I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
This chronicle of a doomed reality TV show taping feels the most like a modern found-footage movie of any epistolary novel with its addition of instant messages and video footage to diaries and emails. The converging of different media corroboration adds a high level of realism to the story—an impressive trait that’s often lacking in cosmic horror.
Further, I’m impressed by the breadth of subjects Di Louie covered (Hindu mythology, occult mysticism, 1960s/1970s pop-culture references) and the way he expanded the haunted house trope beyond my expectations.
This book captivated me so much that I was more interested in reading it than in sightseeing while on my vacation.
Fade to Black is the newest hit ghost hunting reality TV show. Led by husband and wife team Matt and Claire Kirklin, it delivers weekly hauntings investigated by a dedicated team of ghost hunting experts.
Episode Thirteen takes them to every ghost hunter's holy grail: the Paranormal Research Foundation. This brooding, derelict mansion holds secrets and clues about bizarre experiments that took place there in the 1970s. It's also famously haunted, and the team hopes their scientific techniques and high tech gear will prove it. But as the house begins to reveal itself to them, proof of an afterlife might…
I’ve been a fanatic of horror, especially Gothic horror since I was about eight years old when I read all of Poe’s short stories. It’s the genre I read most often and the one I’m dedicated to writing about. For me, the most effective horror novels have a setting that is as rich and fully developed as any of the characters. You can battle vampires, zombies, and all of the other delightful monsters out there, but how do you battle what’s trapped in the walls around you? How do you fight a home that hates you? Or one that loves you too much to let you go? It’s endlessly fascinating.
The novel’s prose is breathtaking. Jackson tells us from the start that Hill House is not sane and that sets the tone for the unraveling of the other characters’ minds.
For me, one of the best things about the novel is that it gives the reader space to create their own horrors. Nothing is explicitly stated and that makes it all the more frightening. Add to that an unreliable narrator and this novel captured my mind from the moment I read it.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
While I’ve been a voraciously omnivorous reader my whole life, I’ve always been drawn most to stories that take me into the darkest of dark places, and that sometimes leave me there, alone and without a light. Horror, weird fiction, and the contemporary gothic all have a permanent home in my heart, and they’re the genres in which I most like to play as a writer. Most of all, I love those dark stories that stretch boundaries and defy conventions, that wield language as the beautifully vicious weapon it can be, and challenge me to do the same.
Kiernan is, without question, one of the best practitioners of dark weird fiction working today. I’ve been reading their work almost since I started writing myself and will happily – and gratefully – admit to the early influence on my own writing. While their short stories always held a greater attraction for me personally,The Red Treeis a powerful and ambitious novel that brings together everything I love about their work. Sarah Crowe is burned-out writer fleeing from all her life contains, including herself, and the old, isolated farmhouse chosen as a refuge proves to be precisely the opposite. There are stories nested within stories, autobiography threaded through metafiction, dread mingled with wonder, and a satisfying ambiguity that resists a neat resolution.
Sarah Crowe left Atlanta—and the remnants of a tumultuous relationship—to live in an old house in rural Rhode Island. Within its walls she discovers an unfinished manuscript written by the house’s former tenant—an anthropologist obsessed with the ancient oak growing on a desolate corner of the property.
Tied to local legends of supernatural magic, as well as documented accidents and murders, the gnarled tree takes root in Sarah’s imagination, prompting her to write her own account of its unsavory history.
And as the oak continues to possess her dreams and nearly almost all her waking thoughts, Sarah risks her health…
I’m a weirdo, so of course I’m attracted to the idea that the universe may be weird, too. I like the idea that the universe is able to hold itself together ninety-nine percent of the time, but every once in a while it just has to let its freak flag fly. Even if paranormal experiences are nothing more than waking dreams, they may still be worth our attention (the same as any dream). Even if such experiences aren’t objectively “real”, they’re subjectively fascinating. I love exploring the line between reality and unreality. Like Fort, I don’t believe it to be as cut and dry as mainstream science would have us believe.
Stan Gordon has spent the last fifty years investigating the paranormal in Western Pennsylvania. He’s observed the locations where events allegedly occurred. He’s interviewed witnesses. And, in Silent Invasion, he documents some of his stranger cases.
How strange? Well, in the early seventies Gordon received reports of bigfoot being observed alongside landed UFOs. I love this book because it is so damned weird (but, at the same time, so well-documented). That’s not to say that I find all of Gordon’s anomalies anomalous. (The “metallic droppings” he found out in the woods in 1972 look to me to be Brillo pads.) But many of his other reports are not so easily dismissed.
Stan Gordon began his journey in field investigations of UFOs and other Paranormal encounters in Pennsylvania in 1965. During 1973 UFOs began to make widespread appearances in the sky across the Keystone State. It was during the summer of that year however when a mysterious wave of events began to unfold. Alarmed citizens over a widespread area reported close encounters with huge hairy Bigfoot-like creatures. Frightened residents called local authorities and media outlets reporting enormous footprints and terrified animals. As the pace of the abnormal encounters quickened through the following months, more eyewitness reports of other strange creatures, and a…
As an author of horror and thrillers, I have always been drawn to big mysteries, the darker the better. I blame this fascination on my love of David Lynch movies, which had originated in my early teens and persists to this day. I have also found that incorporating ‘found objects’ into mixed media narratives can help better simulate reality while also twisting it in unpredictable ways. It is no surprise that my debut What the Woods Keep is a mixed media genre-bender. While this storytelling method is not new, recent horror novels have used it in incredibly inventive and impactful ways.
A recent addition to the horror genre, this excellent debut novel excels in creating a surreal narrative drenched in dark atmosphere. To Break a Covenant centers around a terrifying, fractured faux-documentary about a town under control of a sinister presence. I dare you to read creepy descriptions of ‘found’ footage and not feel a chill as this mystery unfolds.
Debut voice Alison Ames delivers with a chilling, feminist thriller, perfect for fans of Wilder Girls and Sawkill Girls.
Moon Basin has been haunted for as long as anyone can remember. It started when an explosion in the mine killed sixteen people. The disaster made it impossible to live in town, with underground fires spewing ash into the sky. But life in New Basin is just as fraught. The ex-mining town relies on its haunted reputation to bring in tourists, but there's more truth to the rumors than most are willing to admit, and the mine still has a hold…
This tale of hauntings in a small
coastal town was so convincing that I found myself avoiding the mirrors in my
house, mirrors being the place where the spirits of the dead take refuge,
patiently waiting to wreak havoc on the living in revenge for the injustices
of the past.
The novel begins with the most vivid and chilling scene I’ve read
in a long time and stayed true to its promise of delivering a gripping story
with creepy Gothic overtones.
I loved how the tragic events in long-dead Emma
Rose’s past bled into the present-day life of the town, creating eerie
connections and unexpected moral conflicts for the ghost hunter who’s been sent
to wipe her out.
Book Pipeline 2017 Grand Prize Winner Winner of the Audiofile Magazine 2018 Earphones Award for Fiction
For fans of Lauren Oliver and Kazuo Ishiguro, The Last to See Me is a spellbinding American ghost story deftly weaving past and present into an unforgettable narrative about a young woman's fight for a life of her own-long after her life is over.
Over one hundred years ago, Emma Rose Finnis was born and died in the remote northern California town she now haunts. When she was alive, she was a lowly chambermaid and worse, a Finnis. Now, no one remembers her hardworking…
I’m a weirdo, so of course I’m attracted to the idea that the universe may be weird, too. I like the idea that the universe is able to hold itself together ninety-nine percent of the time, but every once in a while it just has to let its freak flag fly. Even if paranormal experiences are nothing more than waking dreams, they may still be worth our attention (the same as any dream). Even if such experiences aren’t objectively “real”, they’re subjectively fascinating. I love exploring the line between reality and unreality. Like Fort, I don’t believe it to be as cut and dry as mainstream science would have us believe.
While many readers would cite John Keel’s The Mothman Propheciesas the definitive account of the late ‘60s cryptid sightings in West Virginia, I have a strong preference for Wamsley’s books on the subject. He has reprinted vintage newspaper articles (yes, Mothman sightings were the subject of mainstream local news articles back in the day). He also publishes transcripts of his interviews with witnesses, and photographs of these witnesses. You get to see them and read their accounts, in their own words. They sound credible.
He also makes sure to reprint news articles that offer natural explanations for the sightings. (Was the Mothman just an oversized bird, the sandhill crane? A giant owl? Experimental weather balloons released by a high school science club?)
Look deeper into the mystery of the Mothman legacy with the most extensive collection of data ever assembled. Research materials include: Firsthand eyewitness accounts, Rare documents and press archives, UFO/Men in Black encounters, Silver Bridge disaster, TNT Area archives, Illustrations, maps, and photos.
"Mothman goes under the microscope as Jeff Wamsley continues to dig for more clues to this complex mystery.ﾠ A required investigative resource for those who are searching for answers." - John A. Keel, Author, The Mothman Prophecies.
"More riveting than ever! Once again Jeff Wamsley has put together the definitive, absolutely must-have book on one of the…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
As the name might suggest, this novel is very much a spiritual descendant of Shirley Jackson’s Hill House, with a very similar setup: ghost hunters visit a haunted house that’s been abandoned for decades. That, however, is where the similarities end. In Matheson’s work, the haunting is more physical, with bodily threats to the ghost hunters at every turn, and the psychological and spiritual terror it inflicts does far more damage to them at each step, turning them against each other in violent and sometimes deadly ways.
"Hell House is the scariest haunted house novel ever written. It looms over the rest the way the mountains loom over the foothills." -- Stephen King
From the author of I Am Legend comes Richard Matheson's Hell House, the basis for the supernatural horror film starring Pamela Franklin, Roddy McDowall, Clive Revill.
Rolf Rudolph Deutsch is going die. But when Deutsch, a wealthy magazine and newspaper publisher, starts thinking seriously about his impending death, he offers to pay a physicist and two mediums, one physical and one mental, $100,000 each to establish the facts of life after death.
I’ve heard stories of the 1918 Influenza pandemic, how the soldiers returning from WWI were infected and then spread the disease to every town throughout the United States, and that most who died were very young. The Twenties were exciting times and came immediately after the pandemic. With so much death among young people, those who survived wanted to live life recklessly.
This Picoult novel, written close to the time I began to shape my book, asks whether we can love across time. While the theme is much more grounded in practical and natural circumstances, the fact that the question is teased out in this novel helps shape the same question my character, Adelyn, finds herself embroiled in. Is Innis capable of breaking the barrier using the strength of a first love?
THE INTERNATIONAL BESTSELLER 'Compelling, surprising and entertaining' Heat
Since the death of his fiancee Aimee, Ross Wakeman has been unable to fill the hole she has left in his life. Seeking to end his pain, he becomes a ghost hunter, despite never having seen a ghost.
However, when his job leads him to the town of Comtosook, it becomes apparent that Ross isn't the only one haunted by the past. When he meets the mysterious Lia, who brings him to life for the first time in years, redemption seems around the corner.
I am an author of mysteries with three published books in the genre to date. Novels involving a mysterious house will immediately grab my attention. Throw in an otherworldly presence and I’m hooked. So it was no surprise when my muse guided me to create a mystery series that centers around a Victorian home haunted by the spirits of its original inhabitants. Inspiration came from personal experience—a real-life ghostly encounter in my New England country home which bordered an ancient cemetery—and influence from classic tales that delve into the paranormal and the psychological. This is the type of book I will always rush to read (and write).
The Haunting of Maddy Clare is a historic tale of ghost hunters who find exactly what they are seeking in Maddy Clare—a powerful and angry specter that haunts the barn where she ended her life. The characters are well drawn in a story that offers just the right balance of fright and romantic tension. The atmosphere is as dark and unsettling as one would hope to discover in a story about a haunting spirit, with enough mystery and suspense to keep the reader wondering about the ending for each of the characters—including Maddy Clare herself.
For readers who enjoy mysteries, ghost stories, and romantic suspense…The Haunting of Maddy Clare offers all of that and more.
A woman of limited means and even less experience must confront a vengeful spirit in this haunting novel from the New York Times bestselling author of The Broken Girls and The Sun Down Motel.
1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide.
Maddy hated men in life, and she will not speak to them in death.…
