I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
This book is probably among the first ones written by a Pakistani author on the history of the 1971 war, aka Liberation War of Bangladesh, which thrilled me as a reader. It challenges not only the statist-nationalist accounts of Pakistan but those from India and Bangladesh as well.
Anam, the author, accomplished commendable work by talking to people across the cartographies and bringing up diverse and contradictory perspectives about the pretexts and events of 1971-related politics. While after all these years, both the state and society of Pakistan and Bangladesh remained taboo to each other, such a venture appears to be the silver lining of knowledge sharing between the entities in the two territories.
Unsettling for the conformists, nationalists, and statists, this piece of work is a must-read for everyone interested in the region.
The year 1971 exists everywhere in Bangladesh-on its roads, in sculptures, in its museums and oral history projects, in its curriculum, in people's homes and their stories, and in political discourse. It marks the birth of the nation, its liberation. More than 1000 miles away, in Pakistan too, 1971 marks a watershed moment, its memories sitting uncomfortably in public imagination. It is remembered as the 'Fall of Dacca', the dismemberment of Pakistan or the third Indo-Pak war. In India, 1971 represents something else-the story of humanitarian intervention, of triumph and valour that paved the way for India's rise as a…
When I started teaching a course on the Political Economy of the Environment at the University of Massachusetts Amherst, little had been written that made the connection between environmental quality and economic inequality. Happily, this has changed over the years. The books recommended here mark the rise of a new environmentalism founded upon recognition that our impact on nature is interwoven closely with the nature of our relationships with each other.
Gender is a major axis of disparities in power and wealth.
In this pioneering book, Indian economist Bina Agarwal mapped women’s access to land in South Asia, lifting up the key role of rights to natural resources in human well-being.
Her account of the Bodhgaya movement, a struggle by peasant women against inequity and patriarchy in the 1970s and 1980s, has special resonance for me because I Iived there and saw firsthand the cruelties of semi-feudal landlord rule.
This is the first major study of gender and property in South Asia. In a pioneering and comprehensive analysis Bina Agarwal argues that the single most important economic factor affecting women's situation is the gender gap in command over property. In rural South Asia, the most significant form of property is arable land, a critical determinant of economic well-being, social status, and empowerment. But few women own land; fewer control it. Drawing on a vast range of interdisciplinary sources and her own field research, and tracing regional variations across five countries, the author investigates the complex barriers to women's land…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography – be it travel, documentary, street or reportage – is my passion. The following are but five of five hundred books I’d love to recommend.
Legendary travel photog Steve McCurry has developed a bad reputation over the decades for reportedly mistreating his subjects (notably “Afghan Girl” Sharbat Gula), for allegedly staging and digitally manipulating images (as opposed to the candid shots he claims they are), and for profiting handsomely from it all. But gosh dang if his photographs aren’t gorgeous! In light of his purported misdeeds, I do not intend on dropping any more money on his newest retrospective books, but 2000’s South Southeast – based on his early work in Asia – will always remain on my bookshelf.
This is a portfolio of the best of Steve McCurry's photography, showing classical, magical and powerful images from South and Southeast Asia.
McCurry takes photographs all over the world, for National Geographic magazine and his own projects, but it is the people, places, colours and forms of South and Southeast Asia that Steve has found most inspiring. It is in Afghanistan, India, Sri Lanka, Cambodia and Mynamar (Burma) that McCurry has captured his most sublime photographs to create images that transcend their original editorial purpose to become timeless classics of our era.
South Southeast features 69 photographs, each one with…
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
Willem van Schendel is one of those first few names who are the authority on Bengal Borderland. Schendel's interest in the Bengal Borderland and Bangladesh has been persistent for decades.
This particular volume is significant because the author focused on the complex and intertwined relationship between border-making in the region and the historical perpetuation of 1947. The book helps one to see how the Partition, far from being an event from the past, has yet been unfolding in the lands and lives of people living there. I consider it to be an intervention of both Partition studies and Borderland studies.
A historian by training, Schendel has taken his methodological venture into the realm of anthropology, and his empirical research reciprocated the political history with a rich social corpus.
'The Bengal Borderland' constitutes the epicentre of the partition of British India. Yet while the forging of international borders between India, Pakistan, Bangladesh and Burma (the 'Bengal Borderland') has been a core theme in Partition studies, these crucial borderlands have, remarkably, been largely ignored by historians.
I teach anthropology but find my niche in the blurred zone of history and anthropology. My research interests include South Asian Studies; Historiography; Memory/Forgetting, and Postcolonial Nation, State, and Nationalism. My book Partition as Border-Making draws upon ethnographic details, using oral historical accounts from the Bengal borderland and archival materials. Focusing upon the significance of the mundane in history and its presentness, this research contributes to understanding postcolonial South Asia beyond “indocentrism.” At present, I am co-editing a Bangladesh Reader. In 2021, I jointly conducted a research project on the Partition migrants to Dhaka in partnership with Goethe Institute, Bangladesh.
Reading Guha was an eye-opening experience for me for at least two reasons. One, he was the founding figure of subaltern historiography; and two, abandoning the colonial knowledge project, he introduced a whole new horizon of South Asian studies to his readers. First by acknowledging and then by understanding the consciousness and politics of the colonial marginal, Guha explored peasant insurgency in a new light.
In his battle against colonialist and nationalist historiographies, Guha also distanced himself from his Marxist colleagues in history.
This classic work in subaltern studies explores the common elements present in rebel consciousness during the Indian colonial period. Ranajit Guha-intellectual founder of the groundbreaking and influential Subaltern Studies Group-describes from the peasants' viewpoint the relations of dominance and subordination in rural India from 1783 to 1900. Challenging the idea that peasants were powerless agents who rebelled blindly against British imperialist oppression and local landlord exploitation, Guha emphasizes their awareness and will to effect political change. He suggests that the rebellions represented the birth of a theoretical consciousness and asserts that India's long subaltern tradition lent…
I have a passion for this topic because I too am a South Asian author. I read these books to stay informed about the latest ideas shaping our understanding of the South Asian young adult, both within and outside of the geographical boundaries of South Asia. I want to see more stories out there with South Asian themes, characters, settings— contemporary stories in particular. I’d like to see South Asians in ordinary life and not stereotypical situations like The Indian Wedding. We have so many stories to tell! I hope you enjoy the books on this list as much as I have!
It is hard to say whether the stories of Malgudi Days are for children or adults. R.K. Narayan, the pioneer of early Indian literature in English, has written a series of delightful books based upon a fictional village called Malgudi. This first one is a collection containing 32 short stories, a series of lovable characters. I especially love how he portrays the teen angst of characters like Iswaren, Ramu, and Sambu whose lives determined by passing exams, are so far from the lives of South Asian teens in the West. Unlike today’s stories with pacing and riveting plots, this one is a lesson in slowing down to take a deep and close examination of Indian rural life, particularly for these young adults in Malgudi.
Introducing this collection of stories, R. K. Narayan describes how in India 'the writer has only to look out of the window to pick up a character and thereby a story'. Malgudi Days is the marvellous result. Here Narayan portrays an astrologer, a snake-charmer, a postman, a vendor of pies and chappatis - all kinds of people, drawn in full colour and endearing domestic detail. And under his magician's touch the whole imaginary city of Malgudi springs to life, revealing the essence of India and of human experience.
I have a passion for this topic because I too am a South Asian author. I read these books to stay informed about the latest ideas shaping our understanding of the South Asian young adult, both within and outside of the geographical boundaries of South Asia. I want to see more stories out there with South Asian themes, characters, settings— contemporary stories in particular. I’d like to see South Asians in ordinary life and not stereotypical situations like The Indian Wedding. We have so many stories to tell! I hope you enjoy the books on this list as much as I have!
Indians born in the USA are all clubbed under the euphemism, “ABCD.” In other words, American Born Confused Desi. Desi loosely translates as Indian native. There is some truth to this as the question of identity hits each of us when we enter young adulthood. Ethnicity is a huge part of this, and for Indian Americans it is a double whammy—they are so different from their peers born and raised in India, yet so different to their American peers too. I love how Tanuja addresses these challenges in her story.
Tanuja Desai Hidier's fantastically acclaimed cross-cultural debut comes to PUSH!
Dimple Lala doesn't know what to think. Her parents are from India, and she's spent her whole life resisting their traditions. Then suddenly she gets to high school and everything Indian is trendy. To make matters worse, her parents arrange for her to meet a "suitable boy." Of course it doesn't go well -- until Dimple goes to a club and finds him spinning a magical web . Suddenly the suitable boy is suitable because of his sheer unsuitability. Complications ensue. This is a funny, thoughtful story about finding your…
Whether I read fiction, non-fiction, poetry, or prose, I especially love books by authors whose voices resonate with authenticity and originality, and who write imaginative page-turners about characters who change and grow personally, regardless of the difficulties they face in life. When their changes lead to creating conducive conditions for others to thrive, I feel gratified and inspired by them. As a practicing psychotherapist and writer I have devoted my career to supporting people in discovering and nurturing the creative sparks within themselves. My PhD in psychology and Post-Doctoral studies, presentations, and publications over the past 45 years have focused on the healing aspect of the creative process.
Barbara Small’s novel is about the interwoven lives of a Black family and a White family facing the challenges of surviving while raising their children in the Jim Crow South during the Great Depression.
The vivid language and sense details of Faith’s Reckoning transported me completely into the very different worlds the characters experienced in this riveting page-turner. What I loved most was how they transformed their suffering into a desire to improve the worlds they inhabited, not only for themselves but also others. The personal reckonings they made by changing their lives evoked a depth of empathy that has changed me.
These characters continue to stay in my heart, and like friends I cherish them still. In fact, I hope to see a sequel and a movie one day!
My debut duet came out of necessity to handle the grief of losing our first child almost thirty years ago. As part of my writing journey, I searched for stories by people like me, migrants who draw on their upbringing and living with their heritage in their adopted country. One thing I came across was the use of the language, the food, and the many family gatherings and music. I enjoyed reading of people from all communities and liked exploring new cultures and these books do just that for me. They take me to families who embrace the joy of their life in a foreign land.
Bhog’s Sehgal saga takes you to the world of India’s mega-rich. Kabier Sehgal returns to India to take over the running of Sehgal Systems from his grandfather, Janak Sehgal. Janak is a loveable grandfather figure, who keeps a close eye on his grandchildren and is a mentor to many of their friends too. Keya Karia is one of the trio known as Janak’s Angels, the other being Sheena Sehgal and Raashi Dewan. In this enemy-to-lover romance, Kabier suspects Keya of selling company secrets, but their instant chemistry plays havoc with their lives. As Sheena’s wedding nears, they admit their feelings. Bhog’s books take you to the world of found families and the joy of lifelong friendships and to the world of crazy rich South Asians.
"A must reader for all the romantic people out there." - Amazon Reader
Enter a world of glamour, wealth and beautiful people. Enter the world of the Sehgals!
He made a mistake and now he will pay the price for it...with his heart. KABIER SEHGAL, scion of the Sehgal empire, has returned to India to take over the helm of his companies from his grandfather. His first mission is to find out who is selling his company's secrets. When the suspicion falls on KEYA KARIA, he decides to work closely with her to expose her fraud. He accuses her of…
From my days as a student in India in the early 1970s through my years in the U.S. Foreign Service with postings in Pakistan, Bangladesh, and Kenya, as well as assignments to the India, Kenya, and Uganda desks at the Department of State, I learned something of the cultures of South Asia and East Africa and gained an appreciation for the peoples of those countries. During the early months of the Covid-19 pandemic, I had the time to write. I developed a novel that was part autobiography and part fiction, and most of which was set in South Asia and East Africa. The result is Danger and Romance in Foreign Lands.
Kenya was an exotic territory for British colonial interests in the late 19th century. For reasons almost impossible to understand today, the British decided to build a railroad from Mombasa, the seaport on the Indian Ocean, through the Kenyan savannah, to Kampala, a city of some riches in the far interior of what is now Uganda. The story of the building of the railroad at the end of the 19th century is hair-raising, thanks to Miller’s classic history, as imported Indian workers had to endure predatory lions, harsh climates, and raging rivers to forge across the frontier. That the railroad to nowhere was completed is a tribute to those Indian workers and their intrepid British overseers.
Today, one can take the train from Mombasa to Nairobi, some three hundred miles distant, either in the daylight, hoping to spy some wildlife, or in a sleeping berth at night. I…
In 1895, George Whitehouse arrived at the east African post of Mombasa to perform an engineering miracle: the building of the Mombasa-Nairobi-Lake Victoria Railway - a 600-mile route that was largely unmapped and barely explored. Behind Mombasa lay a scorched, waterless desert. Beyond, a horizonless scrub country climbed toward a jagged volcanic region bisected by the Great Rift Valley. A hundred miles of sponge-like quagmire marked the railway's last lap. The entire right of way bristled with hostile tribes, teemed with lions and breathed malaria.
What was the purpose of this 'giant folly' and whom would it benefit? Was it…
