Science Fiction was just something that we did as a family growing up. We’d always gather to watch various iterations of Star Trek as family. Family movie nights usually consisted of whatever science fiction titles the local movie rental place would have on hand, which usually meant watching a lot of B-movie junk, but it was fun. It might sound silly, but I think growing up with all those science fiction movies and books really informed my career choice, electrical engineer. You see, in these movies and books the women just got the job done. I thought, why can’t I do it too??
This is somewhat science fiction, but more of an alternate historical fiction novel. This is the first in the Lady Astronaut series. It starts off with a bang, literally, when a meteorite hits Earth in 1952. This meteorite destroys much of the east coast and sets off a ticking time bomb where Earth will no longer be habitable in a matter of decades. Now there is a full effort to colonize space so humans can find another home. Women who were once thought not able to become astronauts are now able to vie for spots in the Astronaut Corps along with their male counterparts. I love science history and reading about the women “calculators” of this area (Katherine Johnson, Rear Adm Grace Hopper, etc.). So if there’s a space adventure set in this era, count me in!
A meteor decimates the U.S. government and paves the way for a climate cataclysm that will eventually render the earth inhospitable to humanity. This looming threat calls for a radically accelerated timeline in the earth's efforts to colonize space, as well as an unprecedented opportunity for a much larger share of humanity to take part.
One of these new entrants in the space race is Elma York, whose experience as a WASP pilot and mathematician earns her a place in the International Aerospace Coalition's attempts to put man on the moon. But with so many skilled and experienced women pilots…
I’ve loved stories of space, and especially space operas, since I was a child watching Star Trek reruns with my dad. I love the ways very different cultures can work together toward a common goal, but also the many ways those cultures can butt into each other and cause friction. While you can certainly tell stories about that kind of thing on Earth, science fiction lets you tell it writ large, without smacking any particular human group over the head with their differences. I love the way you can tell a story about humans today by focusing on struggles between alien cultures that aren’t a part of our everyday experience.
In most space opera novels, humans are the absolute best. Whether they began the government they belong to, or came to it later, they’re specialin a way that makes the universe better. Melinda Snodgrass’ The High Ground is different. In her series, humans went into space, met aliens, and conquered nearly everyone they met. Now the aristocrats of the Solar League spend their time on balls and dancing, while in the dark, a new menace approaches. This is an action series, but the heart of the story is the relationship between Mercedes, eldest daughter of the Emperor, and Tracy, the common-born son of a tailor, thrust together by circumstance and torn apart by the realities of their society. It’s a great series, full of adventure, political infighting, and humans—some of them, anyway—learning to be better people.
In the Solar League, those without choice seek the High Ground …
As humanity progresses through the stars, in some ways, it has regressed.The Solar League, under the control of its aristocracy, has conquered many races it has encountered, placing such aliens on the bottom rung of a social order with class and marriage being all important.
As the Emperor’s daughter, Mercedes becomes the first woman to join the Solar Leagues elite military training center, the High Ground. She has everything she could dream of … except a say in her life.
However, Mercedes, along with Tracy, the common born…
My interest in space history began with stamp collecting and continued much later with visits to Russian archives, Star City, and aerospace companies, and interviews with cosmonauts and space engineers, who often told their personal stories for the first time. As a historian of science and technology teaching at MIT, I was especially interested in cases where technology and society intertwined: cosmonauts and engineers lobbied politicians with competing agendas, personal rivalries tore apart ambitious projects, and pervasive secrecy perpetuated public myths and private counter-myths. My digging into tensions and arguments that shaped the Soviet space program resulted in two books, Soviet Space Mythologies and Voices of the Soviet Space Program.
The book interweaves the human story of risk and decision-making and the technological account of successes and failures of onboard computing in the Apollo program. It makes a fascinating comparison with the parallel story of techno-human systems in the Soviet space program explored in my book. While Soviet cosmonauts routinely served as a backup for automatics, American astronauts successfully fought to seize control of their missions from the computer and to perform manually each of the lunar landings.
The incredible story of how human pilots and automated systems worked together to achieve the ultimate achievement in flight—the lunar landings of NASA’s Apollo program
As Apollo 11’s Lunar Module descended toward the moon under automatic control, a program alarm in the guidance computer’s software nearly caused a mission abort. Neil Armstrong responded by switching off the automatic mode and taking direct control. He stopped monitoring the computer and began flying the spacecraft, relying on skill to land it and earning praise for a triumph of human over machine. In Digital Apollo, engineer-historian David Mindell takes this famous moment as…
Nick Albert is British, but for close to 20-years, he has lived in a ramshackle farmhouse in the rural west of Ireland with his wife and several unruly but affectionate dogs. He's the author of the bestselling comedy memoir series, Fresh Eggs and Dog Beds, and the twisty thriller Hunting the Wrecking Crew. Nick's greatest pleasure in life has always been to make people laugh. Although outwardly capable and in control of his life, Nick considers himself to be the poster boy for the saying, "If it can go wrong, it will!" Therefore, he has a good eye for inspiring books about dealing with unexpected events.
This New York Times bestselling memoir of a veteran NASA flight director, tells riveting stories from the early days of the Mercury program through Apollo 11 (the moon landing) and Apollo 13, for both of which Kranz was flight director. As a child of the Apollo era, I was fascinated by the inside story of the moon landing and riveted by how Kranz and his team overcame the impossible and turned a near disaster into a triumph of ingenuity and determination.
The man who headed the "tiger team" that saved the Apollo 13 astronauts gives an insider's view of NASA Mission Control, from the early years of trying to catch up with the Russians to the end of the manned spaced program.
My interest in space history began with stamp collecting and continued much later with visits to Russian archives, Star City, and aerospace companies, and interviews with cosmonauts and space engineers, who often told their personal stories for the first time. As a historian of science and technology teaching at MIT, I was especially interested in cases where technology and society intertwined: cosmonauts and engineers lobbied politicians with competing agendas, personal rivalries tore apart ambitious projects, and pervasive secrecy perpetuated public myths and private counter-myths. My digging into tensions and arguments that shaped the Soviet space program resulted in two books, Soviet Space Mythologies and Voices of the Soviet Space Program.
I was fascinated by how much cultural representations of astronauts and cosmonauts reveal about our societies in this rich and diverse volume. US pop culture is analyzed through astronaut gender representations in TV series, different portrayals of pilots-astronauts and scientists-astronauts in the movies, and the use of American frontier mythology tropes. Comparing representations of spacefarers in different national cultures shows that even glossy magazines carried an ideological message: Soviets traced their achievements to the advantages of socialism, while Americans touted liberty and openness. Finally, cultural attitudes are revealed by media attention to the changing professional, gender, and race demographics of the astronaut corps in the 1980s. In particular, the media treated women astronauts differently from men by emphasizing their feminine traits and family life instead of focusing on space work.
The recent 50th anniversaries of the first human spaceflights by the Soviet Union and the United States, and the 30th anniversary of the launching of the first U.S. Space Shuttle mission, have again brought to mind the pioneering accomplishments of the first quarter century of humans in space. Historians, political scientists and others have extensively examined the technical, programmatic and political history of human spaceflight from the 1960s to the 1980s, but work is only beginning on the social and cultural history of the pioneering era. One rapidly developing area of recent scholarship is the examination of the images of…
I was fortunate to be one of the first NASA Flight Controllers. I supported Mercury, Gemini, and Apollo. I joined the NASA Space Task Group at the Langley Research Center in 1961. My first supervisor was Gene Kranz, a Former F-86 pilot who got there a year before me. He was 28, and I was 25. Gene trained me to take his place as the Operations and Procedures Officer. I later moved up to the Assistant Flight Director position in Gemini and was the Guidance Officer on Apollo 1, which ended in a disastrous fire.
I enjoyed this book because it describes one of the very first Flight Directors; one that people don’t know much about; Glynn Lunney. He was a relatively quiet person but extremely intelligent and capable. He is best known for his leadership in the control center during the Apollo XIII mission and during the Apollo Soyuz mission. He also was the Flight Dynamics Branch Chief that included all of the "Trench" Flight Controllers.
Perfect gift for all the ages. Live the history and leadership of Manned Space Flight...... the Missions that all Countries Celebrated together in Peace and Joy,
My passion for science and technology is the fault of my father, who first took me to Edwards AFB when I was five years old. He would pawn me off on a colleague to keep me busy while he would do the work he needed to do. That meant that I got to wander around the hangars, watching all the fascinating things happening to take the X-15 into space, and getting to meet the people who made it all happen. That passion spilled over into science fiction as well, along with the idea of trying to discover what the universe was not only like, but what it could be.
This book is written by two dear friends who are the reason I am a published author myself. However, I don’t recommend it just because they are close to me, but because it is a wonderful book that kicked off the entire Outward Odyssey series, of which my book is a part. This magnificent book set a new standard for historical work on space exploration by focusing on the people instead of the hardware. The stories you’ll read here will show you why we are who we are and why humans will always strive for the unknown.
It was a time of bold new technology, historic moments, and international jousting on the final frontier. But it was also a time of human drama, of moments less public but no less dramatic in the lives of those who made the golden age of space flight happen. These are the moments and the lives that Into That Silent Sea captures, a book that tells the intimate stories of the men and women, American and Russian, who made the space race their own and gave the era its compelling character. These pages chronicle a varied and riveting cavalcade of human…
I am an author and freelance health and science writer with expertise is in health, nutrition, medicine, environmental sciences, physics, and astronomy. I try to address all these topics with healthy skepticism, realism, and a sense of humanity and humor. I am the author of three books: Spacefarers (2020), Food At Work (2005), and Bad Medicine (2003). I also have written more than 500 newspaper, magazine, and web articles for periodicals such as The Washington Post and Smithsonian Magazine. My upcoming book concerns the engineering of the NASA James Webb Space Telescope (MIT Press, 2022).
During his speech at the World Government Summit 2018 in Dubai, Neil deGrasse Tyson confessed that his original title for the book Space Chronicles: Facing the Ultimate Frontier was Failure to Launch: The Dreams and Delusions of Space Enthusiasts. The publisher rejected this title. I would have purchased this book either way, but the original title is on the mark. Tyson is one of my greatest sources of inspiration because he is so clear-eyed about practical challenges in space travel: from the physical and biological to the political and philosophical. Space Chronicles is one of many fine entry points into his brilliant mind.
Neil deGrasse Tyson is a rare breed of astrophysicist, one who can speak as easily and brilliantly with popular audiences as with professional scientists. Now that NASA has put human space flight effectively on hold, Tyson's views on the future of space travel and America's role in that future are especially timely and urgent.
I’m a sociologist, and I study how technology shapes and is shaped by people. I love my job because I am endlessly fascinated by why people do the things they do, and how our cultures, traditions, and knowledge affect how we interact with technology in our daily lives. I picked these books because they all tell fascinating stories about how different communities of people have designed, used, or been affected by technological tools.
I think I’m on my third or fourth copy of this book, because I keep giving it away! This is an absolutely stunning, gorgeously illustrated book about the spacesuits worn by Buzz Aldrin and Neil Armstrong during the moon landing. The bid to design the suits was won by the Playtex Corporation—the lingerie company!—over a bunch of industrial materials suppliers, because Playtex knew how to design for the body in ways the other firms didn’t. The book is organized into twenty-one chapters, in homage to the twenty-one layers of the spacesuit, and it’s a thing of beauty. It weaves together the history of aeronautics, the politics of the Space Race, technology design, and mid-century fashion so seamlessly, and makes you think about each of these topics differently.
When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: 21 layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of that spacesuit. It is a story of the triumph over the military-industrial complex by the International Latex Corporation, best known by its consumer brand of "Playtex" - a victory of elegant softness over engineered hardness, of adaptation over cybernetics.
Playtex's spacesuit went up against hard armor-like spacesuits designed by…
I’ve followed the history of space exploration since I was a kid! Although I spent decades photographing assignments in exotic international locations and co-authored visually driven books on astronomical phenomena, my dream was to photograph in NASA’s restricted space exploration work cultures. Never giving up, I achieved unprecedented access into the shuttle mission that saved the Hubble Space Telescope and, for more than a decade, with the New Horizons team that first explored the Pluto system. I’ve been published in media like Smithsonian, Nat Geo, WIRED, New Scientist, and NPR. Honored that my photographs of astronaut space tools are in the permanent collection of the Smithsonian’s National Air & Space Museum.
“Weightlessness is like a new toy you get to unwrap every day, again and again — and it’s a great reminder, too, that you need to savor the small stuff, not just sweat it.” One of many lessons learned offered by the Canadian astronaut (yes, the one who sang a creative version of David Bowie’s “Space Oddity”) and flew on both the American Shuttle and Russian Soyuz. Like other next-generation astronauts influenced by the Apollo era, Chris reveals a non-jargon view about training and spaceflight with international crews. As Commander of the International Space Station during Expedition 34/35, he writes, “… don’t assume you know everything, and try to be ready for anything” is wisdom that can be related to here on Earth and up there in space.”
Back on the earth after three spaceflights, Chris Hadfield's captivating memoir An Astronaut's Guide to Life on Earth reveals extraordinary stories from his life as an astronaut, and shows how to make the impossible a reality. This edition contains a new afterword.
Colonel Chris Hadfield has spent decades training as an astronaut and has logged nearly 4,000 hours in space. During this time he has broken into a Space Station with a Swiss army knife, disposed of a live snake while piloting a plane, been temporarily blinded while clinging to the exterior of an orbiting spacecraft, and become a YouTube…
