100 books like Wild at Heart

Little is more adventurous than a woman who owns a gambling hell, who has forged a path to success, and dares Society to judge her. I love Sarah’s depth of characterization and how she infuses her characters with a background and motivations that make their actions, even the questionable ones, understandable and believable. I find she always takes an insurmountable conflict and uses it to drive the characters toward change. I so admire Sarah’s ability to carry me on a journey that always ends with a sigh of satisfaction, and often a few tears.

This book, by Julie Anne Long, is also from her Palace of Rogues series. It is also a great example of layering. However, it is also a subtle allegory about celebrity and the power of attraction.

The hero is a man of great renown who has escaped to the hotel for peace and quiet in order to write his memoirs. He is high profile and has a pristine reputation for morality. The heroine is also well known in her own, less pristine circles and is not necessarily known for the better. She is an utter scandal and the last sort of woman the duke ought to be attracted to on the grounds of her reputation.

This is a clash of worlds in a less traditional sense—it's not just about who has a title and good birth and who doesn't. This book is so much deeper, so much better… show more.

I find such fun in an innocent miss wanting to explore a brothel. Curiosity and inquisitiveness are attitudes that I believe drive adventurous women. But they don’t always start a brawl in a brothel nor do they have the scientific mind to develop a small bomb that will allow them to escape. I always enjoy a heroine with a sharp mind who isn’t afraid to use it. Vivienne Lorret brings humor to her stories, making her characters incredibly relatable. I smiled throughout the story and loved the heroine’s little quirks.

An adventurous lady gambler. I enjoy stories where the heroine is taking on the role usually belonging to the hero. Kelly Bowen is so skilled at giving us characters to care about and root for. This story was a delicious read with a heroine equal to the task of taming the hero. I love Kelly’s writing style and how smoothly her stories flow.

You either already know Jon Dever and are excited by my mentioning of him or you’re completely unfamiliar with his work.

Jon Dever is the pioneer of choose-your-own-adventure books and Lone Wolf is his flagship series. Mydnight Hero is a stand-alone sequel to the Lone Wolf series and is a great choice for anyone who doesn’t want to commit to a fantasy series. What’s special about Lone Wolf is that it makes the reader the main character of the story, allowing them to make decisions that impact the story—it even has a playable combat system. 

Lone Wolf is a book that is also a game. A LitRPG for Kids, originally written in the 80s, it is the start of a wonderfully long series of illustrated books that both allowed children to choose their actions as the protagonist of the story and also gave them choices on how to develop the hero and make him progress.

It’s a model of book that I really would like to see more of today.

Lone Wolf might be the series that started me on my gaming path, and it is a magical and beautiful quest that teaches about honor, teamwork, and clever tactical planning.

Even better, the author made the series free online in 2015. So it is now available all over the internet and even as a number of free phone apps.

Birds of Heaven is a tiny book full of noble thoughts on why stories and storytelling are integral to our humanity. Okri, the Man Booker Prize author of ‘The Famished Road’, eloquently states ‘The universe began as a story… we are part human, part stories.’

The text contains two inspirational essays on the meaning of language and its power to shape our lives. The work presents an alternative spiritual response to the problems of the present day. It is bursting with beautiful and insightful gems.

This book is different. After a slew of books all pedaling the same material based on the dreaded Hollywood formula, it was really good to find something that bucked the trend. 

Truby focuses on morality in stories. He maintains that every story is actually a moral argument, and gives his practical steps for harnessing that morality and using it to create a strong story. 

I feel there is a lot to be said for this. The only real flaw is that there are actually twelve sensible bases for a story and although the moral argument is undeniably one of those that generates a strong story, it is important for writers to understand all of them.

This book contains twelve easily told tales that can be used to discuss character development. The Norfolks include suggestions for classroom use of the tales. I like to recommend this to the teachers in my storytelling classes as the advice comes from a teacher who has written several other books on using stories in the classroom.

Stories come alive when people tell them to each other.

In my mid-20s, I happened upon a weekly gathering in Toronto, “1001 Friday Nights of Storytelling.” In a former synagogue turned art school – with candlelight shining on works in progress – people told old tales, by heart and with heart. This was the beginning of many things in my life, and this is the community that folklorist Kay Stone has written about.

She shows that the Toronto storytelling circle is part of a worldwide movement. She talks with great storytellers and explores favourite stories with them. And she shares her own struggle with a witch story from Grimms’ Fairy Tales, and how, as she told it again and again, she changed the story and the story changed her.