How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
I love this book. Dionne Brand conveys what it means to write through a crystalline web of ideas, poetry, and philosophy. Her profound, evocative, and real tale of imagined conversations between a poet and the clerk charged with dealing with their output is simultaneously familiar and fantastical. I got lost in the beauty of language only to be jolted into the realities of the world as it exists in all its beauty and awfulness.
On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba,…
Prepare yourself for a thrilling and idiosyncratic
ride where a pool of water on Bell’s kitchen floor leads her to investigate
Berlin’s “swampy” past while also trying to make a home
for herself and her sons after a divorce.
Bell, an
Anglo-American art critic and author, shows us how to find undercurrents hidden
below the surface in both history and our own lives and how to put the pieces
together in meaningful if fragmented, new patterns.
I agree with the New York
Times review that we are “mysteriously changed - enriched - by the journey she
has invited us to take.”
Humane, thought provoking, and moving, this hybrid literary portrait of a place makes the case for radical close readings: of ourselves, our cities, and our histories.
The Undercurrents is a dazzling work of biography, memoir, and cultural criticism told from a precise vantage point: a stately nineteenth-century house on Berlin’s Landwehr Canal, a site at the center of great historical changes, but also smaller domestic ones. The view from this house offers a ringside seat onto the city’s theater of action. The building has stood on the banks of the canal since 1869, its feet in the West but looking…
I have been studying Jewish translation for over a decade now. I’m fascinated with the way translation enables dialogue between different languages and cultures without eliminating the differences that make such dialogue worthwhile. Most of my work has been dedicated to translation between Christians and Jews, but I’m also interested in the ways in which translation functioned (and continues to function) within Jewish culture as a means of conversation between different communities, classes, genders, and generations.
Not strictly centered on translation and not exactly a conventional book, this collection of essays is often considered the birthplace of the now widely-used (though often misunderstood) concept of “cultural translation.”
Bhabha is a notoriously demanding author, and reading this book can, at times, feel like entering a conversation already in progress. Bhabha will move from Salman Rushdie, through Joseph Conrad or Walter Benjamin, to Fredric Jameson and Jacques Derrida, often within the space of a single paragraph or page. But Bhabha’s intellectual rigour justifies the effort. This challenging but rewarding book unleashes the radical potential of translation studies.
For Bhabha, translation transcends mere linguistic or even cultural exchange to become a tool for grappling with cultural transformation and difference more generally. It is a way of thinking about resistance and religion, innovation and imitation, politics and power. This book was love at first sight for me, and although I…
Rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity - one that goes far beyond previous attempts by others. In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.
I have been studying Jewish translation for over a decade now. I’m fascinated with the way translation enables dialogue between different languages and cultures without eliminating the differences that make such dialogue worthwhile. Most of my work has been dedicated to translation between Christians and Jews, but I’m also interested in the ways in which translation functioned (and continues to function) within Jewish culture as a means of conversation between different communities, classes, genders, and generations.
If I had to name one book that is almost the exact opposite of Toury’s, it is this one. Venuti’s book is the rare kind of scholarly book one reads over one or two sittings. It is angry, provocative, polemical, and just pure fun.
For Venuti, there is no separating fact from value, and whether it plans to or not, translation (and scholarship on translation) affects change in both text and world—often for the worst. If Toury’s book emulated scientific discourse, Venuti’s reads like a crossover between a political manifesto and a crime novel. Translation is a violent business, shrouded in suspicion and hidden agendas, that need to be exposed through symptomatic readings and critical analyses.
The book ends with a passionate call to action enlisting translators—despite the risks entailed therein—to develop new methodologies that will, as Venuti writes: “make a difference, not only at home [. . .] but…
Since publication over twenty years ago, The Translator's Invisibility has provoked debate and controversy within the field of translation and become a classic text. Providing a fascinating account of the history of translation from the seventeenth century to the present day, Venuti shows how fluency prevailed over other translation strategies to shape the canon of foreign literatures in English and investigates the cultural consequences of the receptor values which were simultaneously inscribed and masked in foreign texts during this period. Reissued with a new introduction, in which the author provides a clear, detailed account of key concepts and arguments in…
I
finally managed to read this book en route from Cambridge to London – my usual
commute to the SOAS office, which has helped with reading the amount of books
indicated above, especially during train strikes.
Okay, the book is Eurocentric
like most Western philosophy, and yes, it should have had more exposure to other
‘magicians’ of thought.
But in entertaining and repeatedly hilarious prose,
Eilenberger teases out some extremely interesting anecdotes of some of the most prominent minds of human history: philosophers such as Walter Benjamin, Martin
Heidegger, Ludwig Wittgenstein, and Ernst Cassirer who shaped almost everything
that we know. Their knowledge appears in places that you and I never expected.
AN ECONOMIST, GUARDIAN AND NEW STATESMAN BOOK OF THE YEAR
A gripping narrative of the intertwined lives of the four philosophers whose ideas reshaped the twentieth century
The year is 1919. Walter Benjamin flees his overbearing father to scrape a living as a critic. Ludwig Wittgenstein, scion of one of Europe's wealthiest families, signs away his inheritance, seeking spiritual clarity. Martin Heidegger renounces his faith and aligns his fortunes with Husserl's phenomenological school. Ernst Cassirer sketches a new schema of human culture on a cramped Berlin tram. The stage is set for a great intellectual drama. Over the next decade…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
There are numerous reasons why this text should be read. Personally, Benjamin's reflections on progress and history are crucial to a critique of capitalist modernity.
From a methodological perspective, this text allows the reader to enter Benjamin's laboratory and grasp the essential aspects of his groundbreaking methodology that merged cultural analysis, historical research, and philosophical reflection. Benjamin's unique approach combined elements of sociology, anthropology, and literary critique, creating a multidisciplinary work that defied conventional boundaries.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
Dina Gold is the author of Stolen Legacy: Nazi Theft and the Quest for Justice at Krausenstrasse 17/18, Berlin. After postgraduate degrees from London and Oxford universities, Dina spent over twenty years working as an investigative journalist and television producer at the BBC in London. She now lives in Washington DC and is a senior editor and film critic at Moment magazine.
If you are Jewish and have ambivalent feelings about visiting Berlin, then this could be the book for you. Leonard Barkan is a professor at Princeton where he teaches in the Department of Comparative Literature. A Jewish American, growing up in a secular New York family, his book is a personal reflection on traveling in the city.
Berlin for Jews is part history and part travel guide. Barkan shows how, in the early nineteenth century, Jews dominated the arts, sciences, and public life and the way in which, despite the horrors of the Nazi era, they left an indelible imprint on the Berlin of today. The book, described as a “love letter” to the city, takes the reader through some of the most iconic locations of Jewish life and describes the long-lost elegant Jewish suburbs, salons, writers, artists, politicians, philanthropists, art collectors, and intellectuals. And throughout, Barkan muses on what…
What is it like to travel to Berlin today, particularly as a Jew, and bring with you the baggage of history? And what happens when an American Jew, raised by a secular family, falls in love with Berlin not in spite of his being a Jew but because of it? The answer is Berlin for Jews. Part history and part travel companion, Leonard Barkan's personal love letter to the city shows how its long Jewish heritage, despite the atrocities of the Nazi era, has left an inspiring imprint on the vibrant metropolis of today. Barkan, voraciously curious and witty, offers…
I'm currently an Honorary Fellow in Social Theory at the University of York, U.K. For more than five decades I've been working to promote more reflexive perspectives in philosophy, sociology, social theory, and sociological research. I've written and edited many books in the field of social theory with particular emphasis upon questions of culture and critical research in the expanding field of visual culture. Recent projects include Interpreting Visual Culture(with Ian Heywood), The Handbook of Visual Culture, and an edited multi-volume textbook to be published by Bloomsbury,The Bloomsbury Encyclopedia of Visual Culture. The passion to understand the thought and visual culture of both the ancient and modern world continues to inform my work.
Like most of Benjamin’s essays and books, "The Work of Art" essay is a dialectical study of the material conditions of the possibility of the work of art in the context of the conditions of modern reproduction techniques. Benjamin delineates a visual phenomenology of the essential features of the traditional artwork (its singularity in time and place, its disengagement from mundane experience, its provocation of thought and reflection, and its local `auratic’ presence). This frames the background to the question of the fate of art in an era where the singular work of art can be replicated and endlessly reproduced through technological means.
The artwork achieves a massive expansion in terms of audience reception and interpretation, but it is also stripped of its `aura’ and transgressive 'presence’. This analysis allows Benjamin to explore the impact of modernity upon structures of experience as a dialectical `loop’ that circles back upon the…
Essays and reflections from one of the twentieth century’s most original cultural critics, with an introduction by Hannah Arendt.
Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and Brecht’s epic theater. Illuminations also includes his penetrating study “The Work of Art in the Age of Mechanical Reproduction,” an enlightening discussion of translation as a literary mode; and his theses on the philosophy of history.
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
Walter Benjamin was a Jewish German philosopher who escaped Nazi Germany only to commit suicide upon arrival in Spain.
This book captures an earlier time in his life, when he was still hopeful, an idealist in search of intellectual adventures and political transformation. He went to Moscow to define his political vision and found a city both seductive and elusive. The intense winter scenes in the deep Muscovite cold are unforgettable, even though he mentions them almost in passing.
Benjamin had another reason to go to Moscow: he was in love. But the woman he wished to pursue was also elusive, unavailable both in practical and emotional terms. The book speaks to the fascination Western leftist intellectuals have had with Russian culture and politics, turning to Russia as an alternative to a corrupt West.
Benjamin’s reflections about philosophy, history, and the Moscow of the 1920s makes me fantasize about our…
The life of the German-Jewish literary critic and philosopher Walter Benjamin (1892-1940) is a veritable allegory of the life of letters in the twentieth century. Benjamin's intellectual odyssey culminated in his death by suicide on the Franco-Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is unique among Benjamin's writings for the frank, merciless way he struggles with his motives and conscience.
Perhaps the primary reason for his trip was his affection for Asja Lacis, a Latvian Bolshevik whom he had first met in Capri in 1924…
I am an art historian and was professor of art history at MIT, Tufts, Harvard, and elsewhere. As an undergraduate I studied Jewish history and philosophy and subsequently was assistant editor at Schocken Books focusing on art history and history of ideas. My graduate work was in art history, first in medieval manuscripts and then 19th century French art. I’ve written four books, edited four others, and made 30 documentaries, mostly on art. The French government knighted me “Chevalier dans l’ordre des arts et des lettres.”
This remarkable biography has been hugely important to me in the understanding of the great German writer and critic Walter Benjamin. His essays, particularly on the 19th century Arcades, were the basis of my study, "A Human Comedy, Physiognomy and Caricature in 19th century Paris". Eiland and Jennings biography, based on enormous research, introduce us to this complex and enigmatic character and his brilliant criticism.
They provide a revealing portrait of his brief life in the shadow of European catastrophe. Their consummate understanding of Benjamin’s complex layered work gives new insight into this highly influential thinker. A scholarly work of the first order, written with wisdom and compassion.
Walter Benjamin is one of the twentieth century's most important intellectuals, and also one of its most elusive. His writings-mosaics incorporating philosophy, literary criticism, Marxist analysis, and a syncretistic theology-defy simple categorization. And his mobile, often improvised existence has proven irresistible to mythologizers. His writing career moved from the brilliant esotericism of his early writings through his emergence as a central voice in Weimar culture and on to the exile years, with its pioneering studies of modern media and the rise of urban commodity capitalism in Paris. That career was played out amid some of the most catastrophic decades of…
