Foreign policy has been my passion since I was a child. My father was a civil servant and growing up in India, I always wanted to follow in his footsteps but instead of working on domestic issues, I wanted to work on international affairs. History was another passion of mine and I wanted to combine the two of them in such a way that I studied the past in order to explain the present and help the future. This passion led me to enroll in a PhD program in the United States and then work at a think tank. I have written three books, two of which focus exclusively on foreign policy. I hope you enjoy reading the books I have listed and read my book.
This is a book by a former top diplomat of India that lays out in a clear and concise fashion India’s priorities, its interests, and its concerns. Real life examples are cited to explain the choices India made, or didn’t make, and the reasons behind those decisions. As someone who is passionate about foreign policy, and who loves archival research, I loved reading a book written by a practitioner in which he tells you about the challenges they face and the real-life choices they have to make.
A look behind the scenes of some of India's most critical foreign policy decisions by the country's former foreign secretary and national security adviser.
Every country must make choices about foreign policy and national security. Sometimes those choices turn out to have been the correct ones, other times not. In this insider's account, Shivshankar Menon describes some of the most crucial decisions India has faced during his long career in government - and how key personalities often had to make choices based on incomplete information under the pressure of fast-moving events.
Menon either participated directly, or was associated with, all…
Plus, Tracey's
2, and 7-year-old's favorite books.
Why did Tracey's
7-year-old love this book?
He enjoys this brilliant story about a girl
who develops a friendship with a wild leopard.
He really likes the leopard and
the jungle. The jungle is next door to the girl’s school. One day, the leopard
gets stolen and the girl wants to rescue him. The author of this book came to
talk at his school. Now he is looking for her other books to read too.
From the author of The Girl Who Stole an Elephant comes another brilliant escapade. The third thrilling adventure set in a fictional Sri Lanka is jam-packed with peril, poachers and an endangered leopard!
Selvi is a wild child who loves climbing in the beautiful mountains behind her home. She is often joined by Lokka, a leopard with a beautiful coat and huge golden eyes. When hunters come for Lokka, Selvi is determined to fight.
But what can she do against such powerful enemies? Turn to her friends, of course! Now they just need the perfect plan...
I have always been fascinated by beauty and art. As a child growing up in India, I sketched frequently. Later, I became obsessed with photography. In 1999, I moved from my first academic job to join the newly forming Center of Cognitive Neuroscience at the University of Pennsylvania.The move was an opportunity to rethink my research program. In addition to studying spatial cognition, attention, and language, I decided to investigate the biological basis of aesthetic experiences. At the time there was virtually no scholarship in the neuroscience of aesthetics. It has been an exciting journey to watch this field grow. And, it has been exhilarating to start the Penn Center for Neuroaesthetics, the first research center of its kind in the US.
Ellen Dissanayake was a primary force in the modern era to bring evolution into the conversation of why we have and often revere art. For her, art promotes social cohesion in small groups and making objects special through ritual lies at the root of making art. If you want to learn about how evolution might have promoted the creation of art, this book is the place to start.
"Dissanayake argues that art was central to human evolutionary adaptation and that the aesthetic faculty is a basic psychological component of every human being. In her view, art is intimately linked to the origins of religious practices and to ceremonies of birth, death, transition, and transcendence. Drawing on her years in Sri Lanka, Nigeria, and Papua New Guinea, she gives examples of painting, song, dance, and drama as behaviors that enable participants to grasp and reinforce what is important to their cognitive world."-Publishers Weekly"Homo Aestheticus offers a wealth of original and critical thinking. It will inform and irritate specialist, student,…
Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.
If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.
The great temples of the Indian subcontinent are uniquely fascinating spaces. Steeped in mythology and history, they are windows into a complex, often contrary culture. Where the Gods Dwell delves into the ‘(hi)stories’—history and mythology—of thirteen architectural marvels that have inspired awe, and not only in the hearts of the faithful.
Every essay in this book is an intriguing mix of historical detail, mythological narrative and architectural commentary, supplementing and complementing each other to tell a story that is more than the sum of its parts. From Pashupatinath in Nepal to the Nallur Kandaswamy in Sri Lanka, the Kamakhya in…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
Another book that I highly recommend is Vanni. It has a brilliant mix of deft cartoon imagery and meticulously researched verbatim materials.
Dix and Pollock recount the story of one Tamil family’s journey from war-torn Sri Lanka to a place of troubled refuge in the UK.
Vanni’s depiction of Tamil communities, caught in the crossfire of the brutal conflict between the Sri Lankan state and the Tamil Tigers, the devastating tsunami that hits the region, and then the refugee crisis that follows is an important and necessary reportage on one of the world’s most under-reported conflicts.
In the tradition of Maus, Persepolis, Palestine, and The Breadwinner, Vanni is a graphic novel documenting the human side of the conflict between the Sri Lankan government and the "Tamil Tigers." Told from the perspective of a single family, it takes readers through the otherwise unimaginable struggles, horrors, and life-changing decisions families and individuals are forced to make when caught up in someone else's war.
Set in Vanni, the northern region of Sri Lanka that was devastated by the civil war, this graphic novel follows the Ramachandran family as they flee their home after the 2004 tsunami and move from…
When my father died in 1998, bladder cancer, I was 41 years old and privileged to be his primary caregiver for five weeks. My first major loss and it was as though a mack truck had been driven through my chest. Ten years later, my mother died, after nine years of dementia, which is like losing someone twice. That was a more ravaging grief. Twelve years later, my nephew died, a month away from his 36th birthday. And in 2022, one close friend of mine took his own life and another died of cancer at age 57. Grief is the subject I gravitate toward in the books I read and the essays I write.
This book is about the most horrifying loss imaginable: the author loses her parents, her husband, and her two young sons all at once, in the tsunami in the Indian Ocean, the day after Christmas, 2004. She and her family were spending the holiday in Sri Lanka when the wave hit and overtook the jeep in which they were attempting to flee. I can’t come up with a better justification for suicide than this—she’s lost everyone; she wonders why she was spared, just to suffer these losses every minute of every hour of every day. The book is both a horror story and a testament to human strength. I assure you, you won’t be able to put it down.
The book opens and we are inside the wave: thirty feet high, moving at twenty-five mph, racing two miles inland. And from there into the depths of the author's despair: how to live now that her life has been undone?
Sonali Deraniyagala tells her story - the loss of her two boys, her husband, and her parents - without artifice or sentimentality. In the stark language of unfathomable sorrow, anger, and guilt: she struggles through the first months following the tragedy -- someone always at her side to prevent her from harming herself, her…
I’ve turned lessons from a 30-year career with the Central Intelligence Agency into crime fiction loaded with intrigue and deception. My Detective Emilia Cruz mystery series pits the first female police detective in Acapulco against Mexico's drug cartels, government corruption, and social inequality. Readers will love Detective Cruz’s complex plots, fast action, and exotic location. I’m originally from upstate New York, the setting for the upcoming Galliano Club thriller series. My family tree includes a mayor, a Mensa genius, and the first homicide in the state of Connecticut with an automatic weapon. After killing two people, including his wife, my great-grandfather eluded a state-wide manhunt. He was never brought to justice.
I love the combination of a historical mystery with a
little-known location, but this book also charmed me with a spare but fluid
writing style. Ceylon in the 1930s under British rule (today Ceylon is
the independent nation of Sri Lanka) sets the first book in the addictive Inspector Shanti de Silva mystery series
in a riveting yet mostly overlooked moment in history. Add a superbly written
cast of characters and set them at odds against each other, and I’m hooked on
the whole series.
De Silva is the head of a 3-person police force in the
smallish city of Nuala where he must straddle the divide between the local
population and his British bosses. Reports of a cruel tea plantation owner lead
to a missing worker and the owner’s suspicious debt. A dubious business
associate, a frazzled wife, and a chatty mynah bird all combine to add layers
of…
Meet Inspector Shanti de Silva, the new chief of police in Nuala, a sleepy town in the beautiful tea country of colonial Ceylon. He moved from the big city in search of a quiet life, but now that he’s faced with the suspicious death of an arrogant plantation owner, it looks like Nuala won’t be as peaceful as he’d hoped. He’s going to need all his experience to unravel the mystery and prove his worth to his new British boss. A vintage-style mystery set in the 1930s, spiced with colourful characters and a dash of humour.
I fell into the world of tea by chance in the 1980s when I gave up a career in higher education to open a 1930s style tearoom in southwest London. I grew up in the 1950s in a typical British family that drank tea throughout the day but little did I know, as I baked endless supplies of scones and cakes for the tearoom at 4 am every day, that I would end up writing books and magazine articles, editing a tea magazine for the UK Tea Council, speaking at world tea conferences, training staff in hotels, travelling to almost every major tea producing country, and eventually working today as Director of Studies at the UK Tea Academy.
I dip into this must-have book all the time – for pleasure but also to learn and check facts. The four authors own the wonderful tea store, Camellia Sinensis in Montreal, Canada. They are extremely experienced in tasting and selecting teas from around the world for their business and just love sharing their infectious passion for tea and their extensive knowledge of the growing regions, growers, and manufacturers. As well as discussing the most important tea origins, they highlight some of the personalities and industry specialists they have met on their tea journey and whose insights help us understand the day-to-day work of tea gardens and factories. The book also includes invaluable advice on brewing and tasting tea, and the section on tea and gastronomy offers some absolutely stunning recipes for cooking with tea.
An updated edition of the "World's Best Tea Book" acclaimed by the 2014 World Tea Awards.
This widely praised bestseller has been updated to incorporate the changing tastes of tea drinkers, developments in production, the impact of climate change and an expanded and more highly developed tea market. This third edition improves Tea with this revised and extended content plus new photographs.
TeaTime Magazine called Tea "the reference work we've been waiting for", noting its value to students. Library Journal praised it as a "definitive guide to tea (that) will appeal to die-hard tea enthusiasts." Tea House Times found it…
I was born in South Africa. My mother was a daughter of Polish immigrants, while my father was a first-generation Jewish Lithuanian (a ‘Litvak’). I emigrated at 20 and have spent much of my life in Europe, with extended periods in Nigeria, the Caribbean, and back in South Africa. Being mobile and displaced is both part of my personal experience and my chosen professional career. Although I do work on other themes (like island societies, creolization, and globalization) I found myself increasingly writing on migration and diaspora.
The issue of when one can call a dispersal a ‘diaspora’ has been a long-running debate between those interesting in diasporas. Displaced peoples can return, fragment, or assimilate. What factors are in play that impel any one ethnic group to cohere, link to similar communities aboard and continue to connect, emotionally and in other ways, to their place of origin? This is a tough question to answer and Van Hear has a brave try in answering it. He has undertaken field research in Africa and Sri Lanka and his command of the sources and comparisons is impressive. Of course, there are many refugee flows that post-date this book, but it nonetheless stands as a first crack at addressing the issue of diasporic formation.
Charts the connections between migrations crises and the formation and demise transnational communities, looking at 10 contemporary migration crises aroun the world. Examines factors that are accelerating and constraining the growt of transnational communities, and provides a perspective on the soc
I have specialised in writing about radicals and non-conformists who seem to me to be the most interesting people in the world. I like books about people doing challenging things and making a difference. I love travelling to obscure archives in other countries and finding the riches of personal papers in dusty old rooms curated by eccentric archivists who greet me like an old friend.
The Sri Lankan feminist Kumari Jayawardena produced this groundbreaking history in 1986 and it has never been out of print. It told me so many things I didn’t know, for example how Chairman Mao’s early radicalism was centred on women’s issues: a social system which so subjected women must be brought down; Marxism was a later add-on (but don’t tell the Chinese Communist Party, they don’t like to acknowledge this fact).
For twenty-five years, Feminism and Nationalism in the Third World has been an essential primer on the late nineteenth- and early twentieth-century history of women's movements in Asia and the Middle East. In this engaging and well-researched survey, Kumari Jayawardena presents feminism as it originated in the Third World, erupting from the specific struggles of women fighting against colonial power, for education or the vote, for safety, and against poverty and inequality. Journalist and human rights activist Rafia Zakaria's foreword to this new edition is an impassioned letter in two parts: the first to Western feminists; the second to feminists…
