Here are 97 books that Witchcraft, Oracles and Magic Among the Azande fans have personally recommended if you like
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I am an emeritus professor from Harvard and have spent decades trying to develop an anthropological mode of understanding history. Far from being “one damned thing after another,” as Henry Ford allegedly put it, history is an attempt to understand the human condition. It brings us into contact with people in the past, showing us how they thought, felt, and acted. For many decades, anthropologists have endeavored to do the same thing, concentrating on people separated from us by space rather than time. By applying anthropological insights to historical research, I think it is possible to make the past come alive to modern readers, while at the same time making it interesting and even amusing.
This collection of essays by one of the greatest anthropologists of the last century inspired a whole generation of historians—for example, Joan Scott and William Sewell, Jr. as well as myself. The essays also should appeal to the general reader because of their well-wrought style and wit. Drawing on Max Weber, Geertz treats cultures as symbolic systems and shows how they helped ordinary people make sense of the world. Far from wandering off into abstractions, he offers fine-grained descriptions of actual events, notably a Balinese cockfight in an essay that has been cited and debated endlessly among social scientists.
In The Interpretation of Cultures, the most original anthropologist of his generation moved far beyond the traditional confines of his discipline to develop an important new concept of culture. This groundbreaking book, winner of the 1974 Sorokin Award of the American Sociological Association, helped define for an entire generation of anthropologists what their field is ultimately about.
I am fascinated by the things people do and the reasons they give for doing them. That people also do things in culturally specific ways and that their culturally specific ways of doing things are related to their culturally specific ideas about what makes sense and what does not inspires in me a sense of awe. As a professor and historian, thinking anthropologically has always been an important tool, because it helps me look for the hidden, cultural logics that guided the behavior of people in history. It helps me ask different questions. And it sharpens my sense of humility for the fundamental unknowability of this world we call home.
For me, the power of both history and anthropology as disciplines of knowledge is their shared capacity for taking a thing you thought you knew and showing you that you didn’t actually know anything about it at all—in fact, you didn’t even know what questions to ask about it. I would be seriously remiss in a list like this if I did not mention the book that first fascinated me, as a historian, with the anthropologist’s way of posing questions. In this towering classic of British social anthropology, Professor Douglas forces us completely to rethink something we actually never think about at all: dirt. But trust me, once you pose the question, “what is dirt?” you can never think about filth (and its structural counterpart, purity) in the same way again.
Is cleanliness next to godliness? What does such a concept really mean? Why does it recur as a universal theme across all societies? And what are the implications for the unclean?
In Purity and Danger Mary Douglas identifies the concern for purity as a key theme at the heart of every society. In lively and lucid prose she explains its relevance for every reader by revealing its wide-ranging impact on our attitudes to society, values, cosmology and knowledge. This book has been hugely influential in many areas of debate - from religion to social theory. With a specially commissioned preface…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
A classic of ethnographic description and symbolic analysis based upon fieldwork among the Ndembu of Zambia—a must read for anyone interested in sociological and psychological implications of ritual belief and practice in a small-scale, non-literate, kinship-based society.
A stellar example of what is lost by cancelling "colonialist" literature and discarding the very concepts of "culture" and "religion" as relics of Western intellectual imperialism.
In 10 essays on color symbolism, circumcision rites, rites of passage, social dynamics, and more, Turner lays the groundwork for his proposition that ritual is the key to religion and religion is the key to culture.
A pioneering work of high quality, this collection of anthropological studies provides one of the most detailed records available for an African society-or indeed for any group-of the semantics of ritual symbolism. It combines unusually detailed ethnographic description, based upon field work among the Ndembu of Zambia, with remarkable theoretical sophistication. Professor Turner describes the ritual phenomena in terms both of practice and of their sociological and psychological implications within a preliterate society.
Case histories illustrate the function of ritual in creating community harmony. Data on circumcision rites and medical practices and an essay on color classification have wide implications…
I am an emeritus professor from Harvard and have spent decades trying to develop an anthropological mode of understanding history. Far from being “one damned thing after another,” as Henry Ford allegedly put it, history is an attempt to understand the human condition. It brings us into contact with people in the past, showing us how they thought, felt, and acted. For many decades, anthropologists have endeavored to do the same thing, concentrating on people separated from us by space rather than time. By applying anthropological insights to historical research, I think it is possible to make the past come alive to modern readers, while at the same time making it interesting and even amusing.
Like the anthropologists mentioned above, Sahlins is a superb writer, and succeeds in making esoteric ideas come alive for the non-academic reader. In this work, he shows how Cook’s exploration of the Pacific islands, especially Hawaii, became incorporated in the cosmologies of the indigenous peoples. Because of the time and the way Cook arrived in Kealakekua Bay, Hawaiians took him to be the god Lono. And his death at their hands fit in with their ritual of sacrificing the god to restore the power of the king. It was congruent with local power struggles as well as the cosmological calendar. This book as well as the others will sharpen the reader’s awareness of how events are made to be meaningful in alien cultures, and they can provoke reflections about how we make sense of happenings close to home.
Marshall Sahlins centers these essays on islands—Hawaii, Fiji, New Zealand—whose histories have intersected with European history. But he is also concerned with the insular thinking in Western scholarship that creates false dichotomies between past and present, between structure and event, between the individual and society. Sahlins's provocative reflections form a powerful critique of Western history and anthropology.
I am a witch, professional psychic, occult teacher, and multi-award-winning author of the international bestselling book Psychic Witch: A Metaphysical Guide To Meditation, Magick, and Manifestation. I have been fascinated with the topics of magick and psychic ability since a young age and have been researching both topics and how they intersect since about eight years old. I've had the honor of studying under some of the most prominent witchcraft teachers, elders, and witchcraft traditions. I’m constantly asked by readers which other books I recommend after reading mine, so here are the top picks I feel are essential for every psychic witch’s library that have been highly influential on my work.
The Witch's Book of Power by Devin Hunter is another book that was as immensely influential on uniting my witchcraft practice with psychic ability as The Inner Temple of Witchcraft and was just as life-changing for me. The book's focus is on understanding your frequency as a witch, guiding the reader to develop their inner psychic abilities, as well as weaving those frequencies as a witch. The book is extremely empowering in every sense of the word and has a strong focus on connecting to and working with spirit allies and divinity. Devin's perspectives, approaches, and practices are incredibly unique yet highly effective in terms of witchcraft books. You're bound to find insights and techniques within these pages that you won't find anywhere else and should be required reading for any psychic witch.
Witchcraft isn't always about the search for enlightenment; sometimes it's about power and the path to obtaining it. The Witch's Book of Power shares the secrets to unlocking the witch power within you through: * getting to know the source of witch power * working with your three souls * exploring the Pentacle of Sovereignty * applying astrological knowledge * using ecstatic practices, breathing exercises, and meditation * connecting to archetypes, deities, and nonphysical allies. Devin has helped thousands of people discover their power and in this book he skilfully explores the concepts behind creating magic that can change your…
I am a witch, professional psychic, occult teacher, and multi-award-winning author of the international bestselling book Psychic Witch: A Metaphysical Guide To Meditation, Magick, and Manifestation. I have been fascinated with the topics of magick and psychic ability since a young age and have been researching both topics and how they intersect since about eight years old. I've had the honor of studying under some of the most prominent witchcraft teachers, elders, and witchcraft traditions. I’m constantly asked by readers which other books I recommend after reading mine, so here are the top picks I feel are essential for every psychic witch’s library that have been highly influential on my work.
The Inner Temple of Witchcraft is one of the most influential books I have ever read. The book lays a fantastic foundation for any witch, starting with going inward and developing meditation and psychic skills to enhance your magick. In the dedication in my book, I wrote that Psychic Witch was sort of my love letter to The Inner Temple of Witchcraft, and it truly is. The Anniversary Edition includes expanded material and a foreword by Laurie Cabot, whose work, particularly her book Power of the Witch, has also been immensely influential on both of us as authors. Christopher once told me that my book was to The Inner Temple of Witchcraft what The Inner Temple of Witchcraft was to Laurie's Power of the Witch, and you can see a line of influence on these topics from Laurie to Christopher to my book. This was one of…
Expand your Inner Temple - your personal sacred space where there are no boundaries and all things are possible. This four-CD set helps open the door by calming your mind and guiding the visualisations vital to magickal success. It is designed to complement the study course: The Inner Temple of Witchcraft. Each CD allows you to experience the book's lessons on a deep and personal level, with an experienced teacher guiding the way.
I first got fascinated with fantasy as a very reluctant high school reader. I didn’t like to read all that much because I was a slow reader and it was a laborious task for me. A high school friend offered me a fantasy book to read sophomore year and I couldn’t put it down. That one book started me on a reading journey that has never stopped. I also studied English, became a teacher, and finally began writing my own fantasy. These books took a reluctant reader in high school to the man and author I am today. I hope my own work does the same for future writers.
As a reader, I was on the slow side. I tended to analyze the text too much, I think.
By the time I came across the Magic Kingdom of Landover series, I still shied away from the giant fantasy tomes because I was intimidated that they were too long, and it would take me too long to get through them. I looked for smaller fantasy books and I came across Terry Brooks. I was intrigued by his Sword of Shanara series, but I settled on the Magic Kingdom of Landover instead.
These books are about a lawyer who buys a magic kingdom and is ported away to the kingdom to have an adventure. Talk about wishing you could go to another realm! In this series, the protagonist literary travels to another realm. After I completed this series, I was becoming more confident in my reading, and I was just about…
Here in his first non-Shannara novel, Terry Brooks has written a gripping story of mystery, magic, and adventure—sure to delight fantasy readers everywhere.
Landover was a genuine magic kingdom, with fairy folk and wizardry, just as the advertisement has promised. But after he purchased it, Ben Holiday learned that there were a few details the ad had failed to mention.
The kingdom was in ruin. The Barons refused to recognize a king, and the peasants were without hope. A dragon was laying waste the countryside, while an evil witch plotted to destroy everything.
I love horses and I love the magic that exists in the world. I have always been drawn to both. My maternal grandmother had the ‘second sight’ as they called it, and I have inherited that from her. My books and poetry reflect my sincere belief that magic and wonder are alive and well and that we need to nourish them by acknowledging their existence in our everyday lives. The miracle of life, the sun rising and setting every day, the dance of the stars and moon across the sky, the glory of the northern lights—who can claim that isn’t magic?
I’m not a big romance fan, but Roberts deftly mixes good and evil and witches and demons into a purely solid and real setting which brings the magic to the forefront and relegates the romance part of the plot to a secondary character. Set on Three Sisters Island, an old legend is brought to a conclusion in a wild climax. I loved all three books in this series.
The conclusion of the "Three Sisters Island" trilogy. The new owner of the island's only hotel, Sam has returned to Three Sisters with hopes of winning back Mia's affections. But Mia needs his help to face her greatest challenge, and the deadline for breaking a centuries-old curse draws near.
I’m a fantasy writer and Christian witch with over 10 years of research, practice, and passion under my hat. Discovering the fantastical concept of “real world” magic as a youth—and the ways in which the institutions in power have tried so hard to stamp it out, despite it being an undeniable part of our cultural and spiritual psyche—has inspired me to explain all I know in my fantasy and seek out all the magic and wonder in my reality. After all, our fantasy stories must get their inspiration from the real world—from all the magic, mysticism, and struggle hidden under the pretty face of mainstream religion.
Like Mlakar’s book, this book reveals old folk traditions, but in a more explicitly stated and conversational way. For anyone with Italian ancestry who wants to look at the ways that old folk religion hides, adapts, and stays alive under the dominant religion of the area, this is an incredible read—and whether you’re a writer or a witch or both, you’ll find a lot of inspiration from it.
Say what you will about whether or not magic is real: this book reminds us that we’re not all so different from our fantasies—that our imaginations are as real as anything else, and that the world around us brims with power, even if it’s just the power to shift our mindset to look at our situation a different way.
In this fascinating journey through the magical, folkloric, and healing traditions of Italy the reader learns uniquely Italian methods of magical protection and divination and spells for love, sex, control, and revenge.
"Mary-Grace Fahrun's Italian Folk Magic is an intimate journey into the heart of Italian folk magical practices as they are lived every day. Having grown up in an extended Italian family in North America and Italy, the author presents us with the stories, characters, saints, charms, and prayers that form the core of folk religion, setting them in context in an authentic, down-to-earth, and humorous voice. A delight…
Growing up as an only child, books and animals were hugely important to me – they were my friends and I really wanted to believe in a magic that would allow me to talk to animals and them to me. I have now written over 250 books and pretty much all of them have either magic or animals in or a combination of both – unicorns, ponies that turn into magical horses, star animals who teach the children they bond with how to do magic, mermaids with sea creatures as pets. I really love to write – and read – about magical animals and their very lucky human friends!
I was lucky enough to be given an advance copy of this book written by debut author, Skye Mackenna and I instantly fell in love with the characters and the story. Perfect reading for middle-grade readers who like longer, more challenging magic books. It is set in a world similar to ours which also has witches, scary fairies, goblins, and talking animals. Cassie, the heroine, sets out to discover why her mother disappeared seven years ago and in the process starts a new life, makes new friends (not least the wonderful talking cat, Montague), learns more about her witch-family heritage, and encounters terrifying faeries. This is the first book in the Hedgewitch series and is due to be published in 2022 - I can’t wait to read the rest!
Step into the magical world of Hedgewitch, where the land of Faerie lies just beyond our own, in this enchanting new series for children age 9+ and readers of Nevermoor, The Worst Witch and The Dark Is Rising.
Cassie Morgan has run away. After seven years spent waiting for her mother to return, she flees her dreary boarding school and sets out to find her. But the world outside her school is full of hidden magic and children have been going missing.
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