cook. No one at school believes that Emily has so many mothers, but that all changes when she falls on the playground and her amazing parents get called into school. Suddenly it's très cool to have so many moms. I want this book to have a revival. It’s so good.
In 1992, the legendary Leslea came to my college and spoke in a splendid historical chapel about her work. I’ve never belonged to a house of worship. I am a children’s book author who writes about Queer people, so I kinda think this makes Lesléa Newman my minister. In this wonderful book, Mama Rose makes the sign “Gay Mechanic Healing the Planet.” Mama Grace’s sign reads “Gay Nurse Healing the Earth” and she has a tambourine in her backpack. It makes perfect sense that Andrea the mail carrier, the music teacher with the mustache, and nurse Richard are all in attendance at Gay Pride. They chant “2-4-6-8. Being gay is really great” at the parade while all the sidewalk people cheer.
This is a perfectly charming story about a boy who is way into ballet and baseball, written in the 1970s, but which still holds up today. And no one ever makes fun of him. Max is not necessarily Queer, but I consider it in the canon of kid’s books that address gender identity.
I have read a lot of sex-ed books because I used to be an educator for Planned Parenthood and I think this book is 100% perfect. It contains delightfully colorful illustrations about how a baby is made without ever making anyone feel that they are different for the particular way they conceived a baby.
Cory writes, “Not all bodies have sperm in them.” as opposed to “most men have sperm and most women have eggs, but…” like every other sex-ed book I have ever read, making trans, intersex, and non-binary folks feel that they are an exception to some rule. Ilove everything Cory Silverberg does very much! And not just because we had brunch once in New York City.
Finalist for the 2014 Lambda Award for LGBT Children's/Young Adult
“What Makes a Baby is extraordinary! Cory is a Dr. Spock for the 21st century.”—Susie Bright
“A Truly Inclusive Way to Answer the Question 'Where Do Babies Come From?': The new book What Makes a Baby offers an origin story for all children, no matter what their families look like." —The Atlantic
"This is a solid, occasionally quirky book on an important topic."—School Library Journal
Geared to readers from preschool to age eight, What Makes a Baby is a book for every kind of family and every kind of kid.…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, I am uniquely qualified to uncover the policies and practices of adoption.
The history of adoption, reframed through the voices of adoptees like me, and mothers who have been forced to relinquish their babies, blows apart old narratives about adoption, exposing the fallacy that adoption is always good.
In this story, I reckon with the pain and unanswered questions of my own experience and explore broader issues surrounding adoption in the United States, including changing legal policies, sterilization, and compulsory relinquishment programs, forced assimilation of babies of color and Indigenous babies adopted into white families, and other liabilities affecting women, mothers, and children. Now is the moment we must all hear these stories.
Who Is a Worthy Mother?: An Intimate History of Adoption
Nearly every person in the United States is affected by adoption. Adoption practices are woven into the fabric of American society and reflect how our nation values human beings, particularly mothers. In the wake of the U.S. Supreme Court's overturning of Roe v. Wade, the renewed debate over women's reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, Rebecca C. Wellington is uniquely qualified to uncover the policies and practices of adoption. Wellington's timely-and deeply researched-account amplifies previously marginalized voices and exposes the social and racial biases embedded in the United States' adoption industry.…
